Working Girl is her favorite movie and her dream Rewatchables pick; she loves it as a rom-com, a Cinderella story and a cultural artifact, and as how she learned the 80s and her parents. Sucker for the song and score, the Staten Island Ferry, big real estate and Harrison Ford's clothes. Defends Tess to the end.
Stances
Working Girl is the perfect romantic comedy and a cultural artifact
Defends Tess against the villain charge
Chose the elevator or opening as most rewatchable
Loves the Staten Island Ferry as Apex Mountain
Humor: Self-aware and warm; jokes about herself, her husband Zach, and her real-estate award.
In their words
“Perfect romantic comedy, but more than a romantic comedy?” (0:03:03)
“It is a cultural artifact as well as a, you know, Cinderella story.” (0:03:07)
“Amanda has always said, working girls, the number one movie I would ever want to do in the rewatchables.” (0:01:29)
A child of divorce who treats divorce movies as a pantheon, loves interiors and real-estate fantasy (the Nancy Meyers houses), and holds firm opinions on decor. Can't abide the late-80s terrazzo floor.
Stances
Roses house is not even a top 20 movie house
The terrazzo foyer floor is the weak link
Cruise, via Jerry Maguire, is the right lead
The Roses are shocking because of their cruelty to animals
Humor: Obsessive-list energy and affectionate takedowns, as in her house-ranking bit.
In their words
“the 1st Michael Douglas movie I saw was the American president.” (0:06:45)
“This is not even a top 20 movie house.” (0:59:09)
“I'm thinking like collateral cruise crossed with Jerry Maguire cruise.” (1:17:39)
“Yeah, I did the terrazzo floor in the foyer.” (0:51:21)
Loves Nancy Meyers world, the family house and kitchen aesthetic, Steve Martin as dad, and earnest comforting movies. Can't stand talking-to-camera as a device and one-note accent comedy. A sucker for nostalgia, sequels and revivals she says she will watch anyway.
Stances
Father of the Bride is a Meyers formula movie where the house is the first character
Annie is a good daughter, she is just 22
Father of the Bride Part II is fine
Would watch a Grandfather of the Bride series
Second family dinner scene is the best scene
Humor: Precise, self-aware, observational wit (hot dog buns, curtain rings, independent consultant as unemployed).
In their words
“I'm definitely my father's daughter in that sense.” (0:03:26)
Adores Easy A as a summary of the teen-movie canon she liked: John Hughes, Ferris Bueller, Clueless (her number one), and Mean Girls. Loves star-quality musical numbers, Patricia Clarkson and Stanley Tucci as parents, and a good recast game. Cannot stand plot choices that don't hold up, like the party scene and Facebook shutting everything down.
Stances
Easy A is a summary of what she loved in earlier teen movies
Emma Stone should have been Oscar-nominated; the Oscars ignore comedy
Defends the Clarkson and Tucci parents
Emma Stone is not at Apex Mountain here but doesn't get there without it
Picks Zendaya and Florence Pugh as recasts
Humor: Warm and enthusiastic, with committed hot takes and the occasional Freudian slip (Emma Thompson for Emma Stone).
In their words
“I think it's pretty high for me as well, because in a lot of ways, easy A is a summary of all the types of teen movies that came before it that I really liked.” (0:12:26)
“Number 2 for me is Emma Stone.” (0:18:24)
“So please respect Patricia Clarkson and Stanley Tucci.” (1:20:24)
The biggest Skyfall fan on the show, owns it and rewatches it; loves Bardem, the Adele song, and Judi Dench. Protective of Bardem's performance, can't stand criticism of it, and finds modern Bond sexual politics rough.
Stances
Skyfall is the best Bond movie
Bardem's performance is the performance of the decade
No one is overacting
Humor: Defends Bardem with mock fury and ribs the others about sex habits.
In their words
“I think it's an outrage that Javier Redemma is not nominated for an Oscar.” (0:07:32)
Loves Regina George and the script, the first lunch scene, Lizzy Caplan, and Mean Girls as internet culture. Hates dumbing down for a boy and the ending speech; a sucker for teen-movie lineage and McAdams.
Stances
The first lunch scene is most rewatchable
Rachel McAdams won the movie
The soundtrack is underestimated
Humor: Deadpan and teasing, quick with callbacks and rankings.
In their words
“I think I'm going with the 1st lunch scene.” (0:25:55)
“Because it's just burned in my brain, the plastics at the lunch table.” (0:25:59)
Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording.
Stances
The Strangers is scary because of what it doesn't show or explain
Ending explanation weakens it; no answer would be better
Prefers 'withholding' filmmaking
Defends Mamma Mia as joyful and intentional
Humor: Wry and conversational, mocking Sean's marriage take and her own Googling while enjoying emotional detective bits.
In their words
“I'm emotionally detecting, but not informationally detecting.” (1:26:12)
“It's a very, um, withholding film, like both visually and emotionally.” (0:24:04)
“I think no answer would have been better personally.” (0:35:01)
Open to horror and gross-out more than she used to be, loves a lovely movie star and a tropical setting, and dislikes screen-movies and AI propaganda. She is skeptical of Chris Pratt, a defender of Amy Adams's ambition, and a Kirsten Dunst champion. A sucker for Beatles news, Harry Styles gossip and the Princess Diaries.
Stances
Mercy is a mess that reads as AI and surveillance propaganda
Rachel McAdams is beloved and underused
Kirsten Dunst and Regina Hall deserve leads (low confidence in attribution)
Humor: Self-deprecating and tangential, riffing on her own survival skills, floating Vespas and Hollywood trivia.
In their words
“I thought that this was pretty insulting to, um, the recovery community as well as the unhasked people of Los Angeles.” (0:38:41)
Loves Tár and Top Gun: Maverick equally, prizes sincere family-scaled filmmaking like The Fabelmans, and has a soft spot for Downton Abbey, Pearl, and Minions. Treats the draft as a comedy of grudging picks and delights in odd documentaries like Jennifer Lopez: Halftime. Skips most 2022 blockbusters as slop.
Stances
Only two 2022 movies really mattered to her, and the draft order spoiled that
Downton Abbey: A New Era is the best of the series films
Pearl is Mia Goth's best performance
The Lost City and Bullet Train are not worth picking
Humor: Mock-petulant and confessional, then escalates a tiny joke (the minions choir) into a long recap.
In their words
“I had to have a meeting with myself about not being a petulant brat for the rest of the thing” (0:25:58)
“This is a great film.” (0:56:22)
“I'm picking the movie that I've thought about the 3rd most in 2022 after Tar and Top Gun Maverick” (1:17:52)
“I saw this movie by myself at my childhood theater, Phipps Plaza in Atlanta, Georgia” (1:15:45)
Loves character-driven, funny-but-fucked-up movies, Leo's comic work, and champions The Irishman as underrated. She is bothered by viewers who take the film as a how-to and by tidy trauma-explains-everything backstories. She is a sucker for 90s nostalgia, like Steve Madden loafers, and for a good needle drop.
Stances
Wolf deliberately refuses to explain Belfort away
The Irishman is underrated and detractors are wrong
Catch Me If You Can is the runner-up Leo performance
Excitement and nerves about doing right by One Battle After Another
Humor: Teasing and conversational, comfortable with chaos and personal tangents like shoe collections.
In their words
“Which I think is the most underrated film on this list.” (0:05:29)
Ties Tenenbaums to growing up in a house without a father and loves Gwyneth Paltrow's look and Eli Cash. Sees the film as a 70s/French New Wave hybrid. Champions letting filmmakers grow incrementally. (Attribution of individual remarks is low confidence.)
Stances
Wes Anderson deserves an Oscar
Grand Budapest wouldn't exist without Tenenbaums
Humor: Dry riffs and running gags about the Beckhams and jarred goods.
In their words
“You and I both grew up in a house that our dad didn't live in.” (0:22:46)
A devoted Soderbergh fan, loves baseball and snacking, a Cubs fan, and a sucker for dad-daughter stories and process movies. Likes Moneyball's sentimental core and Pitt's physical restraint.
Stances
Soderbergh's version was fascinating but the finished film is happy
Moneyball is more than a baseball movie, it's a pop cultural phenomenon
Not a stats person
Humor: Wry audience banter, relatable self-mockery about sandals, Mets and snacking.
In their words
“as devoted as I am to the Steven Soderberg project, I am, I am happy that we got the movie that we got.” (0:24:06)
Loves romantic comedies and mother-daughter stories (Pretty Woman, Postcards, Mermaids), plus well-made studio thrillers like The Hunt for Red October. Dislikes authority and anything too tough, and drafts with her heart. Has a soft spot for Whit Stillman and Mike Nichols.
Stances
Pretty Woman is her number-two romantic comedy
Sequel slot: take Die Hard 2 to avoid Look Who's Talking Too
Drafted Metropolitan with her heart, not strategically
Humor: Playfully self-deprecating, with a flair for roasting her co-hosts' obsessions.
In their words
“I don't really like authority very much.” (0:41:45)
“I think I'm going to draft with my heart instead of strategically.” (0:59:49)
“I mean, it's Mike Nichols, one of my faves.” (1:18:24)
Amanda is the skeptic and the Q1-doomer who thinks TV is currently better than movies. She loves Black Bag, The Studio, a good Amanda Seyfried indie, and the original Once Upon a Time in Hollywood. She can't stand cynical IP bait or grim retirement-home talk, and she is wary of any community she'd have to join.
Stances
Creatively TV is in a better place than movies this quarter
Only happy to concede business wins, not quality wins, for Minecraft
Super Mario was the real comp for Minecraft
Does not want to be a burden to her kids as she ages
Will not go to Misericordia-type brutality unprompted
Humor: Dry, deflating interjections and domestic complaints (golf weekend, kids' ages, Hatch), usually landing at Sean's expense.
In their words
“I mean, I just think we're I... Sorry to be the negative person because I know this is like your therapy session and you had a religious experience at Minecraft or whatever, but... We're like, I mean, I think we're just in a really rough time.” (0:28:13)
“I mean, no, I don't want to join any community ever, as you know.” (1:20:22)
“Because I'm taking care of my 2 children while you take my husband golfing.” (1:24:34)
Just returned from maternity leave with a new baby, and a self-declared Harris Dickinson fan. Defends Moulin Rouge as a masterpiece (she was 17 in 2001) and calls Baz Luhrmann a visionary. Wants both Destroyer and Babygirl in the Hall of Fame, and likes Kidman for dismantling her own glamour.
Stances
Babygirl is good, divisive, and its sex scenes are memorable
Women really can have it all, including Destroyer and Babygirl in the Hall
Kidman is great at playing against her own myth
Humor: Warm, self-deprecating, a mother who turns sports loyalties and sleeplessness into jokes.
In their words
“I think this movie is a masterpiece and I think Baz Lerman is a visionary.” (1:11:04)
“What if I want Destroyer and Baby Girl?” (1:57:46)
“I made a joke that I was like, I'm going to raise our children to be Cowboys fans just to mess with you.” (0:33:12)
Loves melodrama and classic Hollywood, Rudolph Valentino and Betty Davis catalog. Famously prefers Babylon's middle two hours to the opening party. Not a fan of animals, high heels, or party excess, and is skeptical of the film's cohesion even as she respects the filmmaking. Likes Singin' in the Rain and old-fashioned show business.
Stances
Babylon's middle two hours are the best
She admires Babylon more than she is in the hive
Admits the film's narrative cohesion is missing while still saying he can make a movie
Humor: Quick, dry needling of her co-hosts (especially Sean's social switch and Chris's habits) delivered while eating Chick-fil-A.
In their words
“I famously really like the middle 2 hours of this movie.” (0:07:04)
“It's not something I don't really want to interact with animals, you know?” (0:09:07)
“But, I mean, he can fucking make a movie.” (2:58:26)
A devoted Mean Girls (2004) fan who also found the musical charming. Loves actresses she believes the Academy undervalues (Greta Lee, Margot Robbie), keeps pushing Oscar chalk, and is a sucker for emotional, parent-centered movies; All of Us Strangers hit her as a mother. Can't stand award-show indignities like airplane-style food, nor True Detective's current season.
Stances
Believes Barbie will be nominated for best picture but win little
Thinks the Academy never respects comedy
Wants the director to give the final speech, not the spouse-producer
Pushes back on the notion of actor-chemistry irrelevance in musicals
Humor: Self-deprecating and quick, riffing on her own life, in-laws, bars, and Whole Foods.
In their words
“This was the 1st movie I think I've ever watched where I was watching it as a mother.” (1:11:58)
“The academy never respects comedy.” (0:42:08)
“I'm perfectly fine if this is the newest Star Wars Born where every 20 years another Otour comes along” (0:54:17)
Loves genre translated by auteurs (Lanthimos as rom-com, Mean Girls, monster movie), costumes, production design, and Tony McNamara's writing. Likes Emma Stone and Lily Gladstone. Can't stand movies that feel like they are looking too hard for something; a sucker for funny costume details.
Stances
Poor Things is flat-out great
The Favourite is Mean Girls
Poor Things and The Holdovers are 8-out-of-10s for her
Reads Poor Things' ending as resignation after exploitation
Humor: Bickers with Sean as a running bit and delivers chaotic parenting anecdotes.
In their words
“I liked it a lot.” (0:33:17)
“And I said, well, because the Oscar nominations are being announced on Tuesday morning” (1:37:25)
Likes Ferrari for its physicality and immersion and Penelope Cruz; The Insider is her number one. Allergic to poor casting and loves things that go fast. Sucker for Europe locations and Adam Driver.
Stances
Cruz carries Ferrari
Woodley is miscast
The Insider is Mann's best
Humor: Wry, dropping deadpan asides and teasing jokes.
In their words
“I really liked it.” (0:07:12)
“once again, I think Michael Mann, for bringing me closer to the people I love.” (1:01:23)
Admires Fincher's genre craft and finds the film propulsive, funny and violent; enjoys the Smiths cues and consumer-culture jokes. More skeptical of reading the movie as emotional, seeing it as cynical and nihilist. Sucker for tiny logistics and travel details.
Stances
The movie is more cynical or nihilist than emotional
Fincher is the chosen one of the American thriller
Netflix canon problem: streamer films feel less real
Humor: Dry, teasing, constantly poking Sean about identifying with the killer.
In their words
“he is the chosen one at the American thriller in the last 30 years.” (0:18:09)
“I think that that is kind of the electricity of it” (0:08:34)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
Their claims
Showing 101–200 of 520 claims.
industry (industry):
Field of Dreams → Amy Madigan.
Madigan's Field of Dreams may not carry weight with British BAFTA voters.
lineage (lineage):
Mercy → Charles Bronson.
They like January thrillers that are souped-up Bronson-style wrongly-accused movies; Mercy's problem is what underlies it.
“basically souped up Charles Bronson movies and Chris Pratt has a gun and is wrongly accused and needs to solve a crime.”
contrast (contrast):
Mercy → Unfriended.
Unlike Searching or Unfriended, being on a computer is not the point of Mercy, which is mostly action seen through grainy cameras.
“Because the movie is not like searching or unfriended, where kind of like being on the computer is the point of the movie that like you need to be on the computer to solve the crime.”
craft (craft):
Sam Raimi → A Simple Plan.
Raimi repeatedly makes characters' own choices, not the system, the cause of their ruin, as in A Simple Plan.
unmapped (shared quality):
Tár → Top Gun: Maverick.
Amanda calls them her two favorites of the year, one for the spectacle of cinema and the other for going for it as capital-C cinema.
“I have 2 favorites of this year, Top Gun Maverick. For the spectacle of cinema and tar for just absolutely fucking going for it, capital C cinema.”
people (collaboration):
Tony Kushner → The Fabelmans.
Amanda notes Spielberg wrote The Fabelmans with Tony Kushner, making it a deep but active collaboration.
theme (plot borrowing):
Downton Abbey: A New Era → Singin' in the Rain.
The Downton film's film-within-a-film plot, with Lady Mary dubbing a silent star, is a pure crib from Singin' in the Rain.
“it's just pure crib from singing in the rain, but it starts as a silent film and then, you know, they go to see uh, the jazz singer”
theme (shared theme):
Pearl → Babylon.
Amanda says Pearl completes a trilogy of 2022 films about the transition to silent film, with Babylon and Downton Abbey: A New Era.
“this completes the trilogy of silent film transition in movies this year between Babylon, Downton, Abbey, and New Era, and Pearl.”
industry (awards loss):
Jennifer Lopez: Halftime → Hustlers.
Amanda's pick is the doc where Lopez loses the Golden Globe nomination for Hustlers on camera.
“She's nominated for a Golden Globe for hustlers for this. And she doesn't win.”
craft (narrator structure):
The Wolf of Wall Street → Goodfellas.
Belfort, like Henry Hill, is the narrator and our way into the world while we watch him get lost in it.
“Well, like like Henry Hill, he is also, the movie is about him, but he is our way into the movie.”
unmapped (real figure / cultural memory):
The Wolf of Wall Street → Steve Madden.
Steve Madden's pump-and-dump appears in Wolf, and the host remembers 90s Madden loafers.
“Steve Madden being a crucial figure of this movie is just very important.”
lineage (genre lineage):
Boiler Room → The Wolf of Wall Street.
Boiler Room, Margin Call and Industry are finance-bro stories that Wolf tops as the mothership.
“if you like these movies about how all the finance bros aren't living the good life, but also maybe not, you know, then this is the ultimate.”
craft (craft):
The Royal Tenenbaums → Mark Mothersbaugh.
The score and needle drops, composed by Mothersbaugh, match Anderson's other films; Hackman's performance is what stands out against them.
“the costuming, the color palette, the, the score, then Mark Mark Mother's ball composes the needle drops”
unmapped (unmade version):
Steven Soderbergh → Moneyball.
The finished film still keeps archival and math, with talk radio replacing direct-to-camera testimony.
“it certainly still has a lot of math instead of people talking directly camera, it uses a lot of talk radio.”
theme (same star, same persona):
Moneyball → F1.
F1 is very Moneyball because Pitt is channeling Billy Beane, the guy who never made it; called a demerit for F1.
“a lot of what Pitt is doing is just channeling Billy, you know? Like the guy who never really made it.”
theme (character type):
Moneyball → Good Will Hunting.
Peter Brand is like the wizard of math everyone is waiting to have his big moment.
“I thought a lot about Goodwill hunting, watching this movie the 2nd time, you know, like the wizard who just kind of needs to tap into everything and all the math”
programming (programming):
Amanda Dobbins → The Hunt for Red October.
Pick 5 (round 2), category action/horror/thriller: Loves the submarine movie; a sequel category took away other action picks.
“So I will be taking in action horror thriller at the Hunt for Red October.”
contrast (contrast):
The Hunt for Red October → Crimson Tide.
Red October is the only submarine setting Amanda would endure; Crimson Tide is too tough.
“the only submarine environment that I would ever want to be a part of, even Crimson Tide is is too tough for me”
lineage (lineage):
Metropolitan → Kicking and Screaming.
Amanda found Stillman and Baumbach's Kicking and Screaming at the same time as 90s indie movies.
“I think I saw Whistleman and Noah Bombach kicking and screaming”
programming (programming):
Amanda Dobbins → Mermaids.
Pick 20 (round 7), category wild card: Remembered seeing it in theaters at five or six; her introduction to Cher.
unmapped (same play):
Gabby's Dollhouse (movie) → A Minecraft Movie.
Gabby's Dollhouse will try the same kid-plus-bridging-parents trick with Kristen Wiig and Gloria Estefan.
“Yes, Gabby's dollhouse is going to attempt to do the same thing.”
industry (studio fortunes):
Mickey 17 → Mike De Luca.
After Mickey 17 came out, the hosts spent weeks saying Warner heads De Luca and Abdy were screwed.
“we just spent a month and a half post-Mickey 17 talking about how Mike DeLuca and Pam Abdy are screwed.”
contrast (contrast):
A Minecraft Movie → World of Warcraft.
Earlier video game movies were for grownups and mostly did not do well or earn quality credit.
“Mortal Kombat. World of Warcraft, you know, all of that stuff.”
craft (craft):
Babygirl → INXS.
A needle drop, 'Never Tear Us Apart', lands when the affair starts hitting hard; Reijn later calls it a song from Kidman's character's generation.
“In excess never tear us apart. I think is the song that hits when their affair starts really hitting hard.”
industry (industry):
Big Little Lies → Reese Witherspoon.
Kidman and Witherspoon doing prestige TV turned the tide for movie stars on television and started the book-adaptation wave.
“It's also, it starts the whole Reese Witherspoon thing, the book adaptation thing.”
industry (bar marketing):
Poor Things → Game of Thrones.
A bar manager made a Poor Things martini because he liked the film, just as he did for Game of Thrones, which is not studio viral marketing.
“sometimes they did it for Game of Thrones. And then they just did it for poor things.”
craft (style reference):
Dominic Sessa → The Strokes.
Sessa's red-carpet look reads as Fab Strokes early-2000s revival, which the hosts credit for his public profile.
“he's just dressed like one of the strokes, right?”
contrast (star-part contrast):
Nyad → True Detective.
On True Detective Foster has a star part executed by a star, whereas Nyad's Bonnie is a second-banana part to Bening's star part.
“It's a star part on true D, executed by a star. And Naiad, that Naiad part is not a star part.”
people (acting pedigree):
Ferrari → Parallel Mothers.
Penelope Cruz could be nominated for Ferrari because she was nominated for Parallel Mothers, which almost nobody saw, since she is as admired as Streep or Blanchett.
“every time she shows up, she could be nominated because she's so, uh, so admired as an actor and usually brings it.”
fun, about
Mulan:
Amanda would drop the love interest entirely; she is the world's number one romantic comedy fan but hates when a liberated heroine still gets a wedding.
“Why do we need a love interest? Let's just let her”
fun, about
Aladdin (live action remake):
The live action Aladdin ends with Will Smith doing 'Friend Like Me' with a DJ remix over the credits; the hosts earlier joke about crying over Will Smith credit songs.
“At the end of Aladdin. He just does friend like me, but with DJ Collin.”
fun, about
Miracle on 34th Street:
The case turns on sacks of Santa mail the Post Office delivered, dumped on the judge's desk; if the government delivers it, Santa is real.
“they just bring in bag after bag of mail and just dump it on the judge's desk”
fun, about
Trolls World Tour:
Hosts joke the title is hard to pronounce, like the 'rural juror' bit from 30 Rock, just as it becomes the most important movie in cinema.
“It's like the it's like the rural juror from 30 Rock.”
fun, about
Mandalorian / HBO Max:
Confession of signing up for Disney Plus instantly for the Favreau show 'because I'm 11 years old', and the same for the Soderbergh movie on HBO Max.
“I want to see John Fabreau's TV show about bounty hunters because I'm 11 years old.”
fun, about
Sean Fennessey's Zoom:
He sits 20 feet from the laptop, projecting Zoom on his TV like a bond villain, and bolts out of frame to yell trivia answers.
“he sits 20 feet away from the computer and projects it on his screen like he's some sort of bond villain”
fun, about
Portrait of a Lady on Fire:
The hosts mock-crowned it best picture of 2020 on a prior episode and tell upset listeners 'We make the rules'; many listeners said they loved it because of that episode.
fun, about
Long Shot:
At South By Southwest, Boyz II Men showed up on screen and the room lost it; at the end of the film they came out and performed Motown Philly. Sean says it beat most movies of the year.
“boys men just showed up and perform Motown Philly. And, uh, it was it was better than probably any movie I saw last year.”
fun, about
Mission: Impossible – Fallout:
Real news anchors in fictional movies should stop; Wolf Blitzer's Fallout cameo is the sole exception because it's Ethan Hunt in disguise, and Pat Kiernan has the best agent in New York.
fun, about
Gemini Man:
The hosts walked out of Gemini Man and Sean lectured Amanda about the future of movies on level 3 of a parking structure at the Grove.
“while Sean just told me about the future of movies and I was like, I'd like to go home.”
fun, about
Little Women:
Amanda's closing argument for Greta Gerwig: she taps into the experience of being a woman and having thoughts, giving the feeling men describe having about their favorite schools of filmmaking. The table goes misty.
“holy shit, that's I didn't know you could do that, but also you were in my brain.”
fun, about
Star Wars (A New Hope):
Amanda was once asked to recite the plot of Star Wars and gave an intense analysis of the Luke and Leia sexual tension and the trash chute, yet never mentioned the Death Star.
“I gave the entire plot with like intense analysis of the sexual tension between Luke and Leia and then also Han Solo and the trash chute”
fun, about
Once Upon a Time in Hollywood:
Amanda's favorite scene is Brad Pitt on the roof, which she calls the lightning bottle moment for Brad Pitt season.
fun, about
The Last Waltz:
Amanda's college boyfriend forced her to watch it as the most important thing she'd ever see; she was bored.
“I mean, it's just the last waltz is a movie that my college boyfriend sat me down and made me watch and was like, this is the most important thing that you'll ever see.”
fun, about
Captain Marvel:
Amanda's biggest nitpick: Maria's daughter, six years old then, remembers Carol and explains her whole life through a scrapbook.
“That kids do not remember people from when they are 5 and 6 years old.”
fun, about
The Ringer:
Amanda wants a pop-up video for Avengers movies noting this actor is also that character; Sean says it might be a Ringer series.
“I need like your pop-up video, but for Avengers movies”
fun, about
Captain Marvel:
A running joke about the origin: some guys were mean to her, then she swallowed all of space and time after her boss crashed a plane.
“her boss crashed it and so she had to swallow all of space and time.”
fun, about
Captain Marvel:
Sean calls the film a perfectly good time with explosions and lasers, but the pressure of being first prevents calling it another adequate Marvel movie.
fun, about
Black Widow and Hulk (hypothetical):
Amanda pitches a Black Widow and Hulk love story, and the Seinfeld-style question of Superman and Lois Lane gets raised.
“Marvel should just do a Black Widow and Hulk movie and just make it a love story.”