Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise.
Stances
Friday the 13th is not the best entry but the origin story had to be told
Friday 2 is a leap over the original
Humor: Digressive, sports-analogy heavy, and self-teasing about his office and Rewatchables running gags.
In their words
“There was 2 commercials, spring, summer, 1980 that scared the fuck out of me.” (0:07:38)
Loves Halloween and the 1970s; admires the film's craft and rewatchability, especially Leatherface's unintentional comedy. Hates Franklin, hitchhikers, and unlikely logistics. Uses sports and pop-culture analogies for everything.
Stances
The film is a rewatchable, not just a great movie
Leatherface is the hilarious favorite slasher
The hitchhiker is scarier than Leatherface
Hooper won the movie
Humor: Runs sports, NFL and podcast-world analogies and mock-outrage bits against Craig and the staff.
In their words
“I think it is a rewatchable, but I'm willing to hear the other side of it” (0:01:29)
Loves from-hell thrillers and movies that are fun to talk about even when they fail; a Boston guy who remembers where he saw things (Zoolander two weeks after 9/11). Can't stand a movie that wastes a good premise. A sucker for hoops details and stars' career arcs.
Stances
Domestic Disturbance is bad but a rewatchable good-bad movie
Vaughn and Travolta are mismatched to their roles
Cut footage and PG-13 killed the movie
Humor: Dry, trivia-heavy, with self-mockery about his own research and notes.
In their words
“I'm so relieved that this is how you're framing it.” (0:03:10)
“I saw Zoolander in the theater in Boston.” (0:11:47)
Loves ranking, tallies and lists (Pantheon, Hall of Fame, Mount Rushmores), and treats the show like a sports franchise with categories as awards. Hates inauthentic, silly-looking athletics and bad stinkers, and has always disliked narration (now conceding). Sucker for Midnight Run, Almost Famous, and sports analogies for everything.
Stances
Concedes narration is fine when the movie is good
Wants to build a Rewatchables Hall of Fame with plaques
Wants to rewatch Midnight Run
Treats the cell-phone conspiracy as plausible
Humor: Self-deprecating bits about his own mispronunciations and sports-metaphor overreach.
In their words
“Okay, these are all actual emails from actual listeners.” (0:04:36)
Loves sports movies, tropes and underdog arcs; loves racing movies more than real racing. Can't stand people who throw cards. Sucker for Pacino speeches, Pitt as an old-school star, and hot takes about better endings.
Stances
F1 is the movie of the 2020s on feel
Sonny should have crashed and JP won
Brad Pitt is above Matt Damon in culture
Nobody should throw cards for fun
Humor: Dry listmaker who stages bits and fake categories with deadpan.
In their words
“This is a better movie if Sonny crashes.” (0:55:40)
“I don't like anybody in real life or in movies that throws cards for fun.” (1:19:45)
Loves 1980s teen comedies and the Hughes run, ranking The Breakfast Club an all timer; lists teen movies by year and tracks careers and what-ifs. Rates the movie fun but is bothered by how Lisa is written and by the age gap in the kiss.
Stances
Weird Science is a super fun watch with weird elements you must factor in with the 80s
Anthony Michael Hall should have been a bigger star
Hottest take: Lisa sucks
Humor: Dry list-making and award names, reading research aloud like a deadpan docket.
In their words
“And I mentioned this because I was 15 years old when I saw this movie in the theater.” (0:03:11)
“They're both pantheon for me, but breakfast club's an all timer for me.” (1:23:34)
Loves sprawling statistics and lists (genre-checkbox years, Carrey's run) and a good Oscars grievance. Cannot resist a bit about bars, themed restaurants and sports metaphors. A sucker for the 1990s and for movies that hold up on repeat.
Stances
Carrey's 94-2000 run is the best by a comedian
1998 checked every genre box
Movies should run about 100 minutes
Humor: Rapid-fire riffs that fold sports and gambling into movie talk.
In their words
“Carries the star, obviously, and carries in this heater from 94 to 2000.” (0:27:23)
“I think 1998 is in the running for the greatest checking all the boxes movie year we've ever had.” (1:06:05)
Loves 80s TV that wrecks him (China Beach), cool-guy actors like Madsen, and big dumb 90s movies sold on a single premise. Teased for being a sucker for the Hollywood Hills guy's lifestyle. Dislikes Sil-adjacent logic holes less than he enjoys them.
Stances
Species is a great B movie that gets a pass
Wants Madsen and Helgenberger to have been a TV duo
Would be Robbie in another life
Humor: Deadpan sports-and-pop-culture analogies and self-aware sleaze.
In their words
“I fucking love China Beach.” (0:07:15)
“Bill, you see yourself as Robbie, huh?” (0:37:46)
Loves 80s and 90s crowd-pleasers, Goodfellas as his favorite movie, and a good Hollywood backstory. Can't stand pot smoke and bike traffic in modern New York, Pee-wee, or Jade. A sucker for actresses who deserved better careers (Arquette, Fiorentino) and sports-brain comparisons.
Stances
Fiorentino and Arquette were robbed of better careers
80s Scorsese is the best
Warriors is superior to After Hours as a night movie
Tom Hanks or Keaton would improve the lead
Humor: Breathless riffs, absurd hypotheticals (kill Reagan for Arquette) and sports analogies.
In their words
“I don't know how Linda Fiorentino was never on the Sopranos.” (1:09:50)
“Would you have killed Ronald Reagan for Rosanne Arquette?” (0:33:25)
Loves the pop-culture web of the 80s: songs, TV, sports ads and movie stars tied together, and reads Ebert and old press clippings. Will take a bold contrarian stance (Tess may be the villain) and invents award categories. Cannot stand an unexplained plot hole or a premise that ruins itself, but forgives absurdity when the emotion works.
Stances
Tess might be the villain; she took Catherine's idea, boyfriend and job
The Pointer Sisters' 'I'm So Excited' is secretly the most important pop-culture song
Humor: Runs deadpan bits and invented awards, and teases co-hosts' obsessions.
In their words
“is secretly the most important pop culture song of all time.” (1:27:43)
“Are we sure Tess isn't the villain of this movie?” (1:59:14)
Loves Rocky as a cultural phenomenon he lived through in 1976, and the sports-movie recipe it created. Loves the casting what-if games and the running categories. Can't stand slow courtship scenes in 2025 terms. A sucker for Stallone and for lore.
Stances
Rocky is one of the most important movies of the last 50 years
Rocky was a phenomenon in 1976, comparable to Jaws and Star Wars
Stallone wins the movie
All the President's Men should have won the Oscar
Humor: Drops running bits (Ebert, hot takes, categories) and teases the others about Boston and doo-wop.
In their words
“I saw in Dedham, Massachusetts with my dad.” (0:08:57)
Loves football, sports movies and the long run of sports books and shows; likes nitpicks and ranking lists. Fond of Billy Bob Thornton and the TV show, with a Grantland-era sense of history. Enjoys odds, lines and fantasy-football talk.
Stances
Friday Night Lights is a top-six football movie, behind The Longest Yard
Movies where the good guys lose are great for rewatchability
Billy Bob should have been the TV Coach Taylor, as a career move
Coach Gaines is arguably a bad coach
Cruise is too small and not Texan, so Hanks wins
Humor: Banter, tallies and running-bit award names, plus deadpan wagers and career-strategist asides.
In their words
“I think Billy Bob should have played the coach in the TV show.” (1:17:08)
“I think longest yard is just number one.” (1:39:56)
Loves the whole texture of Pulp Fiction and builds the whole show around categories and awards. Cares about specific lines, casting what-ifs, and bits that tie to sports (Paul George, Dion Waiters, NBA draft). Can't stand lazy nitpicks and the weak link of Fabienne's 12 minutes. A sucker for diners, milkshakes, and the lifestyle nostalgia of the movie.
Stances
Fabienne's 12 minutes is the weakest part of Pulp Fiction
Dump 8 of those minutes for a real Wilson vs Coolidge boxing sequence
Vincent Vega is completely incompetent
Cruise as Vincent or Butch is the Apex Mountain casting pick
Humor: Runs category gags and sports analogies, and escalates absurd 'unanswerable questions'.
In their words
“Well, we have some bonus categories for this one.” (0:02:34)
“I will say that for as awesome as this film has so many great shots.” (1:11:22)
“I hate to tell Tarantino what to do, who's incredible creative achievement, but if you dump 8 of the 12 minutes with Butch's girlfriend,” (1:36:04)
He disliked Twister in 1996 because it felt like the start of the effects-driven blockbuster era but now loves it for the old-school feel of real danger. He is a sucker for summer-calendar history, box office numbers, and a movie you can leave on for three days. He reads casting and career arcs through NBA and NFL analogies.
Stances
Twister is underrated and he held it unfairly in 1996
Practical effects make the actors feel in actual danger
1996 is the year the summer blockbuster calendar was set
Jonas should have had more scenes
Disaster movies should be natural disasters and not star the Rock
Humor: Sports analogies for everything, dry running bits, and mock-outrage over the group's picks.
In their words
“I watched it twice in the last week.” (0:03:10)
“I actually like it more than I've ever liked it in my life.” (0:03:12)
“I treated it this time around, like basically tried to recreate the circumstances of an old school rewatchable” (0:10:05)
Loves the 90s Myers era (Wayne's World, Axe Murderer) more than the Powers films. A sucker for Heather Graham and Garth-style sidekicks. Dislikes the rap song and the Fat Bastard sleeping bit; wants comedians to stay comedians.
Stances
Myers era best in Wayne's World/Axe Murderer
Comedians should not go serious
Mike Myers won the movie
Humor: Digressive trivia dropper and conspiracy-tangent jokester.
In their words
“We never want them to become serious actors.” (0:15:47)
Loves 80s movie-star careers, studio and box-office lore, and Kathleen Turner as a teenage ideal. Cannot stand wasted runtime and the DeVito framing scenes. A sucker for production trivia, deleted scenes and Phil Collins-style what-ifs.
Stances
The DeVito framing scenes are the weak link and could be cut
Turner is the better performer in the Douglas/Turner combo
The dog should have been made into pate
Roses is 'hall of fame' evidence that they don't make movies like this anymore
Humor: Dry, list-making and rhetorical, with sports analogies and running-bit category names.
In their words
“But man, when I was growing up in the 80s.” (0:08:23)
“She was like my platonic ideal for like someday I hope I get to marry somebody like Kathleen Turner.” (0:08:26)
“The Danny DeVito scenes, even though there's good wisdom in them” (0:48:09)
“I think it's more important that they both actually die than that you know for sure that the dog died.” (1:05:02)
Bill loves Richard Gere's charisma at full power and a movie that gets more unhinged as it goes. He keeps the categories moving and loves sports analogies and long-ago junket stories. He is a sucker for a villain you end up rooting for, and he is dismissive of Bad Lieutenant for trying too hard.
Stances
Gere's Dennis Peck is his best performance
He actually wants more dirty-cop movies
Bad Lieutenant is not a rewatchable
Humor: Sports-flavored riffs and mock-awards, like the Rick Dalton Award, and impressions.
In their words
“I think this is his best performance in a movie.” (0:09:09)
“Little like Kenny Pickett on the Steelers.” (0:18:52)
“I interviewed Ron Silver at the Ali Junket in 2001.” (0:51:48)
Bill loves Pacino's swagger and Any Given Sunday, loves Heat, and treats the Michael Mann signature as a thing he can pick at, calling out the slow-motion ending and score as dated. He is a sports guy who can't let go of the Knicks 'semifinals' line, and he has little patience for stray bad casting like Wings Hauser. He is a sucker for scenery-chewers like Bruce McGill.
Stances
Pacino's Any Given Sunday is his favorite Pacino performance other than The Godfather
The slow-motion ending is bad and tacky
Cigarette smoking in movies makes people look cool
Pacino should have smoked in this movie
Humor: Digressive and comic, uses sports analogies (LeBron, Knicks, Dion Waiters) and bits that run on.
In their words
“The Inch's speech is all time for me and that movie's terrible and he's carrying it like LeBron carried the 2007 caps.” (0:09:36)
Loves The Big Chill enough to make it his birthday movie and has seen it more than almost anything. Cares about football-movie accuracy, soundtrack craft and the 80s ensemble dramedy. Can't stand bad touch football scenes and the Oscars' snubs.
Stances
The Big Chill is a movie he returns to again and again
Touch football in movies is never done right
Kasdan's first five years are the greatest screenwriting run
Humor: Runs bits and riffs, jokes about the show's low bar and his own friends.
In their words
“Every year on my birthday, we do a movie that I love, and this year we're doing the big chill.” (0:00:58)
“I've never been satisfied with the movie touch football scene.” (1:34:03)
Loves quotable, rewatchable movies (Godfather, Goodfellas, Casino, Speed), the Sopranos, and craps and sports analogies. Hates narrators generally, but allows this one. Sucker for lists, categories, and made-up channels.
Stances
Lessons from the movie are the best part; 'nobody cares' wins
Bar-intro scene is a Goodfellas rip
Chazz Palminteri won the movie
Hasn't seen John Wick 4 yet; will wait for the perfect time
Humor: Runs the format as a bit machine, with channel pitches, rankings, and teasing his co-hosts.
In their words
“I hate narrators.” (1:10:32)
“I always wanted an all-jail movie channel called Bars, B-A-R-Z.” (1:05:05)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
Their claims
Showing 901–1,000 of 1,295 claims.
people (people):
Sylvester Stallone → Staying Alive.
Stallone directed Staying Alive and put himself in the redone opening credits.
unmapped (torch passing):
Tom Cruise → Paul Newman.
Cruise was number one and Newman tenth in the 1986 Quigley poll, so the narrative was Cruise taking the torch; Cruise modeled himself on Newman but went the Redford route.
“Cruz did kind of model himself after Newman in some ways, but ultimately went more of the Redford route”
verdict (career ranking):
The Color of Money → Slap Shot.
Only Butch Cassidy, Cool Hand Luke, The Verdict and Slap Shot rank above this among Newman's films for the speaker.
“I think only Butch Cassidy, cool hand Luke, the verdict and slapshot would come ahead of color money for it.”
career (career tone):
Paul Newman → The Sting.
The Sting is the movie Bill associates him with most but sees it as his most easygoing, cruising performance.
“I think it's also his most easygoing performance.”
what-if (casting what-if):
Paul Newman → Jaws.
Newman turned down Quint in Jaws; Bill thinks he would have made a good Brody, but Quint is Robert Shaw.
unmapped (directorial constraint):
The Color of Money → Panic Room.
Both directors were handed a confined, mundane space and responded with showy camera flourishes.
“it reminds me a little of panic room with Fincher.”
people (performance extremity):
Tom Cruise → Heat.
Cruise's Werewolves of London pool scene goes for it as hard as anyone on the podcast other than Pacino in Heat.
“cruise goes for it as much as I think anyone's ever gone for it. Maybe in the history of this podcast other than Pacino and Heat.”
people (same actor):
Bruce A. Young → Risky Business.
Moselle in this film is the same actor who played Jackie the prostitute in Risky Business, likely brought back by Cruise.
what-if (casting what-if):
Jackie Gleason → The Color of Money.
They thought about bringing back Gleason as Minnesota Fats, but he felt the role was an afterthought.
“They thought about Gleason, bringing back Minnesota fats.”
people (same actor):
Paul Herman → Goodfellas.
The Atlantic City bar guy is Paul Herman, who is the 'helicopters' guy in Goodfellas and Beansy on The Sopranos.
“is Paul Herman, who in Goodfellas is like, you want to see helicopters? I'll make you see helicopters.”
unmapped (production trivia):
The Color of Money → Goodfellas.
Scorsese came up with Goodfellas while filming this movie after reading a review of Wiseguy.
“Scorsese came up with Goodfellas when he was filming this.”
career (career arc):
Mary Elizabeth Mastrantonio → The Abyss.
After this she did The Abyss and Robin Hood: Prince of Thieves; they wonder if criticizing Cameron hurt her career.
“she came out so hard against Cameron during the abyss, whether that made her like a problem child”
unmapped (Cruise sing-along):
Top Gun → Cocktail.
In the best Tom Cruise singing-along category, Top Gun, Cocktail, Risky Business, Jerry Maguire and this film compete; Top Gun wins as camp and 80s.
“Top Gun probably wins because it's a whole scene and it's Anthony Edwards and It's out of control, campy”
career (career phase):
Bill Murray → Groundhog Day.
Bill's three-phase Murray: What About Bob?, Groundhog Day and Quick Change form the adult phase after Ghostbusters.
“he has, what about Bob and Groundhog Day pretty close together? And quick change”
what-if (casting what-if):
Will Ferrell → What About Bob?.
Only Will Ferrell, in his view, could also have played Bob over 35-40 years; but Murray has a character-actor gear Ferrell may lack.
“I actually think Will Ferrell would have also crushed this part.”
unmapped (recurring bit):
Bill Murray → Stripes.
Murray's flirt-by-annoying persona goes back to SNL's Todd and Lisa Loopner sketches with Gilda Radner and Stripes, then becomes the whole premise of What About Bob?
“He did it in stripes when he was trying, you know, his way of trying to like flirt with people would be to annoy them.”
unmapped (therapist movies):
What About Bob? → Good Will Hunting.
Bill's therapist Mount Rushmore includes both, along with Analyze This and Ordinary People.
“Movies that had to include a therapist used in some profound way in the actual plot.”
theme (same premise):
Analyze This → The Sopranos.
The Sopranos has basically the same mob-boss-in-therapy premise and cut the legs out of Analyze This's legacy.
“the Sopranos completely cut the cut the legs out of that movie from a legacy standpoint because the Sopranos is basically the same premise”
unmapped (prior episode):
Mr. Holland's Opus → Richard Dreyfuss.
The trio did Mr. Holland's Opus a few months earlier and discussed Dreyfuss's addiction history there.
“We talked about him a lot when the 3 of us did Mr. Holland's Opus a few months ago”
people (actor's heel turn):
What About Bob? → Mr. Holland's Opus.
Both are Richard Dreyfuss movies where he plays an asshole; Sean traces his heel turn from nice-guy hero to the worst guy in the movie, starting here.
“No one has had a heel turn. Like Richard Dreyfuss. And it starts with what about Bob?”
unmapped (80s wagoner / lake-house comedy):
What About Bob? → The Great Outdoors.
The 80s station wagon shows up in many comedies, including The Great Outdoors and Harry and the Hendersons; also lake-house small-town dreaming.
craft (era tone):
What About Bob? → Parenthood.
Parenthood used a school-shooting imagery as a comedic device, another example of things no longer made.
“Or even parenthood where they use a school shooting for a comedic device.”
what-if (casting what-if):
Woody Allen → What About Bob?.
Woody Allen was approached to play Dr. Marvin, direct, and possibly co-write; he turned it down.
“Woody Allen was approached to play Dr. Leo Marvin, was also considered to direct, which is bizarre, and possibly co-write the script.”
what-if (casting what-if):
Charlie Korsmo → Terminator 2: Judgment Day.
Korsmo was the original choice for the Edward Furlong role in T2 but did What About Bob? instead.
“We found out he was the original choice for the Edward Furlong role, but he did what about Bob instead?”
unmapped (child-star cohort):
Charlie Korsmo → Elijah Wood.
Korsmo, Macaulay Culkin and Elijah Wood are called the early-90s three-headed dragon of child actors, like dunking KG and C-Webb.
lineage (ripped off):
Growing Pains → The Fresh Prince of Bel-Air.
Bill's hot take: Fresh Prince's famous Uncle Phil scene was lifted from a Growing Pains episode with Leo.
“was actually ripped off from growing pains and Leo”
theme (house comparison):
What About Bob? → The Good Son.
Bill says the lake house is one thing, but the house in The Good Son was probably made up; leads to Culkin evil-kid horror.
“Here's here's where this game ends when you see the house from the good house from the good son.”
unmapped (evil-kid horror):
The Good Son → Brightburn.
Evil-kid horror lineage: The Good Son, The Omen, Orphan, and Brightburn (Superman-as-alien child).
“He made a movie called Brightburn. Oh, Brightburn's great.”
lineage (lineage):
Seven → Heat.
Grouped with Usual Suspects, Heat and Casino as the four defining 1995 movies, three of which were shut out at the Oscars.
“Our usual suspects, which we recently did, Heat Casino in seven.”
contrast (contrast):
Seven → The Usual Suspects.
Both were hugely influential 1995 genre movies that the Oscars largely ignored; Usual Suspects got a screenplay win while Se7en got only editing.
“Usual suspects had space to get nominated for best supporting actor, and it got nominated for best original screenplay.”
industry (industry):
Seven → The Usual Suspects.
Spacey went uncredited in Se7en and the earlier-released Usual Suspects built momentum; two twists may have been too much for the Academy.
“I wonder if 2 super duper, incredibly memorable twists, a quarter of a century later, uh, was too many for the academy to handle”
career (career):
Kevin Spacey → Seven.
Spacey's billing choice (uncredited) kept the twist secret in a pre-internet era, which fed a slow-building box office.
“And it was a great move by Spacey not to be credited.”
career (career):
David Fincher → Alien 3.
Fincher fought the studio on Alien 3 in press coverage, with Sigourney Weaver backing him, then seemed unlikely to direct again.
what-if (what-if):
Seven → The Sopranos.
Fincher's planned fade to black would have resembled the Sopranos cut to black, which Bill came around on after years.
“I think I would have eventually felt the same way I do about the Sopranos ending where I actually like the Sopranos ending now.”
verdict (verdict):
Seven → Casino.
Casino was a near miss against Goodfellas, framed as 98 out of 100 versus 100 out of 100, the same tier of 1995 hall-of-famer.
“It's like a 98 out of 100 compared to Goodfellows 100 out of 100, you know?”
career (career):
Brad Pitt → Interview with the Vampire.
Pitt's pre-Se7en run had flops and weird roles, including the homoerotic vampire movie he did with Cruise.
career (career):
Brad Pitt → Legends of the Fall.
Pitt fought the changed ending of Legends of the Fall and vowed not to do that again, then made Se7en and 12 Monkeys.
“Legends of the Fall, which some people like, but they changed the ending.”
career (career):
Morgan Freeman → Unforgiven.
Freeman's 1992 to 1995 run of Unforgiven, Outbreak, Shawshank, Se7en is a strong quartet with Outbreak the weak link.
“Outbreak is obviously the week, the weak link, but the other 3 are Hall of Famers.”
verdict (verdict):
Seven → Roger Ebert.
Ebert gave 3.5 stars, then republished a four-star review years later, which becomes the show's running Ebert gag.
what-if (what-if):
Sylvester Stallone → Seven.
Stallone reportedly turned down Mills, post-Tango and Cash, hunting for a dramatic movie that turned out to be Copland; Sly would have derailed it.
industry (industry):
Morgan Freeman → Deep Impact.
After Shawshank and Se7en Freeman had the juice to take shitty parts like Deep Impact for giant paychecks.
“he does this movie, and both of them are smashed successes, and that paves the way for him to be able to take shitty parts and deep impact and stuff like that”
fun, about
Jay Barrishell:
Daily Beast interview: Jay said he and Jonah didn't get along and found Jonah's compliment scene exhausting, then loved the rough cut.
fun, about
Rihanna:
Slapped Michael Cera for real; Cera asked if he could slap her butt and she said only if she could hit back; multiple takes left him lying down.
“he asked Rihanna if he could actually slap her butt and she said, if I can hit you back.”
fun, about
Alec Baldwin:
On set Baldwin refused to shave his beard, so Bill Pullman was lined up to replace him; he then shaved but stopped talking to the director for the shoot.
“And then won't talk to the director for the rest of the shoot.”
fun, about
David Mamet:
Art Linson's book: in the pitch an executive objected that nobody roots for a rich guy, so Mamet added the affair and the cuckold angle.
fun, about
Bart the Bear:
Bart's filmography: Legends of the Fall, The Great Outdoors, 12 Monkeys, Grizzly Adams, presented at the 1998 Academy Awards.
“He was a presenter at the Academy Awards in 1998”
fun, about
Paul Bettany:
Balcony speech: fear of falling is really fear that you might jump; then the money-left-after-taxes run with 76,520 on hookers.
fun, about
Margin Call:
Casting what-ifs: Irons role first offered to Ben Kingsley, Tim Robbins and Billy Crudup passed, Carla Gugino was to play Demi Moore's part.
“The Jeremy Ions ions world was originally offered too.”
fun, about
Misery:
Goldman wanted the job because of King's foot-chopping scene; George Roy Hill could not direct it, and Reiner and Scheinman softened it to the ankle-breaking hobbling.
“The lapping scene was gone now forever replaced by the ankle breaking scene.”
fun, about
Judd Apatow:
Bill reads the Rudd character as a stand-in for Judd, with Apatow's own wife and kids on screen: 'Judd's really going through something'.
fun, about
Beverly Hills Cop II:
A Premiere magazine piece says the script was rewritten dozens of times, finalized three weeks before production, with a 10-week shoot stretching to 20.
“Cop 2 ate up the energy of 2 executive producers, 2 producers, one director, 6 writers, and various productive production executives of personnel at Paramount.”
fun, about
Brigitte Nielsen:
Most rewatchable scene pick: the jewelry-store robbery with the robber calling out elapsed time and time left.
“If a movie features a scene where there is a robbery and the robber is calling out the amount of time that they've been in there and how much time they have left, probably going to be a rewatchable at some point.”
fun, about
Beverly Hills Cop II:
Murphy's original pitch was a Testarossa and a Beverly Hills gun club; the studio first considered England/Scotland Yard and a TV series, but Murphy refused both.
“Murphy's ideas was that that Folish should have a testeras, Rosa Ferrari, and that there should be something at the Beverly Hills gun club.”
fun, about
Tony Scott:
Scott flew to New Jersey to meet Murphy, shot pool, then Murphy vanished mid-rematch and sent his boys to say Scott was fine with him.
“Scott recalls shooting some pool with Murphy. who won the 1st game, then disappeared in the middle of a rematch.”
fun, about
Eddie Murphy:
Murphy arrived with a huge trailer and an entourage including his Uncle Ray, brother Charlie, cousin Ray Jr., Fruity, and a 21-year-old valet, and was late all the time, then ad-libbed.
“he was late all the time, according to one of the crew.”
fun, about
Beverly Hills Cop II:
Eddie Murphy himself called it the most successful mediocre picture in history, a half-assed rehash that was less spontaneous. Both hosts disagree and say they love it.
“Beverly Hills cop 2 was probably the most successful mediocre picture in history.”
fun, about
Eddie Murphy:
Murphy bought a $65,000 Porsche at lunch when depressed, and fought producers to keep the Ferrari from the movie; the producers' spokesman denied they ever gave him one.
“Eddie may have bought a red Ferrari, but Don and Jerry never gave him one.”
fun, about
Beverly Hills Cop II:
Most rewatchable scene: Axel at the gun club pleading for his daughters Monique and Unique; Simmons calls it a fucking classic.
“I'd like to see my kids, Monique and Unique again, fucking classic.”
fun, about
Beverly Hills Cop II:
Best quote candidate: the Gerald Ford lookalike in the strip club; Simmons says he still doesn't know why it's funny after all these years.
fun, about
Tony Scott:
On the armored-truck city deposit robbery: Scott takes off his shirt, rubs body butter on his arms and does action-sequence curls for three minutes.
“Tony's like, takes off his shirt, rubs his arms with body butter, and just fucking does some curls for us for about 3 minutes.”
fun, about
Beverly Hills Cop II:
Ages the best: the opening song 'Shakedown' by Bob Seger; Simmons wants more theme songs thematically drawn from the movie, like running away from crime in the city.
“We just don't have, we used to do things in this country.”
fun, about
Beverly Hills Cop II:
Ages the best: Producer Craig plays the Faltermeyer opening and Simmons says it makes him want to rob a jewelry store; they plan to end pods with a 45-second Craig song.
fun, about
Hugh Hefner:
First movie ever filmed at the Playboy Mansion; Hefner had said no film, then supposedly found a film reflecting his values. Paul Reiser also reads Playboy Sisters in three scenes.
“Reiser, he's reading Playboy Sisters, 112 pages of Sexy Siblings.”
fun, about
Beverly Hills Cop II:
Casting what-if: Simmons wants Geena Davis in the thin role of Bogomil's daughter Jan, and Ryan wants Lisa Bonet as a strip-club character killed to fuel Axel's revenge, an 11-minute sidetrack.
“It's just 2 phone calls and then she's like, I've solved where this guy's visa came from?”