United Artists

Made films the shows talk about.

Counted as studio. The films the hosts said they were behind, which the two lists below run through too: The Killing (1956); The Last Temptation of Christ (1988); Bandido; The Gladiators (unmade).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Barbara Hershey: 1 line

  1. lineage (origin of project) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: Barbara Hershey ⇒ The Last Temptation of Christ (the host's read). Hershey also planted the book in Scorsese's head and told him to let her audition as Mary Magdalene.
    “But it's planted in his head by her.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:44:30 · David Sims (0.40 sure it was them)

Ben-Hur (1959): 1 line

  1. unmapped (accent convention) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: Ben-Hur ⇒ The Last Temptation of Christ (the host's read). Scorsese made the Romans British, as in Ben-Hur, with everyone else American.
    “He said the big thing was to give let the Romans be British.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:02:57 · Griffin Newman (0.40 sure it was them)

Boxcar Bertha (1972): 1 line

  1. unmapped (production method) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: Boxcar Bertha ⇒ The Last Temptation of Christ (the maker said so). Scorsese's Corman-style Boxcar Bertha experience let him storyboard and time every shot to make Last Temptation cheaply.
    “I never would have been able to make this movie if I didn't have my Corman background and experience a boxcar Bertha specifically”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:54:52 · Griffin Newman (0.50 sure it was them)

Clean Break (novel): 1 line

  1. lineage (adaptation) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: Clean Break (novel) ⇒ The Killing (the host's read). The film is the screen version of the novel Clean Break.
    “Clean Break was the name of the book.”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 0:05:46 · David Sims (0.40 sure it was them)

Stanley Kubrick: 1 line

  1. unmapped (drew on his chess life) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: Stanley Kubrick ⇒ The Killing (the host's read). The speaker says the movie comes out of Kubrick's chess life in several ways.
    “I love how much this movie comes out of Kubrick's chess life in multiple ways.”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 0:09:39 · Griffin Newman (0.70 sure it was them)

The Color of Money (1986): 1 line

  1. career (career enabler) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Color of Money ⇒ The Last Temptation of Christ (the host's read). The paycheck-gig hit stabilizes Scorsese's career and makes Last Temptation and Goodfellas possible.
    “Must admit though, it is the guarantor that allows him to immediately then make. Last temptation of Christ in Goodfellas.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:17:57 · unknown (0.30 sure it was them)

The Robe (1953): 1 line

  1. lineage (influence) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Robe ⇒ The Last Temptation of Christ (the host's read). The Robe is the first Christ movie Scorsese remembers seeing.
    “The 1st Christ movie he remembers seeing is the robe.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:45:07 · David Sims (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

After Hours (1985): 3 lines

  1. career (personal projection) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Last Temptation of Christ ⇒ After Hours (the maker said so: Scorsese quoted in an oral history). Scorsese worked Kafka's Before the Law into the club doorman scene to reflect his frustration over Last Temptation.
    “inspired by Franz Kafka's before the law. And Scorsese said the short story reflected his frustration toward the production of the Last Temptation of Christ.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 1:23:31 · Sean Fennessey (0.50 sure it was them)
  2. unmapped (cause) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Last Temptation of Christ ⇒ After Hours (the maker said so: a Scorsese quote on After Hours being a reaction to the Last Temptation ordeal). After Paramount collapsed Last Temptation, Scorsese wanted a cheap, personal film; After Hours is his reaction to the Hollywood ordeal.
    “it's a reaction against my year and a half into Hollywood trying to get last temptation to Christ made.”
    Blank Check with Griffin & David · After Hours with Alison Sivitz · 0:50:49 · unknown host (quoting Scorsese) (0.35 sure it was them)
  3. unmapped (sliding door) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Last Temptation of Christ ⇒ After Hours (the host's read). Paramount cancelling Last Temptation sent Scorsese to a small fast job; one of movie history's sliding doors.
    “it is one of the massive sliding doors in movie history because him not making it leads to him making this movie”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:17:03 · Sean Fennessey (0.60 sure it was them)

Cape Fear (1991): 1 line

  1. industry (business deal) · through The Last Temptation of Christ (1988), which they were behind as studio that turned down the script: The Last Temptation of Christ ⇒ Cape Fear (the host's read). Universal's deal to make Last Temptation obliged a bigger film later, resulting in the Spielberg swap and Cape Fear.
    “it gets fear is a direct result of his deal with Universal for this month.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 2:00:50 · David Sims (0.40 sure it was them)

One-Eyed Jacks (1961): 1 line

  1. unmapped (led to) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: The Killing ⇒ One-Eyed Jacks (the host's read). Brando had seen The Killing and Paths of Glory and wanted Kubrick to direct his western.
    “Marlon Brando had seen the killing and had seen paths of glory and thought Kubrick was great.”
    Blank Check — Patreon · Spartacus with Richard Lawson (Ad-Free) · 0:39:11 · David Sims (0.50 sure it was them)

Paths of Glory (1957): 1 line

  1. unmapped (led to) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: The Killing ⇒ Paths of Glory (the host's read). Kirk Douglas saw The Killing and wanted that director for Paths of Glory.
    “And then didn't Kirk Douglas see this and went, oh, this is paths of glory.”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 1:05:46 · Patton Oswalt (0.35 sure it was them)

Reservoir Dogs (1992): 1 line

  1. lineage (lineage) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: The Killing ⇒ Reservoir Dogs (the maker said so: a Tarantino quote the host reads). Tarantino said Reservoir Dogs was his version of Kubrick's heist film, without meaning it as a ripoff.
    “but I did think of it as my killing, my take on that kind of heist movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:05 · Bill Simmons (0.70 sure it was them)

The Dark Knight (2008): 1 line

  1. lineage (homage) · through The Killing (1956), which they were behind as studio that bought Harris's rights to The Killing: The Killing ⇒ The Dark Knight (the host's read). The clown mask is said to look basically like the Joker mask Nolan pays homage to in The Dark Knight.
    “Nolan obviously pays homage to in the Dark Knight”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 1:28:00 · David Sims (0.35 sure it was them)

What the speakers said they did

Studio (5) everyone in studio

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.