Francis Bacon

Made films the shows talk about.

Counted as other. The films the hosts said they were tied to, which the two lists below run through too: RoboCop (1987); In the Cut (2003).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Avatar (2009): 1 line

  1. lineage (lineage) · through RoboCop (1987), which they were tied to as painter, referenced in Keaton's office: Avatar ⇒ RoboCop (the host's read). The robot-waking sequence is beat for beat the first act of Avatar, down to testing the new body's powers.
    “It is crazy actually how much this sequence is like beat for beat, the Avatar, right?”
    Blank Check — Patreon · RoboCop (2014) · 0:38:34 · Griffin Newman (0.50 sure it was them)

Batman Begins (2005): 1 line

  1. lineage (lineage) · through RoboCop (1987), which they were tied to as painter, referenced in Keaton's office: Batman Begins ⇒ RoboCop (the host's read). The remake is part of the grounded-and-serious wave that followed Nolan; the speakers say this film marks the end of it.
    “The Batman begins effect.”
    Blank Check — Patreon · RoboCop (2014) · 0:47:48 · Griffin Newman (0.50 sure it was them)

Flesh and Blood (1985): 1 line

  1. career (career) · through RoboCop (1987), which they were tied to as painter, referenced in Keaton's office: Flesh and Blood ⇒ RoboCop (the host's read). Flesh+Blood is the failure that led Verhoeven to Hollywood and RoboCop, where he built entertainment around his interests.
    “from this film on, he figures out how to take everything he's interested in and put it into the body of a conventionally entertaining Hollywood movie”
    Blank Check with Griffin & David · Flesh+Blood · 0:49:14 · Griffin Newman (0.50 sure it was them)

Susanna Moore: 1 line

  1. lineage (lineage) · through In the Cut (2003), which they were tied to as painter (palette reference): Susanna Moore ⇒ In the Cut (the host's read). Campion had been developing the film since the mid-90s, when she read Moore's novel.
    “Campion had been working on this movie since the mid 90s when she read Susanna Moore's novel, which came out in 95.”
    Blank Check — Patreon · In the Cut with Jourdain Searles (Ad-Free) · 0:24:44 · Griffin or David (unclear) (0.35 sure it was them)

The Wizard of Oz (1939): 1 line

  1. craft (craft) · through RoboCop (1987), which they were tied to as painter, referenced in Keaton's office: The Wizard of Oz ⇒ RoboCop (the host's read). The training-sequence song joke riffs on the Tin Man and If I Only Had a Heart.
    “If I only had a heart is what it's.”
    Blank Check — Patreon · RoboCop (2014) · 0:46:51 · Griffin Newman (0.30 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

The Wolf of Wall Street (2013): 1 line

  1. unmapped (painting reference) · them, directly: Francis Bacon ⇒ The Wolf of Wall Street (the host's read). Bacchanal tableaux reference the Last Supper and Francis Bacon.
    “Sometimes it's the last supper. Sometimes it's Francis Bacon and like the disgusting nature of the human soul.”
    The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:25 · unknown (0.40 sure it was them)

What the speakers said they did

Other (2) everyone in other

What was said about them, by kind

craft (1)

  1. craft (craft): Francis Bacon → In the Cut. The film's color palette is compared to a Francis Bacon painting.
    “Like it has like the color palette of a Francis Bacon painting and the weird shallow focus and the jagged editing and all these things.”
    Blank Check — Patreon · In the Cut with Jourdain Searles (Ad-Free) · 0:30:04 · Griffin or David (unclear) (0.35 sure it was them)

unmapped (1)

  1. unmapped (painting reference): The Wolf of Wall Street → Francis Bacon. Bacchanal tableaux reference the Last Supper and Francis Bacon.
    “Sometimes it's the last supper. Sometimes it's Francis Bacon and like the disgusting nature of the human soul.”
    The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:25 · unknown (0.40 sure it was them)

Fun items about them

None.