Loves Marvel's cosmic, ragtag-team side and the animated Rocket/Groot heart; affectionate about the sillier comic characters. Dislikes humorless gray franchise filmmaking and bad needle drops. A sucker for a ragtag group, a Trek-style space comedy, and a Han Solo type inside an ensemble. Speaker attribution in this transcript is uncertain.
Stances
Gunn is a real filmmaker who won his arguments with Marvel
Quill is the best Han Solo since Han Solo
Rocket and Groot are one of the best big/small duos
Humor: Talks in self-aware bits (the countdown clock, chronic lateness) and makes dirty-minded pile-ons with the room.
In their words
“I just don't get how, like, people saw this movie who had not seen every Marvel movie for sure.” (0:24:45)
“That's the other big thing is that gun was a troma guy.” (0:36:18)
Marvel completist who loves the series' smaller character beats (Agent Carter, Peggy, Falcon, Sam Jackson's Fury) and defends Infinity War. Loves action built from hand-to-hand fights and movie-star dialogue scenes. Allergic to bad-faith villain motives and to the cheap CGI leaps. Suckers for old tech, spy-bureaucracy aesthetic and New Hollywood stars.
Stances
Winter Soldier is great until the final Helicarrier act
Prefers small-scale hand-to-hand action to CGI set pieces
Loves Agent Carter and wants it back
Mild on Bucky/Winter Soldier himself
Humor: Rapid riffs, character voices, self-deprecating anecdotes and overlong running bits that derail the commentary.
In their words
“I just love this sequence” (0:08:33)
“I think this movie's basically terrific until the final seppies” (0:12:41)
Loves lore-heavy, dorky, earnest sci-fi fantasy with real sets, tactile design and a spaceship in it; likes the Thor mythos and Sif. Dislikes things that mock their own source material (Ragnarok) and thinks the first Thor is too clean. A sucker for spectacle that dumps lore on a simple hero's journey.
Stances
Dark World is the most underappreciated Marvel film
Ragnarok disrespects the mythos
Practical, tactile design beats cartoony CGI
Humor: Rapid riffing wordplay and long running bits (Tony Lip as pizza), eagerly undercutting his own sincerity.
In their words
“I'm defenseless before any dizzyingly silly sci-fi epic that downloads gigabytes of lore into the viewer's brain by means of a simple hero's journey narrative.” (1:38:17)
Loves Iron Man 3 as his favorite MCU film for its character study and how it turns superhero loneliness into anxiety and panic. Collects $20 off-the-shelf action figures and Hot Toys Robocop, and cherishes buddy-cop 80s action and well-built set pieces. Dislikes suits that are just mush CGI and wet-cement final fights.
Stances
Iron Man 3 is a masterpiece and anyone who dislikes it is wrong
Tony should be out of the suit; the film works because he is not Iron Man for most of it
Marvel should have let the Rebecca Hall villain stand
Loves Whedon-era dialogue, Buffy and Firefly, Kenneth Lonergan, and character-driven ensemble action; sucker for actors having fun and clever setups paid off. Dislikes homogenized Marvel visuals, rock-song tags, and Grindelwald's Crimes. Allergic to a Christmas tree and moose.
Stances
Whedon's script is the star; the film is not visually distinguished
Ruffalo is the movie's best performance
Costume detail (neckcloth) bothers him
Grindelwald should be as fun as Loki
Humor: Spends bits on celebrity impressions (Downey, Timberlake, Tom Waits) and mock-pompous asides.
In their words
“I'm still like a big Buffy fan, a big old-fashioned Wii. I love Firefly, right?” (0:04:21)
“This is what I want Grindewald to be like...” (0:40:51)
He loves heightened-but-not-kitschy design, period movies, Peggy Carter, and actors who underplay. He is a sucker for old-fashioned adventure and a Fantastic Four fan. He doesn't like the reasonable-Nazi Zola or the digital-video look of early-2010s effects.
Stances
The film feels like it ends in the middle
Bucky does not work as an emotional anchor
Actors' behavior in food scenes reveals pros from novices
Humor: Self-deprecating personal stories, about being 90 pounds and eating four cheeseburgers at his Disney store job.
In their words
“I was so grossly underweight and I felt like it was a hindrance to my career because I looked skeleton.” (0:18:15)
A Masters of the Universe devotee who reaches for He-Man as the template for Thor, loves the hammer payoff, and is a sucker for Cat Dennings and Sif. Dislikes the desaturated palette and the cheap-looking Jotunheim. Has the clearest pop-culture and actor-career recall, with skits and personal anecdotes.
Stances
Thor is a remake of Masters of the Universe
The movie looks ugly and desaturated
Hemsworth's performance and chemistry work
Not yet sold on Thor as a character until Avengers and Dark World
Humor: Escalating bits that run for minutes, like the Skarsgard-nudity search and buried jeans.
In their words
“It's mostly just a remake of the live action masters of the universe movie.” (0:03:54)
“I'm searching Stellen Starsgard full frontal nudity.” (1:12:14)
Loves comic-book lore (Crimson Dynamo, Demon in a Bottle) and Iron Man 3, Galaxy Quest, Garry Shandling. Cannot stand a movie that pads out its middle with self-impressed banter. A sucker for Tartakovsky action.
Stances
Iron Man 3 is the great Iron Man movie
Iron Man 2 mistakes riffing for story
Dark World is a joke best American film
Humor: Riffs and impressions, pumps up bits like the Expo is an element.
In their words
“Iron Man 3 is the greatest movie ever made.” (0:25:19)
“I love Larry Sanders too, but it's Gary Shandling show is like my favorite.” (1:30:55)
Loves Ang Lee's Hulk and is quick to defend Iron Man 2's ambitions; hates bad CGI faces and generic action presets; a sucker for chain restaurants, pizza and Marvel lore.
Stances
Ang Lee's Hulk is good and this one is a corrective with no point
Edward Norton is miscast and unengaged
Iron Man 2 fails more interestingly
Humor: Absurdist riffing, sung bits, and escalating food and chain-restaurant tangents.
Loves Marvel comics deeply (Ultimate line, Ms. Marvel, Franklin Richards), actor-driven performances, and looseness; hates a studio-polished formula and a reporter sleeping with the subject trope. A sucker for comic-book film process scenes, the Comic-Con trailer era, and the Tick.
Stances
Iron Man is solid but not beloved; the post-credits Fury scene blew his mind
Prefers Iron Man's visible machinery to nanobite suits
Thinks Infinity War is a triumph, others disagree
Humor: Riffs and bits about his own history (Times Square apartment, 99-cent pizza, Avatar audition).
In their words
“I remember liking this movie. I didn't love it, but I remember feeling... Oh, I fucking loved this movie.” (1:13:42)
Obsessive about National Treasure and the minutiae of movie culture, and a Nancy Meyers admirer who frames her as a souffle filmmaker. Cares about Oscar-season lore and montages. Likes that Nicholson is vulnerable and unvain in this film.
Stances
Nancy Meyers is a souffle filmmaker whose perfectionism serves a fantasy for the audience (attributed at moderate confidence)
The film is a deconstruction of Nicholson's persona and aged better than It's Complicated (speaker uncertain)
Humor: Fast riffing and bits (Keanu impression, Transformers totems), plus running gags about Brenton Thwaites and National Treasure 3.
In their words
“Interesting bringing that up because I'm going to actually draw a big national treasure parallel in this episode to something that's got to give.” (0:11:12)
“And I feel like Nancy is like a souffle filmmaker” (1:33:22)
Loves high-concept, big-swing filmmaking and sees deep emotion in the fights of CTHD; adores sword-and-flight spectacle, dumb-sweet characters like Inspector Tsai, and Lady Bird comparisons. Can't stand Brett Ratner and tired-looking Marvel fights; a sucker for bit-heavy tangents.
Stances
CTHD's fights carry story and character
US action movies are bad because they lack talent and time
Disliked CTHD at 11, later realized it is great
Humor: Escalating riffs and callbacks, crude and silly puns, voices.
In their words
“I was so literal minded where I was like, but they don't explain why they can fly.” (0:17:40)
“11 year old Griffin was laughing and like 29 year old Griffin was crying.” (1:00:34)
Loves The Ice Storm and defends Hulk-era Ang Lee; treats it as a sad Fantastic Four movie. Hates the see-the-ending-first structure in general. A sucker for Elliott Gould and comic-book metaphors.
Stances
Ice Storm is a masterpiece and the best Lee film not starring a Marvel hero
Fantastic Four deserves a sad, isolated, family movie
Dislikes in-media-res openings but accepts this one
Humor: Dry riffing, running bits, and confessional anecdotes about his own near-misses.
In their words
“He put his hand on my shoulder and he went, you're family.” (0:29:17)
“this movie does make me wish that he gotten the chance to make a sad, fantastic four movie.” (1:34:30)
Loves Bigelow's tension and iconography, and Curtis's grounded, empathetic underplaying. Dislikes Mother!'s lack of an anchor. A sucker for character actors and the way a movie's scenes hold the whole thing in micro.
Stances
Blue Steel is top-tier Bigelow and a rediscovery candidate
The movie is about gender and tension, and every scene plays differently if she were a man
Humor: Riffs on nicknames and bits, running gags like 'David and I' variations.
In their words
“My father's a professor at NYU, and he needed guest speakers, and so we talked about podcasting to his class.” (0:26:44)
Loves the film's loneliness and the hardcore Crowe-ness; he's a defender of this movie after rewatching, gives it A minus or B plus. Can't stand the way Cruz is shoved into a romance with no chemistry. A sucker for Kurt Russell, Jason Lee and a good bit.
Stances
Vanilla Sky is the loneliest movie ever made
Defends the movie after first seeing it two years ago on Netflix
Is going through a breakup and keeps working it into the episode
Humor: Self-lacerating, prop comedy and long running bits (sunglasses, catchphrases).
In their words
“It's the loneliest movie ever made.” (0:34:00)
“I'm going through a psychological free fall.” (0:00:55)
Attribution to Griffin versus David is low-confidence (no labels). One host loves Muppets and puppetry and rewatched this on video as a child; the same side loses patience over CGI special-edition changes and the Marcia Lucas theory. Likes conclusions and wrapped-up stories; can't stand Lucas's digital embellishments.
Stances
Special-edition CGI additions hurt Jedi most
Puppets and practical creatures are the movie's strength
Lucas is a sympathetic, wounded figure
Humor: Escalating comic fury, bits about the Empire as a workplace comedy and Santa-hat table dressing.
In their words
“I fucking love Muppets, as you know.” (0:09:53)
“I think the puppetry's so good.” (0:57:07)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
Blank Check with Griffin & David
The box office game: Guessing the film's opening weekend and what it was up against.
The sung theme: "Blank Check with Griffin and David", sung; the transcriber garbles it.
Their claims
Showing 501–600 of 1,162 claims.
programming (pairing):
The Killer → Steven Soderbergh.
A friend of the podcast says it is Fincher and Soderbergh land: a stripped-down genre exercise.
industry (deal comparison):
The Killer → Steven Soderbergh.
The Killer feels like Fincher doing what Soderbergh does with his HBO Max deal: simple, one name, small money.
“Killer kind of feels like Fincher trying to do the same thing.”
unmapped (unrealized idea):
Heavy Metal → Love, Death & Robots.
Love, Death & Robots is framed as Fincher finally doing the omnibus he wanted with Heavy Metal.
“I mean, that sort of is him finding a way to do what he always wanted to do with heavy metal”
unmapped (script rewrite):
Jack Fincher → Eric Roth.
The speaker says Roth rewrote Jack Fincher's script into the version that was made, adding nuance.
“he came in and put a lot more nuance into it, I think.”
people (script rewritten by the director):
Eric Roth → Killers of the Flower Moon.
Roth's strict adaptation was torn up and rewritten by Scorsese himself, which Griffin compares to Mank.
“It's like Scorsese Adam come in, he writes this script.”
unmapped (behind-the-scenes drama):
The Offer → Mank.
The Offer, like Mank, makes the writers and directors of a classic into putzes; the gap between Mank and Kane is much closer.
“The offer does a similar thing where it makes Coppola and Puzo both out to be putzes.”
people (casting approach):
The Girl with the Dragon Tattoo → Gone Girl.
The speaker thinks Fincher's exhaustive casting search on Dragon Tattoo informed how he cast Amy with someone new to the audience.
“that exhaustive casting search, which I do think informs the way he approaches Amy going into this movie as well”
lineage (remake analogy):
Martin Scorsese → Infernal Affairs.
Griffin compares Oplev's situation to Scorsese taking a crack at Infernal Affairs.
“That's a bit of a like Scorsese Infernal Affairs thing where you're just like, look, if that guy wants to take a crack at it, who am I to stand in the way?”
unmapped (making-of documentary):
David Prior → The Social Network.
David Prior directed the feature-length documentary about the making of The Social Network on the DVD.
“David Pryor, the wonderful David Pryor directed feature-length documentary about the making of this movie that's on the DVD.”
unmapped (trailer vibe):
The Social Network → Zodiac.
A friend heard the trailer and the speaker said it looked like Breakfast Club meets Zodiac, which was Fincher's fingerprint.
“and saying like, it looks like Breakfast Club meets Zodiac.”
unmapped (photography):
Jeff Cronenweth → The Social Network.
Cronenweth (transcribed Kronowith) is the DP quoted on the mime and the guerrilla lighting cart.
“But Cronin, the DP was basically saying like, it's great that on like a $40000000 studio movie.”
unmapped (attached then replaced):
David Fincher → The Black Dahlia.
Fincher was attached and pitched a miniseries; the project became a film De Palma made.
“that turns into a movie that De Palma makes a flawed, but interesting film.”
lineage (adaptation):
Robert Graysmith → Zodiac.
The Salerno script, which Vanderbilt took over, adapted Graysmith's nonfiction book (with a speculative sequel bolted on).
“So it's sort of like an adaptation of Graysmith's nonfiction book and a speculative sequence.”
programming (franchise pairing):
Aliens → Mission: Impossible – Ghost Protocol.
Both franchises are auteur-rich without one definitive director, which is why the Patreon series covered them.
“Uh, but like Mission Impossible Aliens, perfect examples of franchises that uh, have a tours, but do not have one definitive director.”
theme (cut comparison):
Alien 3 → Snyder Cut (Justice League).
The assembly cut is viewed like the Snyder Cut: interesting for laying out the intentions, but not a functioning movie.
“This time I viewed it more like, uh, uh, Zach, the the Snyder Cut.”
craft (design contribution):
H.R. Giger → Alien 3.
Giger's design work was mostly discarded; the Bambi Burster rod puppet was the main thing of his that ended up in the film.
“that was apparently the main thing that he had an influence on that actually ended up in the film.”
lineage (early inspiration):
David Fincher → Butch Cassidy and the Sundance Kid.
A televised making-of documentary about Butch Cassidy and the Sundance Kid blew young Fincher's mind about how movies are made.
lineage (sequel / genre shift):
Alien → Aliens.
Cameron's sequel to Ridley Scott's film shifted the genre, which raised expectations for any follow-up.
“some other fucking guy is coming in and making a sequel to Ridley Scott's movie.”
unmapped (unproduced script):
William Gibson → Alien 3.
Gibson's famous unproduced script is mostly about Hicks and is very different from the film that got made.
unmapped (joke):
Alien 3 → Treasure Planet.
Ben once said he was disappointed the whole Treasure Planet wasn't a treasure (a chest); the wooden planet draws the same bit.
“said I was disappointed that the entire planet wasn't a treasure?”
unmapped (Fincher's pitch):
David Lean → Alien 3.
Fincher says his original pitch was like a David Lean movie, much bigger and more political than what Fox allowed.
“He says, okay, my pitch was like a David Lean movie.”
theme (character echo):
Paul McGann → Prometheus.
Golic, who worships the alien, is an early version of the David character in the Ridley Scott movies (the speaker says they do better versions later).
“Like with the David character in the Ridley Scott movies.”
unmapped (critic champion):
Gene Siskel → Babe: Pig in the City.
Siskel's final best-of list had this film on top (transcript is garbled: 'Bay Pick in the city').
“in that sort of Wizard of Oz conversation of like movies that came out, did okay at the time and are now just like so deeply woven into the tapestry of pop culture”
career (career):
Tim Burton → Frankenweenie.
Disney funded live-action Frankenweenie instead of this project because it was cheaper and faster.
“Disney basically gives him the money to make live action Frank and Weenie rather than make this because Frank and Weenie would be cheaper and faster.”
fun, about
Vanilla Sky:
Griffin's casting story: a casting director warned him not to joke about 'can you hear me now?' when the Verizon actor wrote and directed a film.
“the writer and director of this film, who's going to be in the audition is the can you hear me now, guy?”
fun, about
Vanilla Sky:
The recording was spread over years because the hosts kept leaving the country, so references to a breakup will be five weeks stale on release.
“Having to re-listen to me make references to how sad I am right now 5 weeks from now when this episode's released.”