Touchstone Pictures

Made films the shows talk about.

Counted as studio. The films the hosts said they were behind, which the two lists below run through too: The Color of Money (1986); Pretty Woman (1990); The Royal Tenenbaums (2001); Master and Commander: The Far Side of the World (2003); Zodiac (2007); Lincoln (2012); Bridge of Spies (2015).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

The Hustler (1961): 7 lines

  1. lineage (callback) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). The mentoring conversation Newman has with Vince and Carmen mirrors the one George C. Scott has with Newman in The Hustler; both films also go on the road.
    “that's basically the George C. Scott has the same conversation with Paul Newman and the Hustler.”
    The Rewatchables · ‘The Color of Money’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:44:53 · Chris Ryan (0.65 sure it was them)
  2. lineage (sequel/continuation) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). Newman's Eddie Felson in 1986 becomes the George C. Scott hustler-mentor character of the original, and the sequel answers rather than remakes it.
    “the Newman character in the color of money becomes the George C. Scott character in the Hustler.”
    The Rewatchables · ‘The Color of Money’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:45:31 · Sean Fennessey (0.60 sure it was them)
  3. lineage (lineage) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). The Color of Money revisits Eddie Felson years later, with Paul Newman in his twilight and a new protege.
    “Now we find Paul Newman bringing up like a new protégé.”
    The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 1:47:28 · Chris Ryan (0.60 sure it was them)
  4. lineage (callback) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). Newman getting drunk and hustled by Amos is the first time he plays the Jackie Gleason role of the original, drunk and overconfident.
    “it's basically the 1st time he plays Jackie Gleason and the hustler where he's just like wasted and thinks he's going to win and then gets gets hustled.”
    The Rewatchables · ‘The Color of Money’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:45:56 · Sean Fennessey (0.50 sure it was them)
  5. lineage (source material) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). The film is theoretically based on Walter Tevis's follow-up novel to The Hustler but has almost nothing to do with it; Minnesota Fats was in the novel.
    “this is theoretically based on Walter Tevis's follow-up novel to the Hustler, but the movie has almost nothing to do with the novel”
    The Rewatchables · ‘The Color of Money’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:52:26 · Sean Fennessey (0.50 sure it was them)
  6. unmapped (continuing tragedy) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). The Color of Money carries the original film's tragedy as backstory without explaining it in a monologue.
    “And that's all the backstory for this movie, which is so interesting that he doesn't give the big monologue explaining what happened in the 1st film.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:12:13 · unknown (0.30 sure it was them)
  7. lineage (sequel) · through The Color of Money (1986), which they were behind as studio: The Hustler ⇒ The Color of Money (the host's read). The Color of Money is the sequel to The Hustler, but built from a new script that keeps only the title of the Tevis sequel novel.
    “Even when they start developing scripts and go, like, throw all that out, start fresh, they kept writing in parts from Minnesota fats.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:13:06 · unknown (0.30 sure it was them)

Working Girl (1988): 2 lines

  1. lineage (lineage) · through Pretty Woman (1990), which they were behind as studio: Working Girl ⇒ Pretty Woman (the host's read). Pretty Woman borrows openly from Working Girl's Cinderella story.
    “It openly steal shit from this movie.”
    The Rewatchables · ‘Working Girl’ With Bill Simmons, Amanda Dobbins, and Joanna Robinson · 0:08:48 · Bill Simmons (0.50 sure it was them)
  2. programming (programming) · through Pretty Woman (1990), which they were behind as studio: Working Girl ⇒ Pretty Woman (the host's read). Pairing Working Girl and Pretty Woman as a Cinderella double feature to see what Pretty Woman took.
    “It double Cinderella and then you're watching Purdue Woman seeing all the things they took.”
    The Rewatchables · ‘Working Girl’ With Bill Simmons, Amanda Dobbins, and Joanna Robinson · 2:05:09 · unknown (0.40 sure it was them)

After Hours (1985): 1 line

  1. career (career bridge) · through The Color of Money (1986), which they were behind as studio: After Hours ⇒ The Color of Money (the host's read). The camera moves of After Hours carry into Color of Money's pool table, tied to Ballhaus; both lead to Goodfellas.
    “that same thing, that camera is flying across the pool table.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:30:24 · Sean Fennessey (0.60 sure it was them)

Collateral (2004): 1 line

  1. people (casting) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): Collateral ⇒ Zodiac (the host's read). Fincher cast Ruffalo partly because he liked him in Collateral.
    “One, Fincher really liked him in collateral.”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 1:24:06 · Griffin Newman (0.50 sure it was them)

Donnie Darko (2001): 1 line

  1. people (casting) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): Donnie Darko ⇒ Zodiac (the host's read). Fincher liked Donnie Darko and had Gyllenhaal pegged for a while.
    “unsurprisingly, Fincher liked Donny Darko”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 1:22:44 · Griffin Newman (0.50 sure it was them)

Francois Truffaut: 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: Francois Truffaut ⇒ The Royal Tenenbaums (the host's read). French New Wave influence.
    “Francois Truffaux, Sholu Qadar, the French New Wave.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:15:59 · Chris Ryan (0.50 sure it was them)

French New Wave: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: French New Wave ⇒ The Royal Tenenbaums (the host's read). Combines the emotionality and cutting style of French new wave with the rawness of 70s American cinema.
    “You've got 70s American cinema and you've also got 60s French new wave.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:06:33 · unknown (0.40 sure it was them)

From the Mixed-Up Files of Mrs. Basil E. Frankweiler: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: From the Mixed-Up Files of Mrs. Basil E. Frankweiler ⇒ The Royal Tenenbaums (the host's read). The vibe of that kid-runaway book imbues the first 40 minutes, including the narration and child-genius portraiture.
    “the whole vibe of that book is imbued in the 1st 40 minutes of this movie, most of the narration, most of the young Tenenbaum's portraiture of these 3 child geniuses.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:05:56 · unknown (0.40 sure it was them)

Harold and Maud: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: Harold and Maud ⇒ The Royal Tenenbaums (the host's read). Off-kilter characterization, 70s feel, overcoats, and suicide attempts; in the bloodstream of Tenenbaums and Squid and the Whale.
    “Harold and Maud is very much in the bloodstream of, of, the Royal Ten of bombs and Squid and the whale.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:37:40 · unknown (0.40 sure it was them)

Jean-Luc Godard: 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: Jean-Luc Godard ⇒ The Royal Tenenbaums (the maker said so: Matt Zoller Seitz's book on the movie). The mosaic of book covers was inspired by a Godard movie doing something similar.
    “he was inspired by, I think it was a Godard movie that did something similar, of course.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:53:10 · Andy Greenwald (0.50 sure it was them)

L.A. Confidential (1997): 1 line

  1. lineage (structure / influence) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): L.A. Confidential ⇒ Zodiac (the host's read). Leslye says Zodiac feels like it follows in the footsteps of L.A. Confidential.
    “zodiac feels like it follows in the footsteps of that.”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 0:50:16 · Leslye Headland (0.80 sure it was them)

Louis Malle: 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: Louis Malle ⇒ The Royal Tenenbaums (the host's read). French New Wave directors listed among its influences.
    “some of the influences on this movie include films by Louis Maule. Um, uh, Francois Truffaux, Sholu Qadar, the French New Wave.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:15:51 · Chris Ryan (0.50 sure it was them)

Michael Ovitz: 1 line

  1. industry (packager) · through The Color of Money (1986), which they were behind as studio: Michael Ovitz ⇒ The Color of Money (the host's read). Ovitz engineered the Newman-plus-Scorsese pairing, nudging Newman to write a letter and nudging Scorsese toward a commercial project.
    “I know he's an artiste. He's probably not going to want to do like a commercial thing. So I'm going to try and like nudge him towards something commercial.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:55:45 · unknown (0.30 sure it was them)

Paul Newman: 1 line

  1. unmapped (mentorship) · through The Color of Money (1986), which they were behind as studio: Paul Newman ⇒ The Color of Money (the host's read). Cruise picked up tips on managing movie stardom from Paul Newman on The Color of Money.
    “he picked up from the Paul Newmans of the world when appearing in the color of money.”
    The Big Picture · The Tom Cruise Hall of Fame · 0:44:17 · Sean Fennessey (0.40 sure it was them)

Raging Bull (1980): 1 line

  1. people (origin of collaboration) · through The Color of Money (1986), which they were behind as studio: Raging Bull ⇒ The Color of Money (the host's read). Newman watched Raging Bull on Ovitz's recommendation and wanted to work with Scorsese.
    “Paul Newman watches Raging Bull on, I guess Ovid's his recommendation and says, like, that's one of the best things I've ever seen.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:53:44 · unknown (0.30 sure it was them)

Raiders of the Lost Ark (1981): 1 line

  1. craft (camera-movement coverage) · through The Color of Money (1986), which they were behind as studio: Raiders of the Lost Ark ⇒ The Color of Money (the host's read). Scorsese covers scenes with morphing moving master shots, like Spielberg's quick efficient coverage, to stay under schedule.
    “But he's doing like all this Spielberg, like coverage with camera movement.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 1:21:44 · unknown (0.30 sure it was them)

Robert Graysmith: 1 line

  1. lineage (adaptation) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): Robert Graysmith ⇒ Zodiac (the host's read). The Salerno script, which Vanderbilt took over, adapted Graysmith's nonfiction book (with a speculative sequel bolted on).
    “So it's sort of like an adaptation of Graysmith's nonfiction book and a speculative sequence.”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 0:50:39 · Griffin Newman (0.50 sure it was them)

Rumor Has It: 1 line

  1. people (casting) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): Rumor Has It ⇒ Zodiac (the host's read). Jennifer Aniston, on Rumor Has It with Ruffalo, helped him get the role.
    “So rumor has it kind of helps him get this.”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 1:25:09 · Griffin Newman (0.50 sure it was them)

Seven (1995): 1 line

  1. unmapped (why Fincher was offered it) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): Seven ⇒ Zodiac (the host's read). Seven made Fincher the first choice for any serial-killer project, Zodiac included.
    “Ever since he makes seven, if there's some serial killer movie, is getting sent it”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 0:51:53 · Griffin Newman (0.50 sure it was them)

The Catcher in the Rye / Franny and Zooey: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: The Catcher in the Rye / Franny and Zooey ⇒ The Royal Tenenbaums (the host's read). Salinger's Glass-family stories are the key literary influence.
    “Zoe is like the key influence on this film”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:05:35 · unknown (0.40 sure it was them)

The Conversation (1974): 1 line

  1. craft (temp score) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): The Conversation ⇒ Zodiac (the host's read). The Conversation's score was used as temp music while Zodiac was cut, then Shire scored it.
    “they use the conversation score as temp score.”
    Blank Check — Patreon · Zodiac with Leslye Headland (Ad-Free) · 2:14:21 · unknown (0.40 sure it was them)

The Magnificent Ambersons (1942): 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: The Magnificent Ambersons ⇒ The Royal Tenenbaums (the host's read). Named as a huge influence; rewatching Ambersons shows how much of it is in Tenenbaums.
    “it's wild how much, uh, ten bombs or how much Amberson's is in ten bombs.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:16:15 · Chris Ryan (0.50 sure it was them)

The Shining (1980): 1 line

  1. unmapped (stolen move) · through Zodiac (2007), which they were behind as studio that bought the script (about 1999): The Shining ⇒ Zodiac (the host's read). Fincher steals the Steadicam move where the camera turns with the car and keeps it centered.
    “Fincher steals that move of like when the car turns a corner”
    Blank Check — Patreon · The Shining with Timothy Simons (Ad-Free) · 2:05:09 · Griffin Newman (0.50 sure it was them)

Titanic (1997): 1 line

  1. unmapped (shared-technology) · through Master and Commander: The Far Side of the World (2003), which they were behind as studio (rights cycled through): Titanic ⇒ Master and Commander: The Far Side of the World (the host's read). The film exists because James Cameron's Mexican Titanic tank, with a gimbal, was still usable for the ship set.
    “James Cameron had done the legwork to build out the system to be able to basically shoot this on a gimbal in a tank of a proper set.”
    Blank Check with Griffin & David · Master and Commander: The Far Side of the World with John Hodgman · 1:30:47 · David Sims (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

Doom (2005): 1 line

  1. unmapped (cultural legacy) · through The Color of Money (1986), which they were behind as studio: The Color of Money ⇒ Doom (the host's read). Cruise saying 'Doom' in the pool hall scene led a software company to name its video game Doom.
    “That leads to the software company coming up with the name for their new revolutionary video game.”
    The Rewatchables · ‘The Color of Money’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:59:44 · Bill Simmons (0.60 sure it was them)

Jurassic World: Fallen Kingdom (2018): 1 line

  1. lineage (inspiration) · through Bridge of Spies (2015), which they were behind as studio: Bridge of Spies ⇒ Jurassic World: Fallen Kingdom (the maker said so: interviews). The Fallen Kingdom filmmaker said he structured it as two movies, like Bridge of Spies.
    “He said that he liked that Bridge of Spies was like 2 different movies.”
    Blank Check with Griffin & David · Planet of the Apes with Matt Singer · 1:33:57 · unknown (0.40 sure it was them)

Mean Girls (2004): 1 line

  1. industry (awards crossover) · through Pretty Woman (1990), which they were behind as studio: Pretty Woman ⇒ Mean Girls (the host's read). The Vivian Award for best clothes started at the Pretty Woman rewatchables; here it is reversed for worst clothes.
    “We had the Vivian Award for best clothes in a movie that we started during the Pretty Women rewatchables”
    The Rewatchables · ‘Mean Girls’ With Bill Simmons, Juliet Litman, and Amanda Dobbins · 0:45:24 · Bill Simmons (0.80 sure it was them)

The Grand Budapest Hotel (2014): 1 line

  1. verdict (verdict) · through The Royal Tenenbaums (2001), which they were behind as studio/producer: The Royal Tenenbaums ⇒ The Grand Budapest Hotel (the host's read). Grand Budapest is the best alternative case for the Anderson slot, but it could not exist without Tenenbaums' blueprint.
    “Um, but Grand Budapest does not exist.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:38:16 · unknown (0.40 sure it was them)

The Last Temptation of Christ (1988): 1 line

  1. career (career enabler) · through The Color of Money (1986), which they were behind as studio: The Color of Money ⇒ The Last Temptation of Christ (the host's read). The paycheck-gig hit stabilizes Scorsese's career and makes Last Temptation and Goodfellas possible.
    “Must admit though, it is the guarantor that allows him to immediately then make. Last temptation of Christ in Goodfellas.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:17:57 · unknown (0.30 sure it was them)

Top Gun: Maverick (2022): 1 line

  1. lineage (legacy-sequel heirs) · through The Color of Money (1986), which they were behind as studio: The Color of Money ⇒ Top Gun: Maverick (the host's read). Gap-based legacy sequels like Top Gun Maverick, Tron Legacy and Blade Runner follow the template Color of Money invented, though in 1986 sequels were derided.
    “now we get more and more like your your Tron legacies and your Top Gun Mavericks, where it's just casually... 37, 40 years later”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 1:07:05 · David Sims (0.40 sure it was them)

What the speakers said they did

Studio (7) everyone in studio

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.