Personality, episode by episode
Showing 1–11 of 11 sketches.
Enjoys the series for its sleaze, hang value and cheesy lines. Roots for Black-cast-free sendups and loves a flex category. Gravitates to Freddy and likes Kevin Bacon.
Stances
- Friday the 13th is a movie that did not need Black people
- Rewards bad-hang awards and flex lists
Humor: Performative, riffs in character voices, escalates lists to absurdity.
In their words
- “Number five, Friday the 13th.” (1:20:13)
Cares about craft, producing and career-level analysis; likes the film's ensemble and sound. Dislikes streamer overspend like Napoleon and uneven character writing. Sucker for 80s and 90s star-driven filmmaking.
Stances
- Brad Pitt carved out an incomparable career
- A good producer leaves no seams
- Damson's character was underwritten for him to win
- Napoleon was precisely what Apple should not make
Humor: Wry and sharp, uses jokes about race and casting to land points.
In their words
- “A movie that's well produced, you cannot see the seams.” (0:37:18)
- “Brad Pitt carved out a Brad Pitt thing that makes him incomparable to a lot of his contemporaries.” (0:19:19)
Loves cool, grounded actors (Madsen, Goggins, Bernthal) and nitpicking the logic of the alien plan. Can't stand the empath being a job. Sucker for a hot tub, a convertible, and a plan to survive an alien.
Stances
- Madsen was effortlessly cool
- The empath is the best part and the worst
- His alien survival plan is to team up
Humor: Absurdist riffs on LA dating, empaths and surviving the alien.
In their words
- “How about a science fiction, science fiction slash horror movie?” (0:46:11)
- “Me and you against the world, baby.” (1:20:29)
Boxing gym veteran who reads Rocky through race and the gym. Loves Apollo as a revolutionary Black character and Mickey as a man who ages with you. Hates Paulie. Sucker for the 5 AM training and the training montage.
Stances
- Paulie is the asshole of the film
- Boxing is the one place where tribalism is still acceptable
- Apollo is a revolutionary character, particularly as a Black man
- Likes Rocky V; ranks 3, 4, 5, 2
Humor: Deadpan stories from the boxing gym and pointed jabs at his own flex categories.
In their words
- “The Poly Award for asshole of the film.” (1:07:55)
- “Boxing is legitimately the only place where it's still completely acceptable to be totally tribal.” (0:56:26)
- “I go three.” (1:51:23)
He loves a movie about ordinary-looking people in extraordinary situations and dislikes casting that feels too glossy. He is a sucker for the Van Lathan Award bit about whiteness and the lack of black characters, delivered as comedy. He is drawn to the erotic subtext and the movie-star vs ordinary actor contrast.
Stances
- Hollywood leads look too good now compared to the attainable cast of Twister
- The movie is perfectly white escapist, so more black people does not belong in Wakita
- Paxton lacks movie-star magnetism for a lead like Out of Sight
- Twister is the way things used to be, not a harbinger
Humor: Deadpan provocations and a running award in his name about diversity in the film.
In their words
- “It's just like normal person stuff with a couple of scientists” (0:04:22)
- “And this is a white ass story about some storm chasers.” (1:18:22)
Van brings a Black-viewer lens and pop-culture mapping, such as Sciorra's later roles and the film not needing more Black people. He loves charismatic bad guys and Richard Gere in particular through his mother and grandmother. He can't stand the movie's attitude toward domestic violence.
Stances
- The film did not need more Black people (a joke category)
- Attractive villains are the best villains
- Gere is the apex of hot bad guy
Humor: Self-aware, story-based, and dryly absurd: wife walking out of the Vision Pro screening.
In their words
- “I think an attractive villain is the best kind of villain.” (1:32:08)
- “My mama loved Richard Gere.” (0:54:16)
- “Kalika got up and said, I can't look.” (0:54:04)
Loves He Got Game's take on fatherhood, gambling scenes, and the thoughtful cultural reading of the film; deeply moved by the boxing scene. Dislikes the film's casual racism being waved off; thinks Lorenzo is a bad dad. Sucker for an all-Black recast and casting games.
Stances
- Lorenzo is a bad dad, Sonny better
- N-word moment is weak link
- $20 rule is truest thing
- Recast all-Black Bronx Tale
Humor: Big, boisterous, teases the others about being white and calls out their inconsistencies.
In their words
- “Y'all are white, so y'all don't really know poor people like that.” (0:51:11)
- “Okay, so Mershaw Ali is Lorenzo.” (1:34:14)
Loves 90s cable-rotation movies, Alec Baldwin's 20th century run, Prelude to a Kiss, and Naked and Afraid. Can't stand The Revenant's brutality or the 'Black guy dies' trope. Sucker for family jokes and Hopkins' eyes.
Stances
- The cabin scene is the best scene
- Baldwin is a great actor despite everything
- Billionaire heroes would not play today
- Would choose bear over shark
Humor: Warm, loud, self-deprecating riffs and impressions built on personal anecdotes.
In their words
- “is such a good actor, bro.” (0:46:23)
- “I watch naked and afraid.” (0:44:04)
Loves the film as a family comedy he watched with his mom and grandmother, and relates to Bob's fears through therapy. Can't stand Kevin Hart as a character actor and loves Prime. A sucker for family-movie nostalgia and the lake-house dream.
Stances
- Bob is more human than the psychiatrist
- Film mocks fame-hungry psychiatrists
- Prime is underrated
- Kevin Hart can't play a character
- Bob is treating himself by pursuing the doctor
Humor: Warm, self-deprecating therapy jokes and big ideas like the all-Black recast and Bob-as-Dr.-Phil sequel.
In their words
- “So Bob's more of a human than a psychiatrist is.” (0:41:58)
- “I just don't think Kevin Hart can be anybody other than Kevin Hart.” (0:56:48)
A lifelong comic book reader who loved the film and rates it above the original; Namor's performance and the redefinition of Wakanda's power were highlights. He loves Avatar's wonderment, Nolan-style demanding films, and fighting for comics to get the grace given to serious films. He's wary of the MCU's drift into self-parody.
Stances
- Wakanda Forever is better than the original
- Namor is by far the best part
- Comic book movies are denied the grace Nolan films get
- Marvel's recent films lack a heartbeat and have become parodies
Humor: Big, bombastic and self-aware comic nerd, with sports and pop-culture analogies and a mock top-five list.
In their words
- “I thought Neymar was by far the best part of Wakanda forever, like by far” (0:15:59)
- “They're the Russell Westbrook of final fights.” (0:58:00)
- “Number two, the Godfather two, number one, Black Panther, Wakanda forever.” (1:09:05)
Loves characters who are flawed heroes, quotable lines, bully-movie comeuppance, and the way the film makes the arcade comic world feel sublime. Cares about directors getting their big shot. Hates when his friends do not get the movie.
Stances
- The film was a tick ahead of its time
- Nerds have the power now
- Goonies disease: he wants a sequel for selfish reasons
Humor: Big storyteller voice, anecdotes about his homeboys, his girlfriend hating the looped DVD, and accosting Jason Schwartzman in a BevMo.
In their words
- “I have what I call like, the homeboy gauge.” (0:15:50)
- “I call this Goonies disease.” (0:43:37)