MC5
Made films the shows talk about.
No film of theirs is counted, so what they drew on and who drew on them comes only from the lines with them at one end.
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
No line says they, or a film of theirs, drew on anything.
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
No line says anything drew on them or a film of theirs.
What the speakers said they did
Other (1) everyone in other
- band the speaker says the film's protest moments should sound like (not in the film), The Trial of the Chicago 7 (The Big Picture, Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’)
What was said about them, by kind
contrast (1)
-
contrast (contrast):
The Trial of the Chicago 7 → MC5.
The film's mix of faux-60s rock guitar and syrupy film score is faulted; MC5 is what the moment really sounded like and what a radical protester listened to.
“he has this like simulacra, like 60s rock and roll score where there's like electric tar combined with this very syrupy film music score.”
The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:42:54 · Sean Fennessey (0.60 sure it was them)
Fun items about them
None.