Harvey Keitel

Made films the shows talk about.

Wikidata Q191132: matched by corpus:resolve, told apart by the only person by that name on Wikidata.

Counted as producer, the making department they hold the most credits in. The films the hosts said they produced, which the two lists below run through too: Reservoir Dogs (1992). Count them as actor (12 films) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

City on Fire (1987): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: City on Fire ⇒ Reservoir Dogs (the host's read). City on Fire contains huge parts of Reservoir Dogs, which raises the homage-versus-theft question.
    “This might make you mad to watch this movie because City on Fire is Reservoir Dogs.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:49:12 · unknown (0.35 sure it was them)

Django (1966): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Django ⇒ Reservoir Dogs (the host's read). Corbucci's 1966 Django is credited as an inspiration for the torture scene.
    “Sergio Corbucci's 1966 spaghetti western Django inspired the scene”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:43 · Bill Simmons (0.80 sure it was them)

Hard Boiled (1992): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Hard Boiled ⇒ Reservoir Dogs (the host's read). The speaker had not yet seen Hard Boiled, but the standoff read as John Woo.
    “I don't know if I'd seen hardboiled or whatever, any of those movies yet”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:14 · unknown (0.40 sure it was them)

John Woo: 1 line

  1. craft (craft) · through Reservoir Dogs (1992), which they produced: John Woo ⇒ Reservoir Dogs (the host's read). The Mexican standoff was the first visual reference the speaker caught: like a John Woo Hong Kong action movie.
    “It was very like John Wu Hong Kong action movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:12 · unknown (0.40 sure it was them)

The Big Combo (1955): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: The Big Combo ⇒ Reservoir Dogs (the host's read). Per the host's notes, The Big Combo and Corbucci's Django inspired the scene of a cop torturing a chair (sic).
    “Joseph H. Lewis's filmed the big combo and Sergio Corbucci's 1966 spaghetti western Django inspired the scene”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:43 · Bill Simmons (0.80 sure it was them)

The Killing (1956): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: The Killing ⇒ Reservoir Dogs (the maker said so: a Tarantino quote the host reads). Tarantino said Reservoir Dogs was his version of Kubrick's heist film, without meaning it as a ripoff.
    “but I did think of it as my killing, my take on that kind of heist movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:47:05 · Bill Simmons (0.70 sure it was them)

The Taking of Pelham One Two Three (1974): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: The Taking of Pelham One Two Three ⇒ Reservoir Dogs (the host's read). The color-name aliases were first seen in Pelham; called a great homage.
    “It's just a great homage, great Walter Mathow in taking Pelham one, 2, 3.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:49:00 · Chris Ryan (0.50 sure it was them)

Video Archives: 1 line

  1. industry (industry) · through Reservoir Dogs (1992), which they produced: Video Archives ⇒ Reservoir Dogs (the host's read). Tarantino distilled the video-store aesthetic into the film; he programmed shelves like a film festival.
    “he talks about how he used to program shelves at the video story worked at as if it was like a film festival.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:14:17 · Chris Ryan (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

Pulp Fiction (1994): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Reservoir Dogs ⇒ Pulp Fiction (the host's read). Pulp's opening two-song credits echo the radio dial concept from Reservoir Dogs.
    “Well, the radio, the concept of the radio had been in Reservoir Dogs, but I think switching the songs in the middle, because you hear him change the dial.”
    The Rewatchables · ‘Pulp Fiction’ (Part 2) With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:04:26 · Sean Fennessey (0.35 sure it was them)

Swingers (1996): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Reservoir Dogs ⇒ Swingers (the host's read). Swingers openly ripped off the opening credit strut and joked about everyone copying Tarantino.
    “The opening credit sequence is really fun to watch after swingers blatantly ripped it off”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:50:17 · Bill Simmons (0.50 sure it was them)

The Farewell (2019): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Reservoir Dogs ⇒ The Farewell (the host's read). The slow-motion group walk in The Farewell echoes the Reservoir Dogs shot, which remains influential.
    “And that shot is still really influential.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:50:54 · Chris Ryan (0.40 sure it was them)

Things to Do in Denver When You're Dead (1995): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Reservoir Dogs ⇒ Things to Do in Denver When You're Dead (the host's read). Called a bad-but-fun movie that would not exist without Tarantino, part of the ripoff era.
    “kind of bad and would not exist without Tarantino.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:47 · unknown (0.40 sure it was them)

Very Bad Things (1998): 1 line

  1. lineage (lineage) · through Reservoir Dogs (1992), which they produced: Reservoir Dogs ⇒ Very Bad Things (the host's read). Part of the era of Tarantino ripoffs about groups of friends.
    “Well, that was the era of the Tarantino Ripoff era.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:37:51 · Bill Simmons (0.50 sure it was them)

What the speakers said they did

Producing (1) everyone in producing

Acting (20) everyone in acting

Other (1) everyone in other

What was said about them, by kind

career (4)

  1. career (career): Harvey Keitel → Bad Lieutenant. Keitel's Apex is Bad Lieutenant, 90s, with Mets torture; Taxi Driver and The Piano suggested.
    “It's somewhere in the 90s because of the Mets, the way the Mets are torturing him in that movie.”
    The Rewatchables · ‘Pulp Fiction’ (Part 2) With Bill Simmons, Chris Ryan, and Sean Fennessey · 2:04:24 · unknown (0.00 sure it was them)
  2. career (career): Harvey Keitel → Reservoir Dogs. Keitel signed on as co-producer and paid for casting sessions that found Buscemi and Madsen.
    “Signs on as a co-producer.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:21:23 · Bill Simmons (0.80 sure it was them)
  3. career (career): Harvey Keitel → Thelma & Louise. The hosts list Keitel's run of 91-94 films.
    “Yeah. Thelma and Louise.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:22:58 · Chris Ryan (0.40 sure it was them)
  4. career (career): Harvey Keitel → Bad Lieutenant. Bill relates to Keitel's Bad Lieutenant character via listening to Mets games.
    “Bad Lieutenant is amazing if you haven't seen that movie.”
    The Rewatchables · ‘Reservoir Dogs’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 0:23:32 · Chris Ryan (0.40 sure it was them)

people (2)

  1. people (casting): Harvey Keitel → New York, New York. Keitel's Judas is a better version of what De Niro's Jimmy Doyle is trying to be, without charm.
    “Keitel's presence in this feels like a better version of what Jimmy Doyle is trying to be without trying to make him charming.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 1:02:01 · Griffin Newman (0.50 sure it was them)
  2. people (actors walking out): Harvey Keitel → Christopher Plummer. Keitel's Eyes Wide Shut walkout is paired with Plummer's rant about Malick.
    “it's like that incredible clip of Christopher Plummer talking about working with Malik on the new world”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 0:25:46 · Patton Oswalt (0.40 sure it was them)

what-if (1)

  1. what-if (what-if): Paulie → Harvey Keitel. Stallone wanted Harvey Keitel as Paulie, probably a better movie.
    “Stallone wanted Harvard Kitella's Polly.”
    The Rewatchables · ‘Rocky’ With Bill Simmons, Chris Ryan, and Van Lathan · 1:20:27 · Bill Simmons (0.60 sure it was them)

Fun items about them

  1. fun, about Harvey Keitel: Keitel's Brooklyn-accented, red-haired Judas earned a Razzie nomination, which hosts defend; Scorsese wanted him to embody violence and anger.
    “I wanted him to embody like violence and anger.”
    Blank Check with Griffin & David · The Last Temptation of Christ with Jamelle Bouie · 0:59:12 · David Sims (0.40 sure it was them)
  2. fun, about Harvey Keitel: Keitel supposedly told Kubrick to go fuck himself on Eyes Wide Shut after 27 takes of walking through a door.
    “Kubrick made him walk through a door 27 times”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 0:25:20 · Griffin Newman (0.40 sure it was them)