Appreciates craftspeople and lesser-known directors (loves The Boost and City Hall) and attends Cannes. Scrutinizes plot logic and loves Buscemi's Fargo energy. Disdains the garage finale.
Stances
The movie works until the murder, then the investigation sinks it
Modern tech would have ended the plot
Harold Becker's career deserves a look
Humor: Wry, uses film-nerd references and dry understatement.
In their words
“I just saw it for the 1st time this year is amazing.” (0:30:27)
“I just feel like reverse image search alone on a photo of Rick just ends this whole thing.” (1:08:35)
Treats After Hours as a top-5 Scorsese and an all-time favorite; loves style, Pee-wee-adjacent oddballs, Frances Ha and film-history research. Can't stand lazy comic-book flatness or explicit violence for its own sake. A sucker for homage, trivia and a clean pace.
Stances
After Hours is a hinge in Scorsese's career
Goodfellas' look starts here
Pauline Kael misread it
Nighttime New York movies are a lineage
Humor: Dry, researched asides and a New Yorker's grumble about the city changing.
In their words
“It's just a hinge movie for him, you know?” (1:41:36)
Barely audible in the transcript; credited by Bill's live-show promo and addressed as 'Fantasy', he offers short remarks on Spider Rico. Little can be said about his taste from this episode.
Admires Walken's monologue craft and Tarantino's refusal to sell out. Likes movie stars taking risks in non-star roles (Stallone in Cop Land). Dislikes how the film ends up with Fabienne.
Stances
Walken wins the Dion Waiters Award
Travolta, not Day-Lewis, was right
Tarantino never sold out
Humor: Quiet, wry one-liners; takes the long view.
In their words
“Don't massage my wife's foot unless you're a professional masseuse is one of my takes.” (0:10:40)
“I love when movie stars play non-movie star roles.” (2:41:43)
“Having him play like just one normal hitman having a weird day would be awesome.” (1:39:01)
Likes the sketch-driven silliness and Mini-Me/Scott Evil feud. Annoyed by Fat Bastard's grossness and Felicity sleeping with him. Likes Rob Lowe's resilient career.
Stances
Fat Bastard scene is the worst-aged
Dr. Evil nipples age best
Heather Graham deserves credit
Humor: Dry, plays straight man to Bill's tangents.
In their words
“Felicity sleeping with Fat Bastard has just grossed me out in 1999.” (0:37:25)
Sean is the most film-critical of the three, with a theory of Pacino as broken by Scarface and an argument that The Insider is his most calibrated performance. He admires Plummer's non-impression of Wallace and values the Mann-Roth research. He is less into the score and the style when applied to a white-collar story.
Stances
The Insider is probably Pacino's best performance
Mann's style strains for individuality and sometimes ages him
The movie is a little masturbatory when applied to a hotel-room decision story
The score is not his favorite Mann element
Humor: Wry and observational, with film-critic asides and self-deprecating comments about being excommunicated from the Mann club.
In their words
“I think this is truly his last great masterpiece.” (0:07:22)
“I think that the insider is probably his best performance because it's the one that is the most finely calibrated between loud, crazy, and kind of subtle and stormy” (0:12:36)
A DVD head and Letterboxd regular who would cave on the deleted scenes. Likes the fact sheets, craft details like Ozu, and friendship movies. Dislikes the sequel idea and the Costner scene being sat on forever.
Stances
Would show the cut Costner scene
Doubts Grand Canyon
Humor: Dry quips and the straight man to the Letterboxd jokes.
Cares about directorial craft and homage; Scorsese devotee. Praises performances and lessons over the direction, which he finds first-time-filmmaker plain. Bothered by mixed Goodfellas homages.
Stances
Wonders if Goodfellas echoes are purposeful
Scorsese directing would be more thrilling but less breezy
Wants answers on who planted the car bomb
Humor: Plays straight-man with deadpan nitpicks and question lists.
In their words
“my obsession with Martin Scorsese is probably rooted in the fact that I didn't have that.” (0:08:56)
“I just want to know how much of what he was doing was a purposeful homage to Goodfellas” (1:32:47)
Altman is in his top five favorite filmmakers and he knows the filmography cold, from Tanner '88 to Cookie's Fortune. He's a sucker for Carver and Blu-ray collecting and defends Greta Scacchi. He has little patience for TV-style stretches of an asshole.
Stances
Altman's legacy is the filmmakers he influenced
The Player is one of Altman's three or four best
Movies have been good for 15 months
The oral biography is the place to start with Altman
Humor: Dry and a little snobby about his own collector habits; deadpan fact-drops.
In their words
“He is in my top 5 favorite filmmakers ever.” (0:08:57)
“I think it's really like definitely one of his 3 or 4 best movies.” (0:10:20)
“I think movies have been good for like 15 months.” (1:40:05)
Film-nerd who values Willis's daring taste in directors and takes seriously the craft and the cultural footprint. Fond of Renny Harlin's Long Kiss Goodnight, De Palma, and a good that-guy roll call; skeptical of the movie's incoherent plot and the 9/11-erased airport.
Stances
Willis took risks with unproven filmmakers
Die Hard 2 is still among the better action movies of its era
Long Kiss Goodnight is Harlin's coolest movie
Air traffic control access was problematic
Humor: Dry, specific and film-literate; sets up jokes with precise references.
In their words
“he was willing to take on projects with filmmakers who were maybe not as proven.” (0:07:32)
Film-nerd who builds the big readings (Hitchcock lineage, Fincher career arc) and loves camera moves through walls and Blu-rays. Won't love the accent in Silence of the Lambs; sucker for nitpicks about propane physics.
Stances
Panic Room is Hitchcock doing Psycho after North by Northwest
Silence of the Lambs is still Foster's best
Likes Adventureland best of Stewart
Nitpicks the propane tank and phone logic
Humor: Dry and literate; gets teased for loving cameras inside walls and Blu-rays.
In their words
“I still think is probably the best thing she's ever been a part of” (0:29:47)
“I would say Adventureland is my favorite, Kristen Stewart” (1:34:50)
“Sean loves when we take cameras inside walls.” (1:21:07)
Loves Ang Lee's range, Brokeback Mountain, tragedy with satire, and thinking about how industry changes. Can't stand over-explained text. A sucker for Joan Allen and small observed behavior.
Stances
Lee has the most varied filmography of any major director in 30 years
The film is more satire than bum-out
Joan Allen is the apex pick
Humor: Earnest and precise, then undercuts with a deadpan aside.
In their words
“He probably has the most varied filmography of any major director in the last 30 years.” (0:09:07)
“Joan wins out of all the actors.” (1:23:11)
“I thought that movie was good, and that kind of came and went, and it was almost in the wrong decade.” (1:12:00)
Film-history lens: loves the Method actors versus movie-star divide, Scorsese's visual flourishes, and Newman's integrity. Dislikes the idea that Ebert missed the ending's point. A sucker for Grady Seasons and Amos scenes.
Stances
It's a torch-passing movie in both business and story
Ending ambiguity is the point, not a flaw
Newman integrity explains the forfeit
Scorsese is great at making a small movie feel big
Humor: Dry film-nerd asides, like claiming he will be 'young and vital forever.'
In their words
“Just that I'm going to be young and vital forever, so I still don't relate to any of that stuff, you know?” (0:21:09)
“it's one of the most exciting and entertaining movies he ever made.” (0:16:10)
“Newman is one of the few guys who basically fused both disciplines.” (0:05:48)
Proud Bill Murray devotee who frames careers in eras; loves the 'from hell' genre and craft details like cinematographer and editor credentials. A champion of Julie Hagerty and Dr. Melfi. Gets a kick out of deep trivia and the Muppets.
Stances
Murray has two phases, pre- and post-Rushmore
The film is a successor to Pacific Heights
Anna may be a post-college adult
Dreyfuss finally plays the character he was destined for
Humor: Confident, nerdy deep cuts and theory-building that makes the others groan, such as the post-college Anna reading.
In their words
“Think of this movie as a logical successor to Pacific Heights.” (0:46:51)
“Sean, you're a Bill Murray guy. Proudly. Proudly.” (0:03:35)
Admires Mann's themes and the rich cinematic lineage; calls himself a weed smoker for Heat but loves Thief. Fond of Caan's volatile nuance, finds Weld and Nelson fascinating.
Admires Fincher as a control-freak craftsman and sees Hitchcock behind Se7en. Can't stand when the Academy rewards uplift over difficult genre filmmaking. A sucker for the Freeman-as-lead reading.
Stances
Se7en is the darkest mainstream American movie ever made.
Pitt is not top-tier here; it is Freeman's movie.
Fincher won the movie.
Humor: Dry and precise, deadpan asides.
In their words
“this is just about the darkest mainstream American movie ever made.” (0:05:59)
“it's also just completely a Hitchcock movie in so many ways.” (0:14:30)
Critic-minded and history-minded: loves the real SNL oral histories, Siskel, Ritchie and Chandler-style noir. Cannot stand weak acting, especially Dana Wheeler-Nicholson here, and defends Siskel over Ebert. A sucker for HBO Max old movies.
Stances
You have to get Chevy Chase to get Fletch
Dana Wheeler-Nicholson is a bad actress
Ebert missed the point
Humor: Dry, authoritative asides and long rants framed as scholarship.
In their words
“I think if you don't get Chevy Chase, you will never get this movie.” (0:02:14)
“You may recall from the Tombstone podcast that I noted that she is a bad actress and she's not good in flutch.” (0:51:31)
Loves the Cameron-Ferris friendship, Hughes's relationships, and the film as a closed system of perfection. Cannot stand overthinking about why it works; a sucker for people who keep it together while coiled. Defends innocent fun and Cameron.
Stances
Ferris is the movie but audiences relate to Cameron
The film works as an unreplicable perfect moment
Jeffrey Jones was the right choice over Paul Gleason
Hughes is a rare writer who channels all kinds of characters
Humor: Dry, deadpan, quick to drop a zinger; the host who delivers the Silent Judge side-eye.
In their words
“It's like a, this is a very closed system of perfection.” (0:19:12)
“Your dirtbag ethics have nothing to do with what makes Ferris Bueller beautiful.” (1:26:08)
Treats Tarantino as the central author, loves Leo DiCaprio's work here, and defends the movie's themes against online complaints. Loves the Bruce Lee roof scene. Can't stand criticism that misses the point about beginnings and endings of careers.
Stances
Quentin wins every Tarantino movie
Leo's performance is the best of his career
The Margot Robbie criticism missed the point
Humor: Dry, deflecting, and gets teased about Equinox and Leo.
In their words
“I think Leo decided in like 1992.” (0:15:50)
“I think Quentin wins all of his movies.” (1:17:39)
Self-described not a huge Bond person who finds Skyfall scratches the part of his brain other Bonds do not; loves the Silva rat speech and dialogue scenes. A Peter Morgan disciple and Anglophile who can pick out British character actors.
Stances
Skyfall's action is accessible and legible
Silva dominates the film
Hacking is the worst-aged element
Humor: Deadpan nitpicks and bits about vlogging villains.
In their words
“I am not a huge bond person.” (0:04:20)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
Their claims
Showing 901–1,000 of 1,576 claims.
theme (comparison):
Tom Cruise → Denzel Washington.
Denzel is the closest comparison because of Tony Scott movies, but better actor who also does Shakespeare.
“I think Denzel is probably the closer comparison because he does like a lot of Tony Scott movies”
unmapped (sliding doors):
Taps → Sean Penn.
In Taps Cruise has the Sean Penn-style edgy role he never played again, a different career he could have had.
“it's like a sliding doors moment for what kind of a career Tom Cruise could have had.”
unmapped (villain roles):
Interview with the Vampire → Collateral.
Collateral is called his only straight villain performance, with Lestat as a not-recognizable villain.
“Well, Listat is kind of a villain in interview with the vampire.”
people (auteur credit):
War of the Worlds → Steven Spielberg.
War of the Worlds is out because it is truly a Spielberg movie even though Cruise is terrific.
lineage (sequel):
Jack Reacher → Jack Reacher: Never Go Back.
The second Reacher film was directed by Edward Zwick, a reunion with Cruise after The Last Samurai.
industry (franchise strategy):
The Mummy → Mission: Impossible.
The Mummy was Cruise's attempt at a new franchise via Universal's Dark Universe, possibly tied to passing off MI to Renner.
“I need a new franchise, and what I need is the monster verse with universal pictures.”
verdict (ranking):
Minority Report → War of the Worlds.
Of the Spielberg-Cruise films, Minority Report stays on the yellow list over War of the Worlds because one Spielberg is enough.
“I think it's reasonable to include one Spielberg.”
verdict (ranking):
Mission: Impossible – Fallout → Edge of Tomorrow.
Fallout is argued in over Edge of Tomorrow because it cemented Cruise's reinvention and made Top Gun: Maverick possible.
“without fallout being what it is and being as successful.”
lineage (remake):
Nightmare Alley → Nightmare Alley.
The 1947 film is a neutered version given 1940s moviemaking; the new one is bigger, bolder and better.
“It's an interesting movie, a neutered version of the story, I would say, given the circumstances of movie making back in the 40s.”
contrast (same filmmaker, tonal opposite):
Nightmare Alley → The Shape of Water.
Both are Del Toro and Kim Morgan scripts, but this one has no way out where the earlier films stay hopeful.
“Yeah, they're often pretty hopeful and they often look on the bright side, ultimately, and they often feature children kind of emerging from traumatic circumstances.”
verdict (underrated by consistency):
Gene Hackman → Guillermo del Toro.
Both are so reliably amazing that nobody is surprised, so they are under-rewarded.
“Gene Hackman didn't get the amount of Oscar nominations that he deserved only because he because he was always amazing.”
lineage (origin of the project):
Ron Perlman → Nightmare Alley.
Perlman reportedly put the Gresham book in Del Toro's hands in the mid 90s, so he is why the film exists.
“he's the person, I believe, who, uh, who put the book in Del Toro's hands, I think in the mid 90s.”
unmapped (decade trend):
The Long Goodbye → Night Moves.
70s films that take on and almost parody the tone of old noir; cynical yet strangely pie-eyed.
“I'm fascinated by the 70s. taking on and almost almost parodying satirizing the tonality of some of these movies.”
unmapped (self-aware modern noir):
Under the Silver Lake → The Long Goodbye.
The modern noir with a real idea about now, self-parodying like The Long Goodbye.
“similar to that longer buy, sort of like highly self-aware, almost self-parodying aspect, but that is really, really successful.”
lineage (lineage):
Ghostbusters: Afterlife → Ghostbusters.
Afterlife is a revival of the original series by Ivan Reitman's son, loaded with its mythology.
“This is Jason Reitman's revivification of his father, Ivan Reitman's famed film series.”
career (career):
Jason Reitman → Coppola.
Reitman's uneven filmography is compared to his 70s and 80s heroes, few of whom have eight great films in a row.
career (career):
Jason Reitman → Ghostbusters: Afterlife.
Reitman's ghostbusters decision looks like capitulating to Hollywood and may make him a franchise filmmaker.
“he has kind of minted a future as a franchise filmmaker.”
lineage (lineage):
Tick, Tick... Boom! → Rent.
Tick, Tick... Boom! is an early unfinished musical by Larson that workshops guitar riffs and ideas that end up in Rent.
“it's workshopping a lot of like the actual like guitar riffs and music ideas that end up and rent itself.”
people (people):
Steven Levenson → Tick, Tick... Boom!.
The screenwriter also wrote the book for Dear Evan Hansen, which was a struggle for the speaker.
“written by Stephen Levinson, this screenplay, who also wrote the book for Dear Evan Hansen”
contrast (contrast):
Joaquin Phoenix → Come On, Come On.
Phoenix plays a nice, imperfect guy, the inverse of his damaged-masculinity roles in Joker and The Master.
“what Phoenix brings to it is almost the exact inverse of what we know him for, from the Joker and from the master”
craft (craft):
Come On, Come On → Beginners.
Come On, Come On is the most stripped down of Mills's movies versus the busyness of Beginners and 20th Century Women.
“this was the most stripped down of his movies relative to kind of some of the like busyness, the kind of intentional busyness of beginners and 20th century women”
career (career):
Tim Burton → Pee-wee's Big Adventure.
Pee-wee set Burton up as a significant filmmaker, though his last five or six films baffle the speaker.
“Incredibly strange film obviously sets up Tim Burton as one of the more significant filmmakers of the 80s and 90s.”
lineage (lineage):
Pee-wee's Big Adventure → Big Top Pee-wee.
The 1985 film has a sequel, Big Top Pee-wee, and a 2016 Netflix follow-up less successful for speaker.
“Pee-wee's big holiday in 2016, a little bit less successful for me.”
theme (theme):
Come On, Come On → Beginners.
Mills says Come On, Come On, 20th Century Women and Beginners are about primary family relationships (dad, mom, child).
“you have a dad film and a mom film and now in come on, come on.”
theme (theme):
Hobbs & Shaw → Fast Five.
Sean expects the franchise to become expansion titles because Statham and Diesel do not want to make movies together.
“clearly Jason Statham and Vin Diesel don't necessarily want to make a lot of movies together”
fun, about
Napoleon (unmade Kubrick film):
The book 'Stanley Kubrick's Napoleon' is Sean's heaviest book, with phone-book pages holding thousands of pages of documents.
“The book is so big that the pages are almost like telephone book pages.”
fun, about
Tenet:
Sean and Amanda drove about 130 miles round trip to a San Diego drive-in to see Tenet in a heat wave, parked side by side. Amanda left claiming she understood the whole film; they will try to explain it on the pod next week.
“The movie ended and she said, I get it. I know everything that happened.”
fun, about
Chadwick Boseman:
Sean rewatched Black Panther the night before, saying it lived up to unprecedented anticipation, which never happens in mainstream culture.
fun, about
Mulan:
Controversy: filmed in Xinjiang, where Muslims are held in mass internment camps; lead Yifei Liu's Hong Kong police tweet triggered #BoycottMulan.
“was filmed in uh, Jinjiang, the region in China, where uh, Muslims have been detained in mass internment camps.”
fun, about
Cruella:
Sean reads the logline: a 1970s London fashion designer obsessed with dogskins, especially Dalmatians; Amanda and Jason react with horror.
“young fashion designer Cruella DeVille becomes obsessed with dogs skins, especially Dalmatians, until she eventually becomes a ruthless and terrifying legend.”
fun, about
The Little Mermaid (upcoming live action remake):
Casting rundown: Halle Bailey as Ariel, Melissa McCarthy as Ursula, Javier Bardem as King Triton, plus voices Daveed Diggs, Awkwafina and Jacob Tremblay; King Triton is described as xenophobic toward humans.
“Ariel's overprotective father and the king of Atlantica, who is xenophobic towards humans.”
fun, about
Trolls World Tour:
Parents reportedly rented the 48-hour 19.99 title three weekends running; the hosts bless parents and hope kids learned respect for country as well as rock and pop.
“I had people anecdotally tell me that they rented the movie 3 weekends in a row.”
fun, about
The Great Moment:
Host watched Preston Sturges's late biopic about William Morton, inventor of ether, during a pandemic film-history bender.
“I watched Preston Sturgis's The Great Moment last night about William Morton, the inventor of ether, who revolutionized dentistry.”
fun, about
David Fincher:
Netflix is betting on a black-and-white, no-movie-star historical drama because studios have not funded Fincher in 7 or 8 years.
“studios haven't been giving David Fincher money to make movies for the last 7 or 8 years for a reason.”
fun, about
Netflix and the Egyptian Theatre:
Netflix bought the Egyptian and was refurbishing the Paris Theater; a host reads the moves as overtures to older Academy members.
“those overtures were made to ingratiate themselves to the older members of the academy”
fun, about
Alamo Drafthouse:
A six-hour evening: movie, whiskey cocktail, fries, rent a video from the same filmmaker at their video store, beer and trivia, which AMC does not offer.
“And that is a 6 hour evening in a movie palace that AMC is not offering.”
fun, about
Academy Awards:
From 24 awards to 23 by merging sound; one host wants 75 awards and a five-day festival; another wants best first feature and best breakthrough.
“There should be 75 awards. This should be a 5 day festival of handing out awards.”
fun, about
Stunt Oscar:
A host zags on the stunt category: everyone demands it without knowing why, while still wanting to honor stunt work with an honorary award; joke pitch: Zoom Stunt Oscars with DVDs held up.
“Everybody needs to just settle down with pretending that they really like stunts in movies.”
fun, about
Twilight Zone: The Movie:
An episode of the Shudder series Cursed covers the 1982 set death of Vic Morrow and two children in a helicopter stunt; Landis was acquitted.
“A helicopter crashed during a stunt and Vic Morrow, Jennifer Jason Lee's father, was killed along with 2 children during the making of this movie”
fun, about
Incredible Hulk / Iron Man:
Trivia win: the two characters in the first two MCU films, Hulk and Iron Man, earned the team points after a host sprinted out of frame.
“It's the Incredible Hulk and Iron Man, you fools.”
fun, about
Postponed films:
Sean tracks 18 postponed undated films that could drop when theaters reopen, listing New Mutants, Promising Young Woman, Bad Trip, The High Note, Run, Military Wives, Greyhound and Malignant.
“there have been 18 movies that have been postponed and are undated at the moment.”
fun, about
Alita: Battle Angel:
Sean watches strangers watch Alita on planes and tracks the actors he recognizes; the 15-minute motorball fight keeps breaking for exposition and restarting.
“I watched people watch it on the plane and then at some point I just took kept track of like the actors I could recognize.”
fun, about
John Wick: Chapter 3 – Parabellum:
The dog-fight sequence took six months to design and train, and director Chad Stahelski told this podcast it was the hardest thing he had done. Wins best action sequence.
“I took 6 months to design and train the dogs to execute this fight.”
fun, about
Spider-Man: Far From Home:
Sean argues the post-credits scene (J.K. Simmons outing Peter Parker on a Times Square screen) is the best ending of 2019 because the theater erupted; Amanda calls it a teaser, not an ending.
“That was the loudest vocal reaction I had heard to a movie in 2019.”
fun, about
Midsommar:
Sean defends the ending by asking whether anyone has been sewn inside a bear skin and lit on fire in a giant triangle; Midsommar also wins best meme inspiration and Halloween costumes.
“Have you ever been sewn inside of a bear skin and lit on fire in a giant triangle.”
fun, about
The Lighthouse:
Sean is so devoted he'll launch a minute-by-minute Lighthouse podcast alone in a lighthouse; Amanda calls him an A24-merch-bro Reddit nerd and says Eggers shows his work too much.
“what you are is a Reddit nerd, bro, and you hate this. I believe what I said was A24 merch, bro.”
fun, about
Richard Jewell:
Paul Walter Hauser was a guest and recited A Few Good Men past the code red, continuing through the officer on deck; Sean says he can do it too.
“He started doing like this, the extended a few good men recitation, like we had done, the normal code red stuff, and then he just kept going”
fun, about
Richard Jewell:
Hauser's home scene with Kathy Bates sells the age of the relationship with comfort alone, and the film cooks whenever Jewell, Rockwell and Bates share a room.
“these 3 people are amazingly comfortable with each other.”
fun, about
Blair Witch (The Woods):
Sean says its last 30 minutes are the most scared he has ever been in a theater, though he doesn't think the film is good.
“the last 30 minutes of Blair Witch is the most scared I think I may have ever been in a movie theater”
fun, about
Soul / Inside Out:
Sean can only remember Inside Out as a drawing and confuses its Sadness creature with Tina Fey's Soul; Amanda saw it in a theater.
“No, I saw that in a movie theater. Really? Yeah, I just couldn't remember anything about it because it's a drawing.”
fun, about
Paul Thomas Anderson / Once Upon a Time in Hollywood:
Sean riffs on the DGA podcast, where PTA gushed about Brad Pitt, and impersonates him on the Moana bit.
“Because Paul Thomas Anderson is being like, Quentin, fucking Brad. In this movie.”
fun, about
Fleabag / Succession vs Once Upon a Time in Hollywood:
Sean says that's why the show is The Big Picture and not The Watch: he would take one great movie over Fleabag.
“And that's why this is the big picture and not the watch.”
fun, about
Captain Marvel:
The 90s signaling: a never-worn Guns N' Roses T-shirt, and Carol stealing a Nine Inch Nails shirt off a mannequin as a metaphor for the film.
“steals a 9 inch nails t-shirt and a leather jacket off of a mannequin outside of a boutique.”
fun, about
Captain Marvel:
The big fight scene is set to No Doubt's Just a Girl while she punches Jude Law, which Sean finds cute and clever but ham-handed.
“certainly the chorus of that song makes it fit when she's punching Jude Law on the face repeatedly.”
fun, about
The Ringer office:
A Ringer Slack prompt for the most 90s song stopped work for an hour; Dan Devine said Smells Like Teen Spirit immediately.
“Dan Devine gave immediately, which was smells like teen spirit.”
fun, about
Guardians of the Galaxy:
Amanda knows Guardians only as the raccoon voiced by Bradley Cooper, and Sean suggests she go by Amanda the Accuser.
“perhaps you should go by Amanda the accuser in future podcasts.”
fun, about
Captain Marvel:
Opening weekend benchmark: less than $150 million would be called a disappointment, even though few can open a movie on name alone.
“less than $150000000 in the opening weekend would be considered a relative disappointment for a Marvel movie like this”
fun, about
Kingdom Come:
Sean explains the Alex Ross series, set 50 or 60 years later with an older Batman in a wheelchair and gray-streaked Wonder Woman, calling it very melodramatic.