Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise.
Stances
Friday the 13th is not the best entry but the origin story had to be told
Friday 2 is a leap over the original
Humor: Digressive, sports-analogy heavy, and self-teasing about his office and Rewatchables running gags.
In their words
“There was 2 commercials, spring, summer, 1980 that scared the fuck out of me.” (0:07:38)
Loves Halloween and the 1970s; admires the film's craft and rewatchability, especially Leatherface's unintentional comedy. Hates Franklin, hitchhikers, and unlikely logistics. Uses sports and pop-culture analogies for everything.
Stances
The film is a rewatchable, not just a great movie
Leatherface is the hilarious favorite slasher
The hitchhiker is scarier than Leatherface
Hooper won the movie
Humor: Runs sports, NFL and podcast-world analogies and mock-outrage bits against Craig and the staff.
In their words
“I think it is a rewatchable, but I'm willing to hear the other side of it” (0:01:29)
Loves from-hell thrillers and movies that are fun to talk about even when they fail; a Boston guy who remembers where he saw things (Zoolander two weeks after 9/11). Can't stand a movie that wastes a good premise. A sucker for hoops details and stars' career arcs.
Stances
Domestic Disturbance is bad but a rewatchable good-bad movie
Vaughn and Travolta are mismatched to their roles
Cut footage and PG-13 killed the movie
Humor: Dry, trivia-heavy, with self-mockery about his own research and notes.
In their words
“I'm so relieved that this is how you're framing it.” (0:03:10)
“I saw Zoolander in the theater in Boston.” (0:11:47)
Loves ranking, tallies and lists (Pantheon, Hall of Fame, Mount Rushmores), and treats the show like a sports franchise with categories as awards. Hates inauthentic, silly-looking athletics and bad stinkers, and has always disliked narration (now conceding). Sucker for Midnight Run, Almost Famous, and sports analogies for everything.
Stances
Concedes narration is fine when the movie is good
Wants to build a Rewatchables Hall of Fame with plaques
Wants to rewatch Midnight Run
Treats the cell-phone conspiracy as plausible
Humor: Self-deprecating bits about his own mispronunciations and sports-metaphor overreach.
In their words
“Okay, these are all actual emails from actual listeners.” (0:04:36)
Loves sports movies, tropes and underdog arcs; loves racing movies more than real racing. Can't stand people who throw cards. Sucker for Pacino speeches, Pitt as an old-school star, and hot takes about better endings.
Stances
F1 is the movie of the 2020s on feel
Sonny should have crashed and JP won
Brad Pitt is above Matt Damon in culture
Nobody should throw cards for fun
Humor: Dry listmaker who stages bits and fake categories with deadpan.
In their words
“This is a better movie if Sonny crashes.” (0:55:40)
“I don't like anybody in real life or in movies that throws cards for fun.” (1:19:45)
Loves 1980s teen comedies and the Hughes run, ranking The Breakfast Club an all timer; lists teen movies by year and tracks careers and what-ifs. Rates the movie fun but is bothered by how Lisa is written and by the age gap in the kiss.
Stances
Weird Science is a super fun watch with weird elements you must factor in with the 80s
Anthony Michael Hall should have been a bigger star
Hottest take: Lisa sucks
Humor: Dry list-making and award names, reading research aloud like a deadpan docket.
In their words
“And I mentioned this because I was 15 years old when I saw this movie in the theater.” (0:03:11)
“They're both pantheon for me, but breakfast club's an all timer for me.” (1:23:34)
Loves sprawling statistics and lists (genre-checkbox years, Carrey's run) and a good Oscars grievance. Cannot resist a bit about bars, themed restaurants and sports metaphors. A sucker for the 1990s and for movies that hold up on repeat.
Stances
Carrey's 94-2000 run is the best by a comedian
1998 checked every genre box
Movies should run about 100 minutes
Humor: Rapid-fire riffs that fold sports and gambling into movie talk.
In their words
“Carries the star, obviously, and carries in this heater from 94 to 2000.” (0:27:23)
“I think 1998 is in the running for the greatest checking all the boxes movie year we've ever had.” (1:06:05)
Loves 80s TV that wrecks him (China Beach), cool-guy actors like Madsen, and big dumb 90s movies sold on a single premise. Teased for being a sucker for the Hollywood Hills guy's lifestyle. Dislikes Sil-adjacent logic holes less than he enjoys them.
Stances
Species is a great B movie that gets a pass
Wants Madsen and Helgenberger to have been a TV duo
Would be Robbie in another life
Humor: Deadpan sports-and-pop-culture analogies and self-aware sleaze.
In their words
“I fucking love China Beach.” (0:07:15)
“Bill, you see yourself as Robbie, huh?” (0:37:46)
Loves 80s and 90s crowd-pleasers, Goodfellas as his favorite movie, and a good Hollywood backstory. Can't stand pot smoke and bike traffic in modern New York, Pee-wee, or Jade. A sucker for actresses who deserved better careers (Arquette, Fiorentino) and sports-brain comparisons.
Stances
Fiorentino and Arquette were robbed of better careers
80s Scorsese is the best
Warriors is superior to After Hours as a night movie
Tom Hanks or Keaton would improve the lead
Humor: Breathless riffs, absurd hypotheticals (kill Reagan for Arquette) and sports analogies.
In their words
“I don't know how Linda Fiorentino was never on the Sopranos.” (1:09:50)
“Would you have killed Ronald Reagan for Rosanne Arquette?” (0:33:25)
Loves the pop-culture web of the 80s: songs, TV, sports ads and movie stars tied together, and reads Ebert and old press clippings. Will take a bold contrarian stance (Tess may be the villain) and invents award categories. Cannot stand an unexplained plot hole or a premise that ruins itself, but forgives absurdity when the emotion works.
Stances
Tess might be the villain; she took Catherine's idea, boyfriend and job
The Pointer Sisters' 'I'm So Excited' is secretly the most important pop-culture song
Humor: Runs deadpan bits and invented awards, and teases co-hosts' obsessions.
In their words
“is secretly the most important pop culture song of all time.” (1:27:43)
“Are we sure Tess isn't the villain of this movie?” (1:59:14)
Loves Rocky as a cultural phenomenon he lived through in 1976, and the sports-movie recipe it created. Loves the casting what-if games and the running categories. Can't stand slow courtship scenes in 2025 terms. A sucker for Stallone and for lore.
Stances
Rocky is one of the most important movies of the last 50 years
Rocky was a phenomenon in 1976, comparable to Jaws and Star Wars
Stallone wins the movie
All the President's Men should have won the Oscar
Humor: Drops running bits (Ebert, hot takes, categories) and teases the others about Boston and doo-wop.
In their words
“I saw in Dedham, Massachusetts with my dad.” (0:08:57)
Loves football, sports movies and the long run of sports books and shows; likes nitpicks and ranking lists. Fond of Billy Bob Thornton and the TV show, with a Grantland-era sense of history. Enjoys odds, lines and fantasy-football talk.
Stances
Friday Night Lights is a top-six football movie, behind The Longest Yard
Movies where the good guys lose are great for rewatchability
Billy Bob should have been the TV Coach Taylor, as a career move
Coach Gaines is arguably a bad coach
Cruise is too small and not Texan, so Hanks wins
Humor: Banter, tallies and running-bit award names, plus deadpan wagers and career-strategist asides.
In their words
“I think Billy Bob should have played the coach in the TV show.” (1:17:08)
“I think longest yard is just number one.” (1:39:56)
Loves the whole texture of Pulp Fiction and builds the whole show around categories and awards. Cares about specific lines, casting what-ifs, and bits that tie to sports (Paul George, Dion Waiters, NBA draft). Can't stand lazy nitpicks and the weak link of Fabienne's 12 minutes. A sucker for diners, milkshakes, and the lifestyle nostalgia of the movie.
Stances
Fabienne's 12 minutes is the weakest part of Pulp Fiction
Dump 8 of those minutes for a real Wilson vs Coolidge boxing sequence
Vincent Vega is completely incompetent
Cruise as Vincent or Butch is the Apex Mountain casting pick
Humor: Runs category gags and sports analogies, and escalates absurd 'unanswerable questions'.
In their words
“Well, we have some bonus categories for this one.” (0:02:34)
“I will say that for as awesome as this film has so many great shots.” (1:11:22)
“I hate to tell Tarantino what to do, who's incredible creative achievement, but if you dump 8 of the 12 minutes with Butch's girlfriend,” (1:36:04)
He disliked Twister in 1996 because it felt like the start of the effects-driven blockbuster era but now loves it for the old-school feel of real danger. He is a sucker for summer-calendar history, box office numbers, and a movie you can leave on for three days. He reads casting and career arcs through NBA and NFL analogies.
Stances
Twister is underrated and he held it unfairly in 1996
Practical effects make the actors feel in actual danger
1996 is the year the summer blockbuster calendar was set
Jonas should have had more scenes
Disaster movies should be natural disasters and not star the Rock
Humor: Sports analogies for everything, dry running bits, and mock-outrage over the group's picks.
In their words
“I watched it twice in the last week.” (0:03:10)
“I actually like it more than I've ever liked it in my life.” (0:03:12)
“I treated it this time around, like basically tried to recreate the circumstances of an old school rewatchable” (0:10:05)
Loves the 90s Myers era (Wayne's World, Axe Murderer) more than the Powers films. A sucker for Heather Graham and Garth-style sidekicks. Dislikes the rap song and the Fat Bastard sleeping bit; wants comedians to stay comedians.
Stances
Myers era best in Wayne's World/Axe Murderer
Comedians should not go serious
Mike Myers won the movie
Humor: Digressive trivia dropper and conspiracy-tangent jokester.
In their words
“We never want them to become serious actors.” (0:15:47)
Loves 80s movie-star careers, studio and box-office lore, and Kathleen Turner as a teenage ideal. Cannot stand wasted runtime and the DeVito framing scenes. A sucker for production trivia, deleted scenes and Phil Collins-style what-ifs.
Stances
The DeVito framing scenes are the weak link and could be cut
Turner is the better performer in the Douglas/Turner combo
The dog should have been made into pate
Roses is 'hall of fame' evidence that they don't make movies like this anymore
Humor: Dry, list-making and rhetorical, with sports analogies and running-bit category names.
In their words
“But man, when I was growing up in the 80s.” (0:08:23)
“She was like my platonic ideal for like someday I hope I get to marry somebody like Kathleen Turner.” (0:08:26)
“The Danny DeVito scenes, even though there's good wisdom in them” (0:48:09)
“I think it's more important that they both actually die than that you know for sure that the dog died.” (1:05:02)
Bill loves Richard Gere's charisma at full power and a movie that gets more unhinged as it goes. He keeps the categories moving and loves sports analogies and long-ago junket stories. He is a sucker for a villain you end up rooting for, and he is dismissive of Bad Lieutenant for trying too hard.
Stances
Gere's Dennis Peck is his best performance
He actually wants more dirty-cop movies
Bad Lieutenant is not a rewatchable
Humor: Sports-flavored riffs and mock-awards, like the Rick Dalton Award, and impressions.
In their words
“I think this is his best performance in a movie.” (0:09:09)
“Little like Kenny Pickett on the Steelers.” (0:18:52)
“I interviewed Ron Silver at the Ali Junket in 2001.” (0:51:48)
Bill loves Pacino's swagger and Any Given Sunday, loves Heat, and treats the Michael Mann signature as a thing he can pick at, calling out the slow-motion ending and score as dated. He is a sports guy who can't let go of the Knicks 'semifinals' line, and he has little patience for stray bad casting like Wings Hauser. He is a sucker for scenery-chewers like Bruce McGill.
Stances
Pacino's Any Given Sunday is his favorite Pacino performance other than The Godfather
The slow-motion ending is bad and tacky
Cigarette smoking in movies makes people look cool
Pacino should have smoked in this movie
Humor: Digressive and comic, uses sports analogies (LeBron, Knicks, Dion Waiters) and bits that run on.
In their words
“The Inch's speech is all time for me and that movie's terrible and he's carrying it like LeBron carried the 2007 caps.” (0:09:36)
Loves The Big Chill enough to make it his birthday movie and has seen it more than almost anything. Cares about football-movie accuracy, soundtrack craft and the 80s ensemble dramedy. Can't stand bad touch football scenes and the Oscars' snubs.
Stances
The Big Chill is a movie he returns to again and again
Touch football in movies is never done right
Kasdan's first five years are the greatest screenwriting run
Humor: Runs bits and riffs, jokes about the show's low bar and his own friends.
In their words
“Every year on my birthday, we do a movie that I love, and this year we're doing the big chill.” (0:00:58)
“I've never been satisfied with the movie touch football scene.” (1:34:03)
Loves quotable, rewatchable movies (Godfather, Goodfellas, Casino, Speed), the Sopranos, and craps and sports analogies. Hates narrators generally, but allows this one. Sucker for lists, categories, and made-up channels.
Stances
Lessons from the movie are the best part; 'nobody cares' wins
Bar-intro scene is a Goodfellas rip
Chazz Palminteri won the movie
Hasn't seen John Wick 4 yet; will wait for the perfect time
Humor: Runs the format as a bit machine, with channel pitches, rankings, and teasing his co-hosts.
In their words
“I hate narrators.” (1:10:32)
“I always wanted an all-jail movie channel called Bars, B-A-R-Z.” (1:05:05)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
Their claims
Showing 1,101–1,200 of 1,295 claims.
what-if (what-if):
Robert Forster → Reservoir Dogs.
Forster auditioned for Joe Cabot, then played Jackie Brown; Bill thinks he would have beaten Tierney.
“I never thought Robert Foster was that great, but he would have been better than Lawrence Kierney.”
what-if (what-if):
Reservoir Dogs → Hans Zimmer.
Imagining Tony Scott's version, a host wonders if it would have had a Hans Zimmer score in place of the 70s songs.
“Would it have been like a Hans Zimmer score instead of the 70s songs?”
craft (craft):
Reservoir Dogs → Stealers Wheel.
A host reports Tarantino said the whole soundtrack budget went to securing 'Stuck in the Middle with You'.
“Tarantino said in 14 that the entire soundtrack budget was spent on securing, stuck in the middle with you.”
lineage (lineage):
Reservoir Dogs → Pulp Fiction.
Vic Vega and Vincent Vega are brothers; Tarantino wanted a prequel before Madsen and Travolta aged out.
“Vic Vega and Vincent Vega from Pulp Fictions were brothers.”
programming (programming):
Reservoir Dogs → Inglourious Basterds.
The Inglourious Basterds spelling is a Tarantino flourish; Reservoir Dogs' title is also odd.
lineage (lineage):
Mean Girls → Fast Times at Ridgemont High.
Simmons proposes a championship-belt lineage of smart teen movies starting with Fast Times and running through Mean Girls.
“I feel like Fast Times at Ridgemont High was the 1st one.”
theme (genre commentary):
Mean Girls → Cruel Intentions.
Cruel Intentions is argued to be a smart teen movie because it comments on the genre; Simmons says it is an adult movie using teens, coming on Rewatchables 99.
“That's actually an adult movie that's using teens, which is what makes it so weird and uncomfortable.”
unmapped (overqualified lead):
Mean Girls → Easy A.
Emma Stone in Easy A is the other candidate for an actress overqualified for a teen movie, alongside Lohan.
“Emma Stone would be the other candidate for just, Completely overqualified to be in one of these movies.”
people (performance):
Lindsay Lohan → The Parent Trap.
Lohan is jarringly awesome playing two characters in The Parent Trap, which Simmons' daughter watched for a year.
career (career projection):
Lindsay Lohan → Jodie Foster.
After Freaky Friday, Ebert's comparison made it seem Lohan would be the next Jodie Foster, doing teen movies then winning Oscars.
“So at this point, we're like, this is the next Jody Foster.”
career (career run):
Mean Girls → Freaky Friday.
Freaky Friday made $92 million; Lohan's run went Freaky Friday, Confessions, Mean Girls, then the wheels came off.
“Uh, did confessions of a teenage drama queen, then it goes well on that mean girls.”
what-if (what-if career):
Lindsay Lohan → River Phoenix.
Another talented actor whose career is a what-if; Simmons compares to athletes lost to injury or drugs.
“River Phoenix, who I think is another one where it's, there's a lot of what ifs that go with him”
people (same producer):
Mean Girls → Wayne's World.
Wayne's World, Mean Girls and Tommy Boy are the nominees for best Lorne Michaels movie; Mean Girls wins as he lets talent paint the canvas.
unmapped (rare teen star):
Lindsay Lohan → Alicia Silverstone.
No teen star like Lohan or Silverstone has appeared since; both show how hard young-woman fame is.
theme (trope):
Secret Admirer → Mean Girls.
The trope that the guy does not notice his hot friend until late recurs in Secret Admirer and Dawson's Creek.
“Secret admirer has Lori Laughlin, C. Thomas Howes, in love with Kelly Preston”
career (career run):
Rachel McAdams → The Notebook.
2004 brought Mean Girls then The Notebook then Wedding Crashers, the 'trilogy' that gave McAdams career power.
craft (soundtrack/dating):
Lindsay Lohan → Samantha Ronson.
The soundtrack song 'Built This Way' is by Samantha Ronson, whom Lohan later dated, which throws a viewer off.
“Katie starts dating the person who did the song a year later.”
industry (awards crossover):
Mean Girls → Pretty Woman.
The Vivian Award for best clothes started at the Pretty Woman rewatchables; here it is reversed for worst clothes.
“We had the Vivian Award for best clothes in a movie that we started during the Pretty Women rewatchables”
what-if (casting what-if):
Lindsay Lohan → Pretty Woman.
Asked whether Lohan could have starred in Pretty Woman at 23; they say no, her power was suburban edge, not hard exterior and soft center.
“Could she have done Pretty Woman if Pretty Woman was 20 years later?”
what-if (role swap what-if):
Lindsay Lohan → Rachel McAdams.
They were originally cast in opposite roles; McAdams would have been too old to be believable as homeschooled Cady.
people (casting context):
Mean Girls → Confessions of a Teenage Drama Queen.
Lohan said she had just played Confessions and Freaky Friday, not the cool girl, which is why she wanted Regina.
“I just played in Confessions of a teenager drama queen in Freaky Friday, not the cool girl in school.”
verdict (Apex Mountain comparison):
Mean Girls → Wedding Crashers.
Debating McAdams' Apex Mountain, they weigh Wedding Crashers as the third of her trilogy with career power.
“So at the end, by the end of the trilogy of this notebook wedding crashers, she has so much career power at that point”
industry (MTV Movie Awards moment):
Rachel McAdams → Ryan Gosling.
The Notebook pair's MTV Movie Awards stage appearance was a landmark for college women.
theme (generational comparison):
Lindsay Lohan → Elizabeth Taylor.
People thought Lohan was this generation's Elizabeth Taylor, then the bad parts happened without the good.
craft (craft):
Tim Robbins → Bull Durham.
Tim Robbins's throwing motion is called insurmountable for a phenom pitcher; Mallory counters that it is part of the lore.
“You can't have the greatest baseball movie of all time when you have this phenom pitcher, and he throws like he has a broken arm.”
what-if (what-if):
The Natural → Field of Dreams.
A 2015 remake would stay faithful to the dark book, since we now expect the worst of baseball heroes.
“if we made this movie in like 2015, I actually think they would have stayed faithful to the book”
lineage (lineage):
The Natural → Shoeless Joe Jackson.
The book's ending, with a boy saying it ain't true, Roy, is a clear Shoeless Joe Jackson rip-off.
“which is a clear shoeless Joe Jackson, rip off thing.”
lineage (lineage):
The Natural → The Odyssey (Homer).
The movie maps onto Homer: Roy is Odysseus, Harriet and Memo play siren/Calypso figures, Iris is Penelope.
industry (industry):
The Bad News Bears → Bad News Bears (remake).
The 70s original was politically incorrect like the era; the remake had to be made politically correct, which defeated the purpose.
“When they rebate it, it was a disaster because they had to make a political correct version of it”
lineage (lineage):
The Natural → Major League.
The 80s baseball movies (The Natural, Field of Dreams, Major League) follow the old-school rags-to-riches arc, Rocky as a baseball team.
“the natural field of dreams, major league with the old school kind of start to finish, rags to riches, rocky as a baseball team”
industry (industry):
For Love of the Game → Moneyball.
Baseball movies progressed from straight sports to merging genres (For Love of the Game) to a movement story that happens to be about baseball (Moneyball).
“now it's like this is about a movement that happened in a sport and it just happens to be about baseball”
contrast (contrast):
The Natural → The Sandlot.
For Bill's young son, the Natural is way too slow, while Sandlot, Major League and Bad News Bears work.
“The lightning, the lightning scene is more realistic and has better, more state of the art special effects than a scene where everyone's flying around in 2001.”
verdict (verdict):
The Natural → Rocky.
The Natural's walk-off homer is the greatest chill scene of any sports movie, except maybe Rocky going down and getting up in the 14th round.
“Except for maybe Rocky getting knocked down in the 14th round of Rocky one”
what-if (what-if):
The Natural → Zach Cram.
Roy's modern value would be a three-true-outcomes player, like Zach Cram, with only homers, strikeouts and walks.
craft (craft):
The Natural → Field of Dreams.
Roy Hobbs's son and the Field of Dreams catcher are the worst throwing motions; the speaker names Tim Robbins's Bull Durham motion as worse-but-excused.
“I just can't excuse the Field of Dreams catcher.”
career (career):
Robert Redford → All the President's Men.
Redford's apex mountain was All the President's Men, when he had the juice to make and produce it.
“We did the other President's Men rewatchables and decided that actually was his Apex Mountain”
what-if (what-if):
The Natural → Hypothetical basketball series.
As a 10-episode series it would be better as basketball, set in the 60s, to keep the identity mystery plausible.
career (career):
Winona Ryder → The Godfather Part III.
Ryder's run of odd choices included falling out of Godfather 3, leading to the Sofia Coppola casting.
“And then from that point, she falls out of Godfather 3.”
industry (industry):
Reality Bites → Friends (TV).
Friends season one captured the mid-90s roommate money tension that Reality Bites does.
“That's why I defend season one of Friends, because I thought it did a nice job of, in these weird ways of, uh, what it was like to have a roommate in the mid 90s.”
industry (industry):
Reality Bites → Melrose Place (TV).
The Melrose Place AIDS scene lampoons the TV treatment of the issue while the film makes AIDS a character.
“this movie, out of any movie I've seen from this era, does the best job of just kind of making that a character.”
fun, about
Jay Barrishell:
Daily Beast interview: Jay said he and Jonah didn't get along and found Jonah's compliment scene exhausting, then loved the rough cut.
fun, about
Rihanna:
Slapped Michael Cera for real; Cera asked if he could slap her butt and she said only if she could hit back; multiple takes left him lying down.
“he asked Rihanna if he could actually slap her butt and she said, if I can hit you back.”
fun, about
Alec Baldwin:
On set Baldwin refused to shave his beard, so Bill Pullman was lined up to replace him; he then shaved but stopped talking to the director for the shoot.
“And then won't talk to the director for the rest of the shoot.”
fun, about
David Mamet:
Art Linson's book: in the pitch an executive objected that nobody roots for a rich guy, so Mamet added the affair and the cuckold angle.
fun, about
Bart the Bear:
Bart's filmography: Legends of the Fall, The Great Outdoors, 12 Monkeys, Grizzly Adams, presented at the 1998 Academy Awards.
“He was a presenter at the Academy Awards in 1998”
fun, about
Paul Bettany:
Balcony speech: fear of falling is really fear that you might jump; then the money-left-after-taxes run with 76,520 on hookers.
fun, about
Margin Call:
Casting what-ifs: Irons role first offered to Ben Kingsley, Tim Robbins and Billy Crudup passed, Carla Gugino was to play Demi Moore's part.
“The Jeremy Ions ions world was originally offered too.”
fun, about
Misery:
Goldman wanted the job because of King's foot-chopping scene; George Roy Hill could not direct it, and Reiner and Scheinman softened it to the ankle-breaking hobbling.
“The lapping scene was gone now forever replaced by the ankle breaking scene.”
fun, about
Judd Apatow:
Bill reads the Rudd character as a stand-in for Judd, with Apatow's own wife and kids on screen: 'Judd's really going through something'.
fun, about
Beverly Hills Cop II:
A Premiere magazine piece says the script was rewritten dozens of times, finalized three weeks before production, with a 10-week shoot stretching to 20.
“Cop 2 ate up the energy of 2 executive producers, 2 producers, one director, 6 writers, and various productive production executives of personnel at Paramount.”
fun, about
Brigitte Nielsen:
Most rewatchable scene pick: the jewelry-store robbery with the robber calling out elapsed time and time left.
“If a movie features a scene where there is a robbery and the robber is calling out the amount of time that they've been in there and how much time they have left, probably going to be a rewatchable at some point.”
fun, about
Beverly Hills Cop II:
Murphy's original pitch was a Testarossa and a Beverly Hills gun club; the studio first considered England/Scotland Yard and a TV series, but Murphy refused both.
“Murphy's ideas was that that Folish should have a testeras, Rosa Ferrari, and that there should be something at the Beverly Hills gun club.”
fun, about
Tony Scott:
Scott flew to New Jersey to meet Murphy, shot pool, then Murphy vanished mid-rematch and sent his boys to say Scott was fine with him.
“Scott recalls shooting some pool with Murphy. who won the 1st game, then disappeared in the middle of a rematch.”
fun, about
Eddie Murphy:
Murphy arrived with a huge trailer and an entourage including his Uncle Ray, brother Charlie, cousin Ray Jr., Fruity, and a 21-year-old valet, and was late all the time, then ad-libbed.
“he was late all the time, according to one of the crew.”
fun, about
Beverly Hills Cop II:
Eddie Murphy himself called it the most successful mediocre picture in history, a half-assed rehash that was less spontaneous. Both hosts disagree and say they love it.
“Beverly Hills cop 2 was probably the most successful mediocre picture in history.”
fun, about
Eddie Murphy:
Murphy bought a $65,000 Porsche at lunch when depressed, and fought producers to keep the Ferrari from the movie; the producers' spokesman denied they ever gave him one.
“Eddie may have bought a red Ferrari, but Don and Jerry never gave him one.”
fun, about
Beverly Hills Cop II:
Most rewatchable scene: Axel at the gun club pleading for his daughters Monique and Unique; Simmons calls it a fucking classic.
“I'd like to see my kids, Monique and Unique again, fucking classic.”
fun, about
Beverly Hills Cop II:
Best quote candidate: the Gerald Ford lookalike in the strip club; Simmons says he still doesn't know why it's funny after all these years.
fun, about
Tony Scott:
On the armored-truck city deposit robbery: Scott takes off his shirt, rubs body butter on his arms and does action-sequence curls for three minutes.
“Tony's like, takes off his shirt, rubs his arms with body butter, and just fucking does some curls for us for about 3 minutes.”
fun, about
Beverly Hills Cop II:
Ages the best: the opening song 'Shakedown' by Bob Seger; Simmons wants more theme songs thematically drawn from the movie, like running away from crime in the city.
“We just don't have, we used to do things in this country.”
fun, about
Beverly Hills Cop II:
Ages the best: Producer Craig plays the Faltermeyer opening and Simmons says it makes him want to rob a jewelry store; they plan to end pods with a 45-second Craig song.
fun, about
Hugh Hefner:
First movie ever filmed at the Playboy Mansion; Hefner had said no film, then supposedly found a film reflecting his values. Paul Reiser also reads Playboy Sisters in three scenes.
“Reiser, he's reading Playboy Sisters, 112 pages of Sexy Siblings.”
fun, about
Beverly Hills Cop II:
Casting what-if: Simmons wants Geena Davis in the thin role of Bogomil's daughter Jan, and Ryan wants Lisa Bonet as a strip-club character killed to fuel Axel's revenge, an 11-minute sidetrack.
“It's just 2 phone calls and then she's like, I've solved where this guy's visa came from?”