Loves charisma performances, movie stars at their peak, and trivia from Tarantino's circle. Champions Brad Pitt as the winner. Can't stand awards mistakes like The Artist winning, and he warns about the 'Oscars should wait five years' view. A sucker for 1960s details, driving scenes, and Boogie Nights real estate.
Stances
Brad Pitt won the movie
Oscars should be awarded five years later
Focus is underrated
Humor: Runs bits on movies he almost bought, fake research, and sports-style comparisons.
In their words
“I think Pitt won the movie.” (1:17:58)
“I think I'm the only one that likes focus.” (0:32:43)
Loves the mid-80s Eddie Murphy and the movie's cultural phenomenon, and has a clear soft spot for Lisa Eilbacher. Is a sucker for Hollywood-excess anecdotes (Simpson, cocaine, Rourke, Stallone) and for sports analogies. Has little patience for plot logic holes but loves list games and categories.
Stances
Eddie Murphy in 1984 was the biggest star in the world after Michael Jackson
Lisa Eilbacher is the Apex Mountain and the film's winner
The Eddie-Murphy-as-star what-if game (Top Gun) is a worthwhile question
Humor: Rapid-fire sports analogies (WAR, LeBron, Dion Waiters, Shawn Michaels) and mock-indignant asides.
Loves the lore of how a movie got made, the lists (casting what-ifs, recasting), and the 'unanswerable questions' category. Has little patience for Lawrence Tierney's acting or for Ebert missing on Tarantino. He remembers the 1992 Boston era of a movie that mattered and is a sucker for a heist.
Stances
Tarantino won the movie
Lawrence Tierney is bad (the 'Mike Francesa' bit)
Does not want new Reservoir Dogs content
Wants to see the heist, plays devil's advocate
Humor: Throws sports analogies, invents award names, and runs recurring bits like Roger Ebert and Felony Land.
In their words
“I love bank ice scenes.” (1:23:55)
“It's Tarantino, and I think all of those actors robbing a bank.” (1:23:22)
“Can I make the case for seeing the heist?” (1:23:18)
Loves ensemble casts and film-lineage framing, sports analogies (Dwight Gooden, Penny Hardaway), and the show's recurring awards. Wants a better soundtrack, and cannot stand the ending speech. Is a sucker for his wife and kids' opinions of the film.
Stances
Mean Girls is the best Lorne Michaels movie
Lohan's decline is like an athlete's lost career
Soundtrack and ending speech are weak
Humor: Dry, sports-and-family riffs, often teased by his co-hosts.
In their words
“that was like Dwight Gooden in 1985 on the Mets.” (0:27:59)
“I think this is the best Lauren Michaels movie.” (0:16:22)
Bill loves old-school sports myth-making, baseball nostalgia, the Natural's chill scene, and stat-nerd rabbit holes like reconstructing Roy Hobbs's season. He is picky about throwing motions and lineup logic, and is a sucker for the dugout-emptying slow-motion shot. He ranks Bull Durham/Hoosiers/Rocky near the top and finds slow hospital stretches in sports movies unbearable.
Stances
The Natural used to be the greatest sports movie but is now slower than he remembers
Every great sports movie needs a chill scene
Dislikes bad throwing motions on screen
Hospital detours in sports movies should be cut short
Roy Hobbs was a Bonds-level statistical machine, or worse
Humor: Dry, list-making sports-nerd riffs and reaching pop-culture asides (Bachelor, Harry Potter) delivered as if serious.
In their words
“My move with sports movies is like, get me out of the hospital as fast as possible.” (1:00:37)
“nothing drives me crazier than when somebody can't throw in a baseball movie.” (0:56:43)
Loves Gen X touchstones and basketball analogies; sticks up for Winona Ryder and Friends season one; mocks Troy-type guys and over-talky English majors. A sucker for half-assed internet research and awards-bit tradition.
Stances
Winona Ryder won the movie
Singles is a flawed but beloved sibling
Ben Stiller deserves credit
Humor: Rolls NBA references and mock-feuds into everything.
In their words
“I do look at her in a way, like, uh, like I look at some NBA players.” (0:32:14)
Loves sports-adjacent silliness, big broad comedy and quotable lines, and wedding toast chaos. Can't stand being wrong about movie trivia he has already litigated. A sucker for his own running categories and bits (Ebert, Joey Pants, Dion Waiters).
Stances
Roger Ebert is never to be trusted on comedies
Comedies of the era were a nice 6-7 year run
Open your movie with a wedding theory
Luke Wilson is not Harrison Ford
Humor: Deadpan rapid-fire teasing of co-hosts and mock-outrage, plus sports references.
In their words
“never to be trusted on comedies.” (0:15:17)
“This movie also nicely slots into my open your movie with a wedding theory.” (1:01:05)
Loves sports analogies, Kurt Russell and Pacino's Cruising, defends 90s movies like Fletch. Dislikes dated romance interludes like the picnic. A sucker for mustaches and Dana Wheeler-Nicholson.
Stances
Val Kilmer wins the movie
Wyatt Earp is the rival, Tombstone is more entertaining
Cruising is incredible
Cut the 12-minute theater scene
Humor: Rapid-fire sports comparisons and teasing his cohosts.
In their words
“I think this movie is the perfect microcosm of both of their careers.” (0:12:28)
“I just don't come to Tombstone for picnics” (0:29:44)
Loves old-school and 5 o'clocker action, Seagal, Stallone, Nick Cage, and movies that know exactly what they are. Can't stand over-explained worldbuilding or sequels that give the hero a known villain. A sucker for the Neeson comeback and for ranking things by era.
Stances
Taken is the perfect 5 o'clocker
Taken 2 is not better than the first
Neeson is the Apex Mountain of the movie
The first Taken works because there is no main villain
Humor: Deadpan nitpicking, escalating sports analogies, and long self-deprecating dad stories.
In their words
“I just like watching movies that know exactly what they are.” (0:32:10)
“I don't think it's a John Wick 2 situation where John Wick 2 is actually somehow better than John Wick one, or we could at least have the debate.” (0:42:12)
Loves big star-driven movies and sets the show's categories; adores the Wahlberg and Baldwin scenes, Boston flavor and the crazy cast what-ifs. Can't stand Nicholson's performance here, implausible plot points and the rat. A sucker for 'that guy' actors, Goodfellas and Boston details.
Stances
The Departed is a Hall of Famer because it is flawed and fun
Leo won the movie, Nicholson loses it
Costello should have been Pacino
Damon's Boston accent beats Wahlberg's
Scorsese's Stones fetish is funny
Humor: Deadpan nitpicking, jokes about plot holes and trivia, rapid mock-outrage.
In their words
“This is a perfect rewatchable because it is a great bad movie.” (0:12:23)
Calls Spielberg the greatest director ever but is skeptical of his late period and Munich. Loves Jaws, Raiders, and E.T. through his kids, and measures movies by whether kids can stay with them. Distrusts the calculating, career-minded side of Spielberg and Spielberg's DreamWorks hedging.
Stances
Spielberg's first 15 years are the greatest career stretch ever
His recent work is solid but not special
Spielberg is 'calculating' where Mann or Coppola are obsessive
Judges movies by whether his kids can watch them
Humor: Wry and teasing; leans on sports analogies (LeBron, Popovich) and bits like 'hit by a car in 1986'.
In their words
“if you just got hit by a car at the peak of your career, how would people remember you?” (0:51:08)
“I judge everything by my kids who have, you know, 21st century ADD with pop culture.” (1:00:09)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
career (chain: SNL comeback):
Fletch → Lorne Michaels.
Chase's mid-80s comeback with Three Amigos reunited him with Lorne Michaels and Spies Like Us with Dan Aykroyd.
“The 3 amigos get some back with Lorne Michaels, which is huge.”
theme (persona parallel):
Michael Keaton → Night Shift.
Keaton was the other 80s wiseass; in Night Shift he is a cocky shithead, and Night Shift is a forgotten movie like Seems Like Old Times.
“But I'm saying like when he, like he's in night shift, that guy's just like a cocky shithead, basically.”
lineage (source material):
Fletch → Gregory McDonald.
Fletch adapts the McDonald novels; the noir voiceover feels like the book, the ad-libbed scenes deviate.
unmapped (mocked expectation):
Roger Ebert → The Killing Fields.
Mock-Ebert asks why Fletch is not like serious dramas such as The Killing Fields or Chariots of Fire.
people (athlete-actor contender):
Jim Brown → The Dirty Dozen.
Brown offered as most successful athlete-actor: Mars Attacks, Any Given Sunday, Running Man, Dirty Dozen.
“Dirty dozen was like an actual real role in a great movie.”
people (director filmography):
Michael Ritchie → Downhill Racer.
Ritchie is called the best sports-movie director ever on the strength of Downhill Racer, Bad News Bears, Semi-Tough, Wildcats and Diggstown.
“This is the this is the all-time best sports movie director ever.”
people (composer trajectory):
Harold Faltermeyer → Top Gun.
Faltermeyer scored Beverly Hills Cop then Fletch; the sky is the limit after, literally with Top Gun.
people (director filmography):
Philip Noyce → Clear and Present Danger.
Noyce directed The Saint, Sliver and Clear and Present Danger; Bill wants to rewatch Clear and Present Danger.
“I'd love to do clear and present danger on this podcast.”
what-if (casting what-if):
Matthew Broderick → Family Ties.
Broderick was first choice for Alex P. Keaton and turned it down, raising a Back to the Future ripple question.
“He was the 1st choice to play Alex P. Keaton in Family Ties.”
what-if (casting what-if):
Matthew Broderick → Back to the Future.
If Broderick took Family Ties, would Michael J. Fox have played Ferris and Broderick Marty McFly.
“if Matthew Broderick's in family ties, does that mean he's then in back to the future? and Michael J. Fox's Ferris Bueller?”
what-if (casting what-if):
Matthew Broderick → Point Break.
Broderick turned down Johnny Utah, which went to Keanu; hosts say he is too slight and not a quarterback type.
“He turned down the role of Johnny Utah, point break.”
career (creator self-projection):
John Hughes → The Breakfast Club.
Hughes is a cross between Hall's Breakfast Club character and Cameron, and did his best writing for those guys.
“my guess would be he was kind of a cross between Anthony Michael Hall's breakfast club character and Cameron in a lot of ways”
unmapped (critical disagreement):
Roger Ebert → Gene Siskel.
Siskel disliked Ferris over Chicago accuracy, while Ebert gave it three stars and later Roeper made it his favorite.
craft (comedic device):
Ferris Bueller's Day Off → Beverly Hills Cop.
Impersonating people over multiple phones to outwit annoying people peaked in Ferris, Beverly Hills Cop, and Fletch.
“This was peak trying to outwit really fucking annoying people by pretending to be different characters and using different phones.”
craft (cut music):
Robert Smith → Ferris Bueller's Day Off.
Robert Smith wrote original museum music that failed in screening; replaced by an instrumental of a Smiths song.
“the music that they got rid of is was written for the movie by Robert Smith from The Cure.”
unmapped (same year):
Ferris Bueller's Day Off → Platoon.
Oscar year 1986 pairs Platoon with Ferris, and Platoon's nominees are listed alongside the 1986 supporting actor race.
“Lucas, Ferris Bueller, Platoon. Iconic one year.”
what-if (casting what-if):
Paul Gleason → The Breakfast Club.
Gleason, Dick Vernon in Breakfast Club, was considered for Rooney; hosts debate if that is too distracting.
“Paul Gleason considered. For the role of Ed Rooney.”
unmapped (sibling film):
Ferris Bueller's Day Off → The Breakfast Club.
The two were basically filmed simultaneously at Shermer High, which also hosts Weird Science and Sixteen Candles.
“Ferris Bewer and Breakfast Club were basically filmed simultaneously in Shermer High.”
theme (shared location):
Ferris Bueller's Day Off → Weird Science.
Shermer High is the location for Weird Science, Sixteen Candles, Breakfast Club, and Ferris.
“Shermer High is the location for weird science, um, 16 candles, Breakfast Club, and Ferris Bueller.”
people (that guy filmography):
Max Perlich → Beautiful Girls.
Classroom actor Perlich also appears in Beautiful Girls, My Own Private Idaho, and Drugstore Cowboy.
“Is he in my own private Idaho or drugstore cowboy?”
what-if (casting what-if):
Ronny Cox → Total Recall.
Ronny Cox's 83 to 90 run playing guys in charge makes him a Rooney candidate, tied to a past Total Recall episode.
theme (shared location):
Ferris Bueller's Day Off → The Blues Brothers.
Chez Louis is the same restaurant as in Blues Brothers and St. Elmo's Fire, a three-year span of iconic 80s restaurant movies.
“Same restaurant as the Blues Brothers, with Elwood and Jake.”
theme (genre: Chicago movies):
Ferris Bueller's Day Off → About Last Night.
Ferris is argued as the Apex Mountain for Chicago in movies, alongside Blues Brothers and About Last Night.
“is this is this Apex Mountain for Chicago in movies.”
theme (genre: all in one day):
Ferris Bueller's Day Off → Dazed and Confused.
Other nominees for the all-in-one-day genre include Dazed and Confused, Dog Day Afternoon, Before Sunrise/Sunset, Do the Right Thing.
“Dazed and Confused, dog day afternoon. Um, the before sunrise before sunset movies. Do the right thing is on that list.”
unmapped (year context):
Ferris Bueller's Day Off → Back to the Future.
Hughes has the biggest cultural footprint of 80s directors, involved in five of the fifteen biggest 80s movies, plus Home Alone.
“out of the 15 biggest 80s movies. I think he was involved in five.”
career (career comparison):
Brad Pitt → Newitski.
Simmons compares the role's effect on Pitt to a title lifting an already Hall of Fame player (the transcript renders it 'Newitski', a mangled Dirk Nowitzki).
“I compared it to when Newitski, when the title in 2011, where Newitski was a Hall of Famer anyway”
“Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was.”
lineage (visual influence):
Once Upon a Time in Hollywood → Apocalypse Now.
The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting.
unmapped (script anecdote):
Once Upon a Time in Hollywood → True Romance.
Sharon watching her own movie came from Tarantino sneaking into a theater showing True Romance; Pitt's acid-trip moment is likened to Floyd from True Romance.
“he's basically Floyd from True Romance for the 1st 2 minutes of that scene”
lineage (ad-lib source):
Brad Pitt → True Romance.
Pitt's ad-libbed line was based on an actor who told him the same in the early 90s; they guess True Romance's Michael Rapaport/Saul Rubinek.
“You're Rick fucking Dalton, don't you forget it?”
unmapped (LA movie):
Once Upon a Time in Hollywood → Heat.
Heat is floated as a best Los Angeles movie in a list including Boyz n the Hood and Nightcrawler.
“This, uh, he, Boys in the Hood, Nightcrawler, like what else?”
verdict (favorite actors):
Quentin Tarantino → Michael Madsen.
Tarantino has gotten the best out of actors like Travolta, Madsen, Jamie Foxx, David Carradine.
programming (programming):
Saturday Night Live → Eddie Murphy.
Being on SNL meant Eddie brought it every week; his movies were not shot 18 months earlier, he was appointment viewing.
“oh, he was like on television every weekend was appointment viewing.”
verdict (verdict):
Beverly Hills Cop → Roger Ebert.
Ebert gave the film 2.5 stars, calling Eddie a victim of the Star Magic Syndrome.
“Eddie Murphy looks like the latest victim of the Star Magic Syndrome, in which it is assumed that a movie will be a hit simply because it stars enormously talented person.”
industry (industry):
Eddie Murphy → Walter Hill.
Eddie mostly worked with really good directors early: Walter Hill, Tony Scott, Robert Townsend, Landis, with Brest the exception.
“Walter Hill, Tony Scott, Robert Townsend, doing shooting the comedy special,”
career (career):
Jonathan Banks → Breaking Bad.
Banks was a first-ballot-hall-of-fame 'that guy' from Wiseguy and BHC until Breaking Bad made his name.
“And then Breaking Bad happened and he became Jonathan Banks.”
career (career):
Bronson Pinchot → Dion Waiters.
Pinchot's two scenes leading to a sitcom is likened to a Dion Waiters-style success story, awarded the Dion Waiters Award.
industry (industry):
Beverly Hills Cop → Michael Eisner.
Eisner claims he came up with the idea after a speeding ticket in 1975; Simpson claimed it from 1977.
“in 1975, he got a speeding ticket with a cop, thought the guy was a little bit of a dick”
verdict (verdict):
Reservoir Dogs → Roger Ebert.
Ebert gave it 2.5 of 4, saying the script lacked curiosity about the characters; the hosts call it a miss.
“But Tarantino's script does not have much curiosity about the characters, gave it 2.5 stars out of four.”
lineage (lineage):
Reservoir Dogs → The Killing.
Tarantino said Reservoir Dogs was his version of Kubrick's heist film, without meaning it as a ripoff.
“but I did think of it as my killing, my take on that kind of heist movie.”
lineage (lineage):
Reservoir Dogs → The Big Combo.
Per the host's notes, The Big Combo and Corbucci's Django inspired the scene of a cop torturing a chair (sic).
“Joseph H. Lewis's filmed the big combo and Sergio Corbucci's 1966 spaghetti western Django inspired the scene”
fun, about
Gazzo's driver:
Best that guy award goes to Gazzo's driver, who also gets the 'take her to the zoo' line; Bill and his dad used the license plate joke for 20 years.
fun, about
Friday Night Lights (2004 film):
Coach Gaines lying that Boobie will be fine, never getting an MRI: the hottest take is that he is a bad coach.
fun, about
Joe's dad (the opening scene):
The panel invents a new category blaming Joe's dad: a cheap lock on the storm shelter door, and he should have just let go.
fun, about
Twister (most 1996 thing):
A one-off category inspired by the 1999 episode: options include no internet, the Dodge Ram, no Oklahoma City Thunder references, and Helen Hunt's hair.
fun, about
Aunt Meg's kitchen scene:
Chris's favorite scene: steak and eggs, gravy and Aunt Meg, setting her up so the crew later saves her; Bill singles out the gravy and 8 coffees to go.
fun, about
Philip Seymour Hoffman:
In an early lawn-chair scene Hoffman lifts his leg laughing and a split second of exposure was edited from later DVD and VHS releases.
“you can see his genitals for a split 2nd that they had to edit out of future DH DVD and VHS releases.”
fun, about
Wakita, Oklahoma:
The real town was used; houses were bought and demolished; there is a Twister Museum there that Paxton helped stock with memorabilia.
fun, about
Luke Wilson:
Craig's hot take from a prior episode, that Luke Wilson could have been Harrison Ford, now has the hottest-take award renamed after him.
“So the CR thinks Luke Wilson could have been Harrison Ford, hottest take award.”
fun, about
The War of the Roses:
Deleted scenes on YouTube include the indoor garden before he saws off her heels, and a heater scene explaining why everyone is sweaty.
fun, about
Richard Gere:
Gere's best performance, with An Officer and a Gentleman; he is shown as a villain who is still charismatic enough to root for.
“I think this is his best performance in a movie.”
fun, about
Billy Baldwin:
The comeback-to-flop arc is told with an NFL analogy: Hollywood gave him a four-year window like Kenny Pickett on the Steelers.
fun, about
Roger Ebert:
The running Ebert bit: no review found, but At the Movies with Siskel, where both loved it and Ebert called it a movie about personalities.
fun, about
Richard Gere:
The taco-stand scene wins the new Rick Dalton Award for best acting; the line is 'I'm married, you're married, we're married.'
“I would like to introduce a new award to the rewatchables.”
fun, about
Tova Arocus:
A hot take: Tova, the wife, is the real villain because she prompts the killing of her husband's parents, sleeps with Peck, then pays Peck to kill her husband.
fun, about
Al Pacino:
Pacino is in three late-90s dances with over-the-top; his Any Given Sunday inch-by-inch speech is called all time in a terrible movie, carrying it like LeBron.
“The Inch's speech is all time for me and that movie's terrible and he's carrying it like LeBron carried the 2007 caps.”
fun, about
The Insider:
The golf range scene: a henchman stares Wigand down after each swing until he grabs the 5 iron; the hosts rate the henchman a 9.5 swinger and Crowe a 4.
fun, about
Bruce McGill:
Bruce McGill's courtroom outburst, 'Wipe that smirk off your face,' wins the Dion Waiters award and is a triple-crown candidate.
“This is not North Carolina, not South Carolina, nor Kentucky.”
fun, about
The Insider:
Title brainstorm: a better title might have been The Whistleblower or Cigarette Burns; Thank You for Smoking is cited as a title that tells you the subject.
“It just needed to have an element of danger to it.”
fun, about
The Insider:
The Knicks 'semifinals' line in the car scene draws a long riff on how nobody says semifinals; conference finals, since the Knicks were in the NBA finals that year.
fun, about
The Insider:
Apex Mountain: the golfing henchman, Bruce McGill and Plummer; Plummer's is probably The Sound of Music; Mann's apex may be getting this movie made 34 years after Heat.
fun, about
The Big Chill:
JoBeth Williams: for the Costner scene they rented a big house in Atlanta and installed bead curtains, rock posters, incense and 1968 Life magazines.
“they rented a big house in Atlanta and installed bead curtains, rock posters, incense, and 1968 life magazines”
fun, about
A Bronx Tale / Lillo Brancato Jr.:
The film's big line about wasted talent became Brancato's real life: found out of thousands of kids, he was doing drugs while shooting, later jailed after a robbery in which an off-duty cop died; the New York Post headline said 'wasted talent'.
fun, about
A Bronx Tale / Chazz Palminteri:
Palminteri refused to sell his one-man show unless he played Sonny, the Stallone-Rocky bet on himself. He was 40; De Niro offered to direct and play Lorenzo. He still tours the one-man show every year.
“Yeah, this was also a famous Hollywood success story where Chaz Palmentari. There's a one-man show.”
fun, about
A Bronx Tale:
The door test: Sonny's rule that if a girl does not reach over and unlock your car door, dump her fast. It now fails because there are no pull-up knobs, and the hosts also debate the Mario test.
“The door test is now defunct because we don't have buttons that you pull up and down?”
fun, about
A Bronx Tale:
Lessons from the movie, the show's rare lessons segment: better to be feared than loved (Machiavelli in prison), trouble is a cancer, nobody cares, a rat is the lowest thing, and three great women. 'Nobody cares' voted best.
“I would say the best, greatest lesson from this movie is probably the nobody cares.”
fun, about
Bill Simmons / TV channels:
Simmons pitches a prison-movie channel called Bars (B-A-R-Z) running Shawshank, Escape from Alcatraz, Oz and Orange Is the New Black; a gambling-movie channel is also pitched for FanDuel TV.
“I always wanted an all-jail movie channel called Bars, B-A-R-Z.”
fun, about
A Bronx Tale:
Best quote: 'The saddest thing in life is wasted talent', delivered by Coach Finstock-style line; it also resurfaces as the 'best quote' of the episode.
“Best quote, saddest thing in life is wasted talent.”
fun, about
A Bronx Tale casting:
Casting what-ifs: Kathrine Narducci brought her nine-year-old to audition for Calogero; Frank Vincent was to play a boss but the scene was cut; Philip Garbarino lost the C role to Brancato and played Sonny's killer.
“And he lost out to our guy Lola Broncado Jr. for the role.”
fun, about
A Bronx Tale / Eddie Mush:
They could not find anyone to play Eddie Mush, so they cast the real Eddie Mush, Eddie Montenero; on the first day it rained and they could not film. Mush is now gambling slang ('he's gonna mush me').
“they ended up finding the real Eddie Mush, and his name is Eddie Montenero.”
fun, about
A Bronx Tale / De Niro:
Trivia: De Niro got a Class B commercial driver's license for the role; he tried in Boston and they would not let him. Hosts also note people think Rob Schneider is in the biker fight.
“And then De Niro did get his commercial driver's license, Class B, and he tried to get it in Boston and they wouldn't let him.”
fun, about
A Bronx Tale / Apex Mountain:
Apex Mountain calls: crap scenes, bus drivers (this or Speed), racists burned alive (this or Django Unchained), Palminteri (this or Usual Suspects), Broncado yes, Pesci no, and Kathrine Narducci no.
fun, about
A Bronx Tale / Satan's Messenger scene:
Biker bar fight: would out-of-shape Italians really beat a biker gang? Ryan says gangsters have the fighting equivalent of dad strength; proposed sequel is Hell's Angels vs. the Mafia Battle Royale.
“I feel like gangsters have the fighting equivalent of dad strength”
fun, about
A Bronx Tale:
Is this movie better: Bill adds Frank Vincent to the candidates list (Wayne Jenkins, Danny Trejo, Catherine Keener, Steve Buscemi, Sam Jackson, J.T. Walsh, Philip Baker Hall).
fun, about
My Cousin Vinny:
Film's famous breakdown: the real difference between Jack Palance and the frozen envelope conspiracies in Tomei's Oscar win.
“I believe the David Stern thing, the frozen envelope way more than the Jack Palance.”
fun, about
Austin Pendleton:
Said in 2022 he regrets playing the stuttering lawyer after letters from the stuttering community; hosts say the device was low.