Personality, episode by episode
Showing 1–6 of 6 sketches.
As the producer in the room he saw The Boy and the Heron in a theater, enjoyed it for the grannies, and offers a second-chances reading of Poor Things.
Stances
- Poor Things reads as optimistic, about second chances
Humor: Plays the straight man to the hosts' bits and gets teased as the doula and leftist.
In their words
- “I liked the grannies a lot.” (0:12:41)
Loves restrained, steady, ominous filmmaking; he waited for a Scorsese rock-and-roll moment the first time and realized on second view that the mundanity of evil is the point. Admires the Robbie Robertson score's rhythm and silence, and the tableau staging of Molly's train walk.
Stances
- It's an absolute stone-cold masterpiece on second view
- Evil here is disorganized crime vs organized-crime Scorsese
- Wants to see it a third time
Humor: Deadpan, self-aware about being put on the spot with 'was it too long'.
In their words
- “I thought it was an absolute stone cold masterpiece.” (1:20:07)
- “I'm really excited to watch it a 3rd time.” (1:22:19)
- “I'll probably see this movie 10 times before I die.” (1:22:31)
Bobby is the Big Picture's producer, sitting in the room. He was an Avatar hater for about a decade, having first seen it at 13 and rejecting the hype, then loved a first rewatch at home on a 55-inch TV. He compares it to Dune and plays video games for hours a day.
Stances
- Avatar works as a movie once the discourse is stripped away
- Dune looks good on a TV in a way Avatar does not
Humor: Dry; gets a line in about being an avatar hater.
In their words
- “And I've been an avatar hater for the better part of the last 10 decade or the last decade.” (0:44:15)
- “I thought it was great.” (0:44:27)
Producer who reads the mailbag. He is a Mets fan, openly unattached to the classics (saw Casablanca once in college), and prefers watching Lindor press conferences in bed. He is a good sport about being hazed.
Stances
- Classic films are not important to him personally
- Mets fandom outranks everything
Humor: Dry deflection and Mets trade bragging.
In their words
- “Last week I was completing the Francisco Lindor trade, so you're welcome.” (0:40:04)
- “I think I watched it once in college, but it's not important to me.” (0:51:29)
Bobby Wagner, the producer reading listener questions, is in his twenties and finds studio comedies' laugh-track tone too corny for his generation, though he loved growing up on them. He leans on his baseball-fan lens, wants habit-forming cheap theater going, and admits he knows nothing about British royalty or The Crown.
Stances
- Movie Pass-style habit building could have saved theaters
- His generation finds corny studio comedies hard to watch
- Is a baseball person who sees Sean and Amanda's career questions through that lens
Humor: Deadpan interjections and a running joke that he's the SF Shills United account.
In their words
- “my generation hates corniness a lot more than I feel like most generations before me did.” (1:19:54)
- “Yeah, it is me.” (0:26:19)
- “I don't know anything about the crown” (1:03:25)
Producer who reads listener mail and passes on Trolls World Tour at 19.99. Open to pop music and likes triggering the show's running sound clips.
Stances
- Reads the Academy's statement and organizes the questions
- Would not pay full price for Trolls World Tour
Humor: Deadpan and self-effacing, nudging the hosts with practical questions.
In their words
- “I'm going to pass on that 1999 and spend it elsewhere.” (1:13:02)