Peter Gabriel

Made films the shows talk about.

Wikidata Q175195: matched by corpus:resolve, told apart by Wikidata joins them to The Last Temptation of Christ, which The Last Temptation of Christ with Jamelle Bouie credits them on.

Counted as composer, the making department they hold the most credits in. The films the hosts said they scored, which the two lists below run through too: The Last Temptation of Christ (1988); Vanilla Sky (2001).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Abre los ojos (Open Your Eyes): 3 lines

  1. lineage (lineage) · through Vanilla Sky (2001), which they scored: Abre los ojos (Open Your Eyes) ⇒ Vanilla Sky (the host's read). Vanilla Sky is nearly the same story as the Spanish original, except the hero is a magazine magnate friends with Spielberg.
    “So the film is actually pretty much exactly the same as Abri Lozojos, except for the main character of that movie is not a magazine magnate who's friends with Steven Spielberg.”
    Blank Check — Patreon · Vanilla Sky with Richard Lawson (Ad-Free) · 0:26:51 · David Sims (0.60 sure it was them)
  2. lineage (lineage) · through Vanilla Sky (2001), which they scored: Abre los ojos (Open Your Eyes) ⇒ Vanilla Sky (the host's read). The ending follows the original beat for beat, down to the jump and the 'open your eyes' last line.
    “Yeah, again, it's how Abri Lo Sojos works to a T down to him jumping and open your eyes, like being on last lines.”
    Blank Check — Patreon · Vanilla Sky with Richard Lawson (Ad-Free) · 1:38:09 · David Sims (0.60 sure it was them)
  3. lineage (lineage) · through Vanilla Sky (2001), which they scored: Abre los ojos (Open Your Eyes) ⇒ Vanilla Sky (the host's read). The Spanish film has the same beats, and the protagonist's face looks even worse in it.
    “But it's like the movie's beats are exactly the same down to the, you know, crucial moment of him like lying in the gut.”
    Blank Check — Patreon · Vanilla Sky with Richard Lawson (Ad-Free) · 0:31:50 · David Sims (0.45 sure it was them)

Barbara Hershey: 1 line

  1. lineage (origin of project) · through The Last Temptation of Christ (1988), which they scored: Barbara Hershey ⇒ The Last Temptation of Christ (the host's read). Hershey also planted the book in Scorsese's head and told him to let her audition as Mary Magdalene.
    “But it's planted in his head by her.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:44:30 · David Sims (0.40 sure it was them)

Ben-Hur (1959): 1 line

  1. unmapped (accent convention) · through The Last Temptation of Christ (1988), which they scored: Ben-Hur ⇒ The Last Temptation of Christ (the host's read). Scorsese made the Romans British, as in Ben-Hur, with everyone else American.
    “He said the big thing was to give let the Romans be British.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:02:57 · Griffin Newman (0.40 sure it was them)

Boxcar Bertha (1972): 1 line

  1. unmapped (production method) · through The Last Temptation of Christ (1988), which they scored: Boxcar Bertha ⇒ The Last Temptation of Christ (the maker said so). Scorsese's Corman-style Boxcar Bertha experience let him storyboard and time every shot to make Last Temptation cheaply.
    “I never would have been able to make this movie if I didn't have my Corman background and experience a boxcar Bertha specifically”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:54:52 · Griffin Newman (0.50 sure it was them)

Open Your Eyes (1997): 1 line

  1. lineage (remake) · through Vanilla Sky (2001), which they scored: Open Your Eyes ⇒ Vanilla Sky (the host's read). Cruise adapted Abre los Ojos into Vanilla Sky, a bold move he does not make today.
    “adapted Aubrey Los Ojos into Vanilla Sky”
    The Big Picture · The Tom Cruise Hall of Fame · 1:09:45 · Chris Ryan (0.40 sure it was them)

The Color of Money (1986): 1 line

  1. career (career enabler) · through The Last Temptation of Christ (1988), which they scored: The Color of Money ⇒ The Last Temptation of Christ (the host's read). The paycheck-gig hit stabilizes Scorsese's career and makes Last Temptation and Goodfellas possible.
    “Must admit though, it is the guarantor that allows him to immediately then make. Last temptation of Christ in Goodfellas.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:17:57 · unknown (0.30 sure it was them)

The Robe (1953): 1 line

  1. lineage (influence) · through The Last Temptation of Christ (1988), which they scored: The Robe ⇒ The Last Temptation of Christ (the host's read). The Robe is the first Christ movie Scorsese remembers seeing.
    “The 1st Christ movie he remembers seeing is the robe.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:45:07 · David Sims (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

After Hours (1985): 3 lines

  1. career (personal projection) · through The Last Temptation of Christ (1988), which they scored: The Last Temptation of Christ ⇒ After Hours (the maker said so: Scorsese quoted in an oral history). Scorsese worked Kafka's Before the Law into the club doorman scene to reflect his frustration over Last Temptation.
    “inspired by Franz Kafka's before the law. And Scorsese said the short story reflected his frustration toward the production of the Last Temptation of Christ.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 1:23:31 · Sean Fennessey (0.50 sure it was them)
  2. unmapped (cause) · through The Last Temptation of Christ (1988), which they scored: The Last Temptation of Christ ⇒ After Hours (the maker said so: a Scorsese quote on After Hours being a reaction to the Last Temptation ordeal). After Paramount collapsed Last Temptation, Scorsese wanted a cheap, personal film; After Hours is his reaction to the Hollywood ordeal.
    “it's a reaction against my year and a half into Hollywood trying to get last temptation to Christ made.”
    Blank Check with Griffin & David · After Hours with Alison Sivitz · 0:50:49 · unknown host (quoting Scorsese) (0.35 sure it was them)
  3. unmapped (sliding door) · through The Last Temptation of Christ (1988), which they scored: The Last Temptation of Christ ⇒ After Hours (the host's read). Paramount cancelling Last Temptation sent Scorsese to a small fast job; one of movie history's sliding doors.
    “it is one of the massive sliding doors in movie history because him not making it leads to him making this movie”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:17:03 · Sean Fennessey (0.60 sure it was them)

Cape Fear (1991): 1 line

  1. industry (business deal) · through The Last Temptation of Christ (1988), which they scored: The Last Temptation of Christ ⇒ Cape Fear (the host's read). Universal's deal to make Last Temptation obliged a bigger film later, resulting in the Spielberg swap and Cape Fear.
    “it gets fear is a direct result of his deal with Universal for this month.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 2:00:50 · David Sims (0.40 sure it was them)

What the speakers said they did

Music (3) everyone in music

What was said about them, by kind

lineage (1)

  1. lineage (influence): Peter Gabriel → The Last Temptation of Christ. Gabriel's score is claimed to shape how every Middle East-set film sounds.
    “But like every movie set in the Middle East now sounds like this because of this score.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:52:21 · Griffin Newman (0.40 sure it was them)

verdict (1)

  1. verdict (verdict): Peter Gabriel → The Last Temptation of Christ. The host praises the Peter Gabriel soundtrack to the Scorsese film that was cancelled and later made.
    “I really like the soundtrack. It is a good soundtrack. It's I was really cranking it in the late 80s.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:16:39 · Bill Simmons (0.50 sure it was them)

Fun items about them

  1. fun, about Peter Gabriel: Gabriel did the score nearly free, mixing voices from around the world; it was released as Passion and is credited as breakthrough for world music in America.
    “He did the movie basically for free.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:52:06 · David Sims (0.40 sure it was them)