Nicholas Pileggi

Made films the shows talk about.

Counted as writer, the making department they hold the most credits in. The films the hosts said they wrote, which the two lists below run through too: Goodfellas (1990).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

After Hours (1985): 2 lines

  1. unmapped (stylistic seed) · through Goodfellas (1990), which they wrote: After Hours ⇒ Goodfellas (the host's read). Sean says the fast cutting, whip-pans and close-ups in After Hours are the seeds of Goodfellas' look, via cinematographer Michael Ballhaus.
    “just seeing all the seeds of Goodfellas and all these little edits and camera shots.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:04:02 · Sean Fennessey (0.70 sure it was them)
  2. career (career hinge) · through Goodfellas (1990), which they wrote: After Hours ⇒ Goodfellas (the host's read). Bill says Goodfellas does not happen if After Hours does not happen first; the cancelled Last Temptation is the sliding door.
    “I don't know if Goodfellas happens.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:17:21 · Sean Fennessey (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

Killers of the Flower Moon (2023): 3 lines

  1. craft (opening style) · through Goodfellas (1990), which they wrote: Goodfellas ⇒ Killers of the Flower Moon (the host's read). The opening tracking shot echoes the Copacabana shot before the film rejects that mode.
    “It was a very long tracking shot through Leo's arrival, which is, you know, gesturing to Copacabana”
    The Big Picture · ‘Killers of the Flower Moon’ Is Astounding · 0:14:19 · Sean Fennessey (0.60 sure it was them)
  2. contrast (inverts) · through Goodfellas (1990), which they wrote: Goodfellas ⇒ Killers of the Flower Moon (the host's read). Same crimes by white men but with no romance or good life, a deliberate answer to Goodfellas' seductiveness.
    “there's a romance to Goodfellas that does not exist here.”
    The Big Picture · ‘Killers of the Flower Moon’ Is Astounding · 0:28:46 · Amanda Dobbins (0.50 sure it was them)
  3. unmapped (narration trick) · through Goodfellas (1990), which they wrote: Goodfellas ⇒ Killers of the Flower Moon (the host's read). Molly's voiceover recalls Karen taking over narration in Goodfellas.
    “Goodfellas does this. There's a moment when Karen takes over the narration.”
    The Big Picture · ‘Killers of the Flower Moon’ Is Astounding · 1:08:58 · Sean Fennessey (0.50 sure it was them)

A Bronx Tale (1993): 1 line

  1. unmapped (borrowing) · through Goodfellas (1990), which they wrote: Goodfellas ⇒ A Bronx Tale (the host's read). The bar-introduction scene of nicknamed mobsters is called a borderline Goodfellas ripoff.
    “Meeting everyone in the bar, which is just a borderline Goodfellas ripoff.”
    The Rewatchables · ‘A Bronx Tale’ With Bill Simmons, Chris Ryan, Sean Fennessey, and Van Lathan · 0:55:08 · Bill Simmons (0.60 sure it was them)

My Blue Heaven: 1 line

  1. lineage (lineage) · through Goodfellas (1990), which they wrote: Goodfellas ⇒ My Blue Heaven (the host's read). My Blue Heaven is blown out by Goodfellas as it is the same movie, like a sequel.
    “It got kind of blown out of the water by Goodfellas because it's the same movie.”
    The Big Picture · The 1990 Movie Draft · 1:31:51 · unknown (0.40 sure it was them)

What the speakers said they did

Writing (1) everyone in writing

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.