Christopher Walken

Made films the shows talk about.

Wikidata Q185051: matched by corpus:resolve, told apart by the only person by that name on Wikidata.

Counted as other. The films the hosts said they were tied to, which the two lists below run through too: The Last Temptation of Christ (1988); Reservoir Dogs (1992). Count them as actor (14 films) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Barbara Hershey: 1 line

  1. lineage (origin of project) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: Barbara Hershey ⇒ The Last Temptation of Christ (the host's read). Hershey also planted the book in Scorsese's head and told him to let her audition as Mary Magdalene.
    “But it's planted in his head by her.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:44:30 · David Sims (0.40 sure it was them)

Ben-Hur (1959): 1 line

  1. unmapped (accent convention) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: Ben-Hur ⇒ The Last Temptation of Christ (the host's read). Scorsese made the Romans British, as in Ben-Hur, with everyone else American.
    “He said the big thing was to give let the Romans be British.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:02:57 · Griffin Newman (0.40 sure it was them)

Boxcar Bertha (1972): 1 line

  1. unmapped (production method) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: Boxcar Bertha ⇒ The Last Temptation of Christ (the maker said so). Scorsese's Corman-style Boxcar Bertha experience let him storyboard and time every shot to make Last Temptation cheaply.
    “I never would have been able to make this movie if I didn't have my Corman background and experience a boxcar Bertha specifically”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:54:52 · Griffin Newman (0.50 sure it was them)

City on Fire (1987): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): City on Fire ⇒ Reservoir Dogs (the host's read). City on Fire contains huge parts of Reservoir Dogs, which raises the homage-versus-theft question.
    “This might make you mad to watch this movie because City on Fire is Reservoir Dogs.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:49:12 · unknown (0.35 sure it was them)

Django (1966): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Django ⇒ Reservoir Dogs (the host's read). Corbucci's 1966 Django is credited as an inspiration for the torture scene.
    “Sergio Corbucci's 1966 spaghetti western Django inspired the scene”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:43 · Bill Simmons (0.80 sure it was them)

Hard Boiled (1992): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Hard Boiled ⇒ Reservoir Dogs (the host's read). The speaker had not yet seen Hard Boiled, but the standoff read as John Woo.
    “I don't know if I'd seen hardboiled or whatever, any of those movies yet”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:14 · unknown (0.40 sure it was them)

John Woo: 1 line

  1. craft (craft) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): John Woo ⇒ Reservoir Dogs (the host's read). The Mexican standoff was the first visual reference the speaker caught: like a John Woo Hong Kong action movie.
    “It was very like John Wu Hong Kong action movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:12 · unknown (0.40 sure it was them)

The Big Combo (1955): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): The Big Combo ⇒ Reservoir Dogs (the host's read). Per the host's notes, The Big Combo and Corbucci's Django inspired the scene of a cop torturing a chair (sic).
    “Joseph H. Lewis's filmed the big combo and Sergio Corbucci's 1966 spaghetti western Django inspired the scene”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:43 · Bill Simmons (0.80 sure it was them)

The Color of Money (1986): 1 line

  1. career (career enabler) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Color of Money ⇒ The Last Temptation of Christ (the host's read). The paycheck-gig hit stabilizes Scorsese's career and makes Last Temptation and Goodfellas possible.
    “Must admit though, it is the guarantor that allows him to immediately then make. Last temptation of Christ in Goodfellas.”
    Blank Check with Griffin & David · The Color of Money with Chris Ryan · 0:17:57 · unknown (0.30 sure it was them)

The Killing (1956): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): The Killing ⇒ Reservoir Dogs (the maker said so: a Tarantino quote the host reads). Tarantino said Reservoir Dogs was his version of Kubrick's heist film, without meaning it as a ripoff.
    “but I did think of it as my killing, my take on that kind of heist movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:05 · Bill Simmons (0.70 sure it was them)

The Robe (1953): 1 line

  1. lineage (influence) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Robe ⇒ The Last Temptation of Christ (the host's read). The Robe is the first Christ movie Scorsese remembers seeing.
    “The 1st Christ movie he remembers seeing is the robe.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:45:07 · David Sims (0.50 sure it was them)

The Taking of Pelham One Two Three (1974): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): The Taking of Pelham One Two Three ⇒ Reservoir Dogs (the host's read). The color-name aliases were first seen in Pelham; called a great homage.
    “It's just a great homage, great Walter Mathow in taking Pelham one, 2, 3.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:49:00 · Chris Ryan (0.50 sure it was them)

Video Archives: 1 line

  1. industry (industry) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Video Archives ⇒ Reservoir Dogs (the host's read). Tarantino distilled the video-store aesthetic into the film; he programmed shelves like a film festival.
    “he talks about how he used to program shelves at the video story worked at as if it was like a film festival.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:14:17 · Chris Ryan (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

After Hours (1985): 3 lines

  1. career (personal projection) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Last Temptation of Christ ⇒ After Hours (the maker said so: Scorsese quoted in an oral history). Scorsese worked Kafka's Before the Law into the club doorman scene to reflect his frustration over Last Temptation.
    “inspired by Franz Kafka's before the law. And Scorsese said the short story reflected his frustration toward the production of the Last Temptation of Christ.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 1:23:31 · Sean Fennessey (0.50 sure it was them)
  2. unmapped (cause) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Last Temptation of Christ ⇒ After Hours (the maker said so: a Scorsese quote on After Hours being a reaction to the Last Temptation ordeal). After Paramount collapsed Last Temptation, Scorsese wanted a cheap, personal film; After Hours is his reaction to the Hollywood ordeal.
    “it's a reaction against my year and a half into Hollywood trying to get last temptation to Christ made.”
    Blank Check with Griffin & David · After Hours with Alison Sivitz · 0:50:49 · unknown host (quoting Scorsese) (0.35 sure it was them)
  3. unmapped (sliding door) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Last Temptation of Christ ⇒ After Hours (the host's read). Paramount cancelling Last Temptation sent Scorsese to a small fast job; one of movie history's sliding doors.
    “it is one of the massive sliding doors in movie history because him not making it leads to him making this movie”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 0:17:03 · Sean Fennessey (0.60 sure it was them)

Cape Fear (1991): 1 line

  1. industry (business deal) · through The Last Temptation of Christ (1988), which they were tied to as considered for Jesus: The Last Temptation of Christ ⇒ Cape Fear (the host's read). Universal's deal to make Last Temptation obliged a bigger film later, resulting in the Spielberg swap and Cape Fear.
    “it gets fear is a direct result of his deal with Universal for this month.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 2:00:50 · David Sims (0.40 sure it was them)

Pulp Fiction (1994): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Reservoir Dogs ⇒ Pulp Fiction (the host's read). Pulp's opening two-song credits echo the radio dial concept from Reservoir Dogs.
    “Well, the radio, the concept of the radio had been in Reservoir Dogs, but I think switching the songs in the middle, because you hear him change the dial.”
    The Rewatchables · ‘Pulp Fiction’ (Part 2) With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:04:26 · Sean Fennessey (0.35 sure it was them)

Swingers (1996): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Reservoir Dogs ⇒ Swingers (the host's read). Swingers openly ripped off the opening credit strut and joked about everyone copying Tarantino.
    “The opening credit sequence is really fun to watch after swingers blatantly ripped it off”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:50:17 · Bill Simmons (0.50 sure it was them)

The Farewell (2019): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Reservoir Dogs ⇒ The Farewell (the host's read). The slow-motion group walk in The Farewell echoes the Reservoir Dogs shot, which remains influential.
    “And that shot is still really influential.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:50:54 · Chris Ryan (0.40 sure it was them)

Things to Do in Denver When You're Dead (1995): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Reservoir Dogs ⇒ Things to Do in Denver When You're Dead (the host's read). Called a bad-but-fun movie that would not exist without Tarantino, part of the ripoff era.
    “kind of bad and would not exist without Tarantino.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:47 · unknown (0.40 sure it was them)

Very Bad Things (1998): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they were tied to as refused the role of "Mr. Bond" (as transcribed): Reservoir Dogs ⇒ Very Bad Things (the host's read). Part of the era of Tarantino ripoffs about groups of friends.
    “Well, that was the era of the Tarantino Ripoff era.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:51 · Bill Simmons (0.50 sure it was them)

What the speakers said they did

Acting (17) everyone in acting

Other (2) everyone in other

What was said about them, by kind

career (2)

  1. career (career): Christopher Walken → Annie Hall. Walken's monologue Apex: Annie Hall Thanksgiving, The Comfort of Strangers opening.
    “What about the Thanksgiving one in Annie Hall?”
    The Rewatchables · ‘Pulp Fiction’ (Part 2) With Bill Simmons, Chris Ryan, and Sean Fennessey · 2:03:41 · unknown (0.00 sure it was them)
  2. career (career): Christopher Walken → The Comfort of Strangers. The Comfort of Strangers monologue cited as unbelievable Walken.
    “I do want to say the comfort of strangers monologue that walking gives in the beginning of the movie?”
    The Rewatchables · ‘Pulp Fiction’ (Part 2) With Bill Simmons, Chris Ryan, and Sean Fennessey · 2:03:52 · unknown (0.00 sure it was them)

lineage (1)

  1. lineage (SNL sketch source): The Dead Zone → Christopher Walken. The film inspired the SNL sketch Ed Glosser Trivial Psychic.
    “Inspiration for one of my favorite SNL sketches of all time.”
    Blank Check with Griffin & David · Star 80 with Julie Klausner · 1:48:32 · Griffin Newman (0.50 sure it was them)

people (1)

  1. people (people): Christopher Walken → Pulp Fiction. Walken in Pulp Fiction and True Romance is on the best-short-performance list.
    “Christopher Walken with the combo, pulp, and true romance.”
    The Rewatchables · A CR Month Mailbag! · 1:07:22 · Bill Simmons (0.50 sure it was them)

theme (1)

  1. theme (theme): The Dead Zone → Christopher Walken. The SNL trivial-psychic Walken bit pushed Dead Zone to another level.
    “the trivial psychic, Christopher Walken thing, pushed that to another level in SNL”
    The Rewatchables · ‘Misery’ With Bill Simmons and Brian Koppelman · 0:10:13 · Bill Simmons (0.60 sure it was them)

Fun items about them

None.