Reads the dossier and loves Kubrick's behind-the-scenes fights and the Harris partnership. Loves noir, character actors like Timothy Carey and Elisha Cook, and a good gimmick structure. Can't stand puns on a movie's title and is hard on bloated studio epics.
Stances
The Killing is Kubrick's first film he respects
Kubrick's control hardens after the Harris years
Bed of Fear is a worse title than The Killing
Humor: Deadpan riffs and bits about invented writers' rooms and Fox execs, plus affection for the bit that goes one step too far.
In their words
“I love how much this movie comes out of Kubrick's chess life in multiple ways.” (0:09:39)
“Because people hate puns.” (1:06:50)
“I just like imagining whoever the Fox exec was who was like, hey, Frank” (0:15:04)
Admires Kubrick more than he loves the films, though he loves The Shining and counts Eyes Wide Shut as a favorite; has never seen Barry Lyndon or Spartacus. Loves rough, process-visible first films and tactile photography. Skeptical of war films and of overlong thin plots.
Stances
Fear and Desire is not a good movie and should be shorter
The Killing and Killer's Kiss show Kubrick's rapid growth
Mythology around Kubrick is inflated by his silence
Humor: Rapid, profane riffs and movie-trivia bits that spiral into digressions.
In their words
“I've always admired him a lot more than I love his movies.” (0:11:35)
“This movie is interesting because he doesn't, really.” (0:36:52)
Griffin loves Lego Batman as the definitive Batman movie, Lego bricks, and animation limits that are exploited rather than hidden. He admires clever craft decisions (the shoulder-dislocation trick, the flame pieces) and sincere sentiment. He is a sucker for toy lore and trivia. He thinks the IP-cameo mashup is the film's one valid flaw.
Stances
Lego Batman is the best Batman movie, with the most complete understanding of the character
Robin works best as a contrast point, not a dark mirror of Batman
Limits (Lego rules, stop-motion look) produce better art
The Lego Movie is still the pinnacle
Humor: Rapid, pop-literate riffing and trivia dumps, plus running jokes about David's daughter and his Lego desires.
In their words
“I think this is the best Batman movie period.” (0:01:10)
“Lego movie is still the pinnacle for me, though.” (1:38:30)
Griffin runs the screening and knows the film cold, down to Becker's DVD commentary. He loves a film of stunning chaos and star-driven studio excess, and gets a kick out of continuity breakdowns and impossible geography. He pauses constantly to underline plot logic.
Stances
Old Dogs is demented but made by experienced professionals
Becker is a studio-comedy auteur of illogic
Pauses the film to explain what just happened
Humor: Deadpan lawyerly narration of absurd plot points, with the audience reacting.
In their words
“This is the most demented movie ever made.” (0:09:39)
“Now, as I press play again, I want you to take note of, there being zero puppets on stage.” (1:18:04)
Loves the self-aware comedy of the Adam West show and the density of its gags, and recounts comics lore (Robin lineage, Damian Wayne) with relish. Can't stand lazy branding on villains like the Riddler's single question mark. A sucker for gadgets, vehicles and Conan-style shorthand humor.
Stances
The 1966 movie is better written comedy than its camp reputation
Robins and rogues galleries are the weak spots of the film franchise
Humor: Rapid bit-building on villain puns and impressions.
In their words
“By the way, this is a blank check special features. I'm Griffin.” (0:13:50)
“For 5 seconds, I think people thought Crisis on Infinite Earth was gonna tie in the tick universe.” (0:05:04)
Likes Roger Moore Bond and the Apes films as franchise building blocks, and enjoys the structure of the bracket. Not stated much beyond this in the audio. Enthusiastic about doing Psycho.
Stances
Defends Apes as the root of franchise storytelling
Humor: Plays straight man to the Chip Smith bit and riffs on Oscars production.
Newly converted to In the Cut from a 'morbid curiosity' first viewing with David; deeply knows New York geography and nightlife, since he lived on the Lower East Side. Likes Practical Magic and Mark Ruffalo's balanced career, and is skeptical of Unfaithful. (Speaker labels are inferred; the transcript has none.)
Stances
The film is uncomfortable even if most criticisms at the time were stupid
Humor: Riffs on the podcast's own name and contractual obligation, and chases movie-trivia tangents.
In their words
“with morbid curiosity more than anything else, you know?” (0:10:45)
“I lived on 2nd Avenue and 6th Street” (0:44:56)
“I don't understand why people were going David loves it.” (0:13:01)
Went in ready to reappreciate the franchise and loved the first two films (came out of midnight screenings thinking of them as giddy, teenage and emotionally charged). Hates movies where characters refuse to make decisions and the plot stalls for time, and dislikes the permanence/teen-marriage logic of the books. Suckers for a bold swing, such as the last film's big deviation, and for Slade's horror-genre scenes. Attribution is partly inferred from context (baby, steel book, signing off at 2:12) so confidence is moderate.
Stances
Eclipse is lifeless and rudderless after the first two
Slade only seems to like the bad-vampire scenes
Twilight fandom deserves respect against gatekeeping
Humor: Dry riffs and long shaggy-dog trivia, escalating bits like Burger King toys and hand stuff.
In their words
“Here's my take on this movie.” (1:57:03)
“I'm so pro-kissing.” (0:43:06)
“Target canceled my steel book order for the 5th time.” (0:10:57)
Loves Jane Campion, Martin Brest underdog crusades, and franchise chaos like Twilight. Mixed on Terrence Malick relative to peers. Wary of revisiting Her.
Stances
Brest is his favorite uphill cause
Wants to treat bracket decisions fairly
Revisiting Her feels risky
Humor: Self-aware grandstanding bits and absurd matchup-logic riffs.
In their words
“I think it has like an incel quality to it.” (0:29:36)
“I'm half kidding, but actually, I'm not kidding.” (0:25:50)
Loves the franchise's iconography and design and tracks toy merchandise; sucker for actors who commit to weirdness and for Alien-series trivia. Admires Ridley Scott's business sense and finds the CGI creature the least interesting stretch. Cannot stand being distracted by texters in a theater.
Stances
Covenant should have kept the Franco prologue
Scott is a company man who slips interesting things into blockbusters
Actor-swap effects are only impressive when objects pass between the doubles
Loved the first three Alien movies in 7th grade and felt a massive drop-off with Resurrection, but is won over by the practical effects, the wet sets and Sigourney Weaver. A collector who owns every Ripley action figure but one. Cannot stand the generic villain casting and is sentimental about French cinema through his mother.
Stances
Resurrection is fun for the first hour and bogs down when characters stop to talk
Sigourney Weaver rules; Winona Ryder is a bore here
The ending should have stayed with the alien nest instead of heading to Earth
Glad an Earth-set Alien never happened
Humor: Self-deprecating storyteller who spins long tangents and doubles down on bits.
In their words
“It was the thing I looked forward to in 7th grade that I got to watch another alien movie at the end of the week.” (0:04:54)
“I'm now feeling like I might have to go back on.” (0:30:27)
Loves the Alien series enough to have made a weeks-long VHS triple feature of it as a kid, and defends Alien 3. Hates it when studios replace classic logos. A sucker for toy lines, chains, and bits that run on wordplay.
Stances
Alien 3 earns its place in the franchise and is better than its reputation
Bringing Ripley back as a clone is worse than killing Hicks and Newt
Studios should not swap old logos for new ones
Humor: Escalating riffs and puns, with a big appetite for tangents about menu-board details like toys and trivia.
In their words
“I think it totally earns its place within the franchise.” (1:26:00)
“I think the tuba is the funniest of all instruments.” (0:08:31)
Loves Rogue Nation and McQuarrie's practical, analog Cruise films, and takes film history personally. Can't stand Pixels-type junk but is a sucker for odd actors, villain tracksuits and wardrobe jokes.
Stances
Rogue Nation is the best M:I film
Practical stunts and clarity of stakes make the best action
Humor: Stacks absurd bits and running gags such as Luther's hat and the thigh move.
In their words
“I auditioned like 5 times for screen four, including 4 Wes Craven” (2:22:37)
Loves digging through the Blu-ray extras and commentaries for a movie and reporting back. Fond of rom-com construction and the industry backstory of how a film got made. Grew up downtown, and his mother's anti-chain-store politics shaped how he saw this movie as a kid.
Stances
Ephron's films are quietly experimental rather than generic
Fighting chains and protecting small bookstores shaped his view of the film
Actors' craft stories (Kinnear's ending, the Lalo scene) are the heart of the movie
Humor: Self-deprecating, bit-driven; owns his fumbled bits on mic.
In their words
“I fucked up the bit that we were trying to do, which is I am confident in the fact that he lived in England and him being from the Upper West Side surprises me.” (0:25:05)
“my mom's entire life that she was bringing my brother and I into was all about, like, we have to fight like Banana Republic.” (0:22:33)
“Hanks was saying he was pulling his hair out and he couldn't make sense of the Lalo scene” (1:41:52)
Loves the box office game and can recall almost any weekend from release dates; has a childhood devotion to Snow Day, Chris Elliott and Vin Diesel. Researches the filmography (Keaton's directing career, IMDb trivia) and likes the idea of a movie being a family or sibling reference point. Hates cable-edited versions of films on streaming sites.
Stances
Hanging Up does not cohere; each actress seems to be in a different movie
The last 20 minutes with the sisters together is where the juice is
Mourns the loss of varied theatrical box office weekends
Cable-edited streaming versions are unacceptable
Humor: Mock-obsessive precision about trivia (taglines, grosses, release weekends) delivered with self-deprecation.
In their words
“It is the only thing that gives me grounding in my life.” (1:31:35)
“Well, now I'm telling you, you motherfuckers should be watching Snow Day.” (1:23:33)
“I still found it not as bad as watching Braveheart on Pluto.” (1:15:18)
“I wish this had been the entire movie.” (0:27:31)
He is ready to submit to a silly pop-up and treat the staff with respect, and he reads the movie's plot and cast aloud with relish. He plays along with the Quibi bit and loves a long gag.
Stances
Staff of the experience deserve credit
The film is less palatable than the experience
Humor: He builds long deadpan bits, such as the Downton Abbey cast working the Trolls pop-up.
In their words
“Let me go step by step, okay?” (0:12:32)
“Now, we, of course, did this in the correct order because” (0:08:43)
Loves puppetry and practical creature design (Jabba, Yoda, the rancor), the speeder chase, and Wicket the Ewok. Dislikes the special-edition CGI additions and the Max Rebo band number, and wants Han and Leia to have real jobs in the third act. A sucker for a gag that gets dragged across the whole commentary.
Stances
Jabba's palace is the favorite stretch of any Star Wars film
Han and Leia are sidelined after the Ewoks arrive
Lucas's special-edition changes are weak and goofy
He is hosting a final Star Wars farewell to the Big Nice room
Humor: Escalating callback bits and absurd impressions, undercutting his own sentimental turns.
In their words
“I just, I fucking love puppetry, David.” (0:46:55)
“This my least favorite thing that he did.” (0:15:45)
Loves chaos picks and big swings (Judi Dench in Cats, Rebecca Ferguson in Doctor Sleep), cats and Pain and Glory are tangled up in his head, and he champions Portrait/Parasite/Us. Skeptical of Toy Story 4 going in. A sucker for movie-star arrival performances and the Fast & Furious franchise.
Stances
Cats is a real favorite, 'A slash F'
Removed Farewell and Her Smell from his own consideration because of friendships
Best original/adapted screenplay should include genre swings like Glass
Humor: Self-deprecating, riffs on running bits (Forky, nicknames like Florence Candice LeBron Bergen Pugh) and escalating panic over the F9 trailer.
In their words
“Best comedic performance of 2019, Little Women.” (0:12:56)
“I'm genuinely having a panic attack waiting for this trailer, so I'm ending this episode right now.” (1:41:14)
Loves Endgame, can be talked around on Infinity War after a rewatch, adores comics history (Kirby, Fourth World), fan-casting games and Marvel trivia. Can't stand corporate killing-off-characters-as-meaning,, and actors' craft. A sucker for the Avengers theme and big crowd-pleasing hero moments.
Stances
Infinity War frustrated him in theaters but he came around after Endgame
Wants characters' deaths to carry real emotional follow-through
Joaquin Phoenix and Cumberbatch contrast shows how green screen needs trained actors
Doctor Strange has the worst jokes in Marvel
Humor: Rapid-fire riffing and bits, and self-aware pop-culture asides.
In their words
“I love Endgame.” (0:27:58)
“I was perfectly wrong.” (2:28:18)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
Blank Check with Griffin & David
The box office game: Guessing the film's opening weekend and what it was up against.
The sung theme: "Blank Check with Griffin and David", sung; the transcriber garbles it.
Their claims
Showing 601–700 of 1,162 claims.
people (people):
Joe Ranft → Toy Story.
Ranft was a story supervisor on Toy Story.
industry (industry):
The Super Mario Bros. Movie → Chris Pratt.
The Mario trailer set off the argument over whether big-star casting matters in animation.
theme (theme):
The Nightmare Before Christmas → Toy Story.
The first breakthrough film in each form of animation becomes the template: CGI follows Toy Story, stop motion stays creepy.
“And then the CGI becomes so defined by Toy Story.”
unmapped (proof of concept):
Mike Flanagan → Stephen King.
Flanagan wrote the bar scene before the script and gave it to King as a sample of how he would thread the needle.
“He wrote that before he wrote the script and gave that to King”
people (contrast (digital vs actors)):
Doctor Sleep → The Irishman.
The two arrived the same month, one casting new actors for Nicholson and company, the other de-aging the originals.
“This movie comes out right around the same time as the Irishman.”
programming (sequel to a Kubrick film (pairing)):
2010 → Doctor Sleep.
The Patreon feed also covered 2010, another sequel to a Kubrick movie that avoids aping his style.
“Another example of how dare you make a sequel to a Stanley Kubrick movie.”
unmapped (recreated sets):
Doctor Sleep → The Shining.
Flanagan rebuilds the Overlook's art direction detail for detail without trying to ape Kubrick's style.
unmapped (learned sustained tension):
Stanley Kubrick → Mike Flanagan.
Flanagan, quoted from the hosts' dossier, says he learned sustaining tension over jump scares from Kubrick.
“I'm much more interested in sustaining tension, which I learned from Mr. Stanley Cooper.”
unmapped (Overlook recreated):
Ready Player One → Doctor Sleep.
Ready Player One rebuilt the hotel as a deliberate CGI recreation the year before; Doctor Sleep puts live actors into it.
“Ready Player one has this whole sequence where it is truly just a CGI recreation of the hotel”
theme (contemporary comparison):
Platoon → Full Metal Jacket.
At release critics said Platoon's visceral combat made Kubrick's sound-stage Vietnam look less real.
“Kubrick doing this on sound stages isn't the same.”
unmapped (considered for Hartman):
Robert De Niro → Full Metal Jacket.
Kubrick considered De Niro and Ed Harris for Hartman.
“So Kubrick considered a number of actors to play Gunner Sergeant Hartman, Robert De Niro, which is interesting to imagine, Ed Harris, who probably would be good.”
lineage (source of the dialogue):
R. Lee Ermey → Full Metal Jacket.
Per the dossier Hartman's insults came right from Ermey, whom Kubrick had write down what he screamed.
“No, obviously this guy is perfect and would write down everything he said because all the insults came right from him”
people (front-loaded performance):
Mark Rylance → R. Lee Ermey.
Rylance in Bridge of Spies is a comparable case of owning the first 45 minutes and being snubbed or split.
“Like, I was thinking about Mark Rylance, Bridge of Spies, right?”
verdict (humor ranking):
Dr. Strangelove → The Shining.
Strangelove ranks lower for the speaker than Barry Lyndon, The Shining and Eyes Wide Shut among Kubrick's funny films.
“I, I, I rank Strange Love lower in the pack of movies I find funny by him.”
unmapped (same song elsewhere):
The Trashmen → Back to the Beach.
The speaker first fell in love with Surfin' Bird in Back to the Beach, not Full Metal Jacket.
“I 1st fell in love with that song in Frankie and Annette's back to the beach”
unmapped (regular hairdresser):
Leonard Lewis → Stanley Kubrick.
Leonard always did Kubrick's hair credits, which is why Hair by Leonard shows on many of his films.
“His name is Leonard Lewis. He was the world's first celebrity hairdresser.”
unmapped (talked out of it):
Paddy Chayefsky → Stanley Kubrick.
Chayefsky eventually told Kubrick he should not direct Network because they were both control freaks.
“Cheevsky eventually is like, you shouldn't do it.”
unmapped (blueprint):
Stephen King → The Shining.
The speakers read Kubrick saying the novel's plot is a good blueprint for the movie he wanted to make.
“I can make whatever movie I want with that as a blueprint.”
unmapped (borrowed habit):
Boris Karloff → Jack Nicholson.
In the Vivian Kubrick documentary Nicholson says he took his script-marking habit from Karloff.
craft (classical-music villain):
A Clockwork Orange → Sleeping with the Enemy.
The speakers ask whether this was the first film to make a love of classical music a mark of evil; then joke about Sleeping with the Enemy.
“Is this the 1st movie to make, like, for classical, like a love of classical music, this person is actually really evil.”
contrast (inverse sequence):
Terrence Malick → 2001: A Space Odyssey.
Malick's raptor scene in Tree of Life does a 2001-style sequence but as the first act of mercy rather than violence.
“Malik always described that as like the 1st act of kindness or the 1st act of mercy.”
theme (underplaying comparison):
Peter Sellers → Robert De Niro.
Speaker pairs Mandrake with De Niro's underplayed Jackie Brown as deceptively difficult acting.
“to actively play someone who's got so little going on is so deceptively difficult because you watch something like this, like Mandrake”
unmapped (business context):
Lolita → Dr. Strangelove.
The speaker says the takeaway from Lolita was that Sellers maybe saved it commercially, so the studio wanted more Sellers for a Kubrick film.
“the takeaway from Lolita was like, sellers maybe saved that movie commercially.”
craft (tone comparison):
Dr. Strangelove → Don't Look Up.
Speakers compare the ending tags and tone of Don't Look Up against Strangelove's balance of satire and sincerity.
“I remembered that don't look up has a tag, right?”
people (performance comparison):
George C. Scott → Robert Duvall.
Scott is likened to Duvall in Network for walking a line of overacting with a foot in reality.
“He's kind of the Deval of this movie where he's like, he's towing a really fine line of like overacting, but with like a foot in reality”
lineage (comedic influence):
Bob Newhart → Dr. Strangelove.
Speaker feels Newhart's one-sided phone-call format and his 1960 albums were a heavy influence on the President's call with the Soviet premier.
“I feel like a heavy influence on the way the president's phone call with Russia play out in this movie.”
lineage (comedic lineage):
Shelley Berman → Bob Newhart.
Speaker says Berman created the one-sided phone bit before Newhart, who maybe lifted a little and popularized it.
“Shelley Berman kind of created before Newheart, Newheart maybe lifted a little bit, but Newheart at least popularized to a different degree.”
craft (set design template):
Dr. Strangelove → Roger Moore Bond films.
Speaker says hiring a Bond designer for the war room changed how such rooms look on screen forever, and the Bond movies being covered have war-room sets.
“It is funny how this movie, this hiring a James Bond guy to design the war room, uh, changes the way you're allowed to put these things on screen forever.”
fun, about
Vanilla Sky:
Griffin's casting story: a casting director warned him not to joke about 'can you hear me now?' when the Verizon actor wrote and directed a film.
“the writer and director of this film, who's going to be in the audition is the can you hear me now, guy?”
fun, about
Vanilla Sky:
The recording was spread over years because the hosts kept leaving the country, so references to a breakup will be five weeks stale on release.
“Having to re-listen to me make references to how sad I am right now 5 weeks from now when this episode's released.”