Loves movie-star, over-the-top, kinetic filmmaking (JFK, The Verdict, A Few Good Men) and old-school craft; favors Paul Newman. Willing to admire films he doesn't believe in. Sucker for big speeches and taste-making directors.
Stances
Courtroom drama must be in the courtroom: no legal thrillers, no 12 Angry Men
JFK is a masterpiece despite being hogwash
Winner of the A Few Good Men scene is Tom Cruise
Humor: Mock-legalistic framing and affectionate hyperbole.
Loves the theatrical culture of places like Alamo Drafthouse, pedigreed auteurs (Fincher, Nolan, the Coens), and deep film-history binges. Can't stand corporate pettiness dressed as principle, and thinks The King's Speech beating The Social Network should die in a fire. A sucker for trivia glory and big awards-season structure (wants 75 awards).
Stances
Theaters will survive as a boutique business but wide-scale moviegoing will not last five years
Netflix's lead of finished movies makes it well positioned for the Oscars
Windowing will change and studios will test higher VOD price points
Humor: Mock-grandiose and self-aware, with bits like hosting a five-day awards festival and running out of frame during trivia.
In their words
“There should be 75 awards.” (0:50:42)
“I'm just trying to have a cinematic experience at all times.” (1:06:36)
Loves big, noisy, auteur and genre-bending work: The Lighthouse, Midsommar's ending, Alita and 6 Underground action, Gemini Man, Triple Frontier. Wants more categories and a nine-hour ceremony; adores Paul Walter Hauser and Uncut Gems. Can't stand news-anchor cameos in fiction and Oscar-bait homogeneity.
Stances
Wants more Oscar categories, not fewer
Spider-Man's post-credits scene counts as an ending
Defends Midsommar and The Lighthouse
Wants a casting Oscar and a best first feature
Humor: Cheerfully obsessive and self-mocking about his hobby-horse enthusiasms (the minute-by-minute Lighthouse podcast), with mock-legalistic rule enforcement.
In their words
“I will be starting one of those for the lighthouse.” (0:52:43)
“I personally would like there to be a 9 hours Oscar ceremony.” (0:12:22)
“Have you ever been sewn inside of a bear skin and lit on fire in a giant triangle.” (0:45:39)
Loves Parasite, Marriage Story, Little Women, Uncut Gems and champions Toy Story 4. Prickly toward Joker-style noisy awards bait, wants more fun and weirdness at the Oscars. Sucker for Hark segments and sporting analogies.
Stances
Academy has a taste gap against pop culture and women's stories
He loves The Cabin in the Woods, It Follows and The Witch and likes discussion-making horror like Get Out, but he distrusts elevated-horror branding. He wants to be physically dominated by a horror film, and says he is dead inside and cynical, so he is impressed when a film makes him feel something.
Stances
Get Out is the best horror film of the decade
Elevated horror is an ugly phrase
Horror needs something supernatural or extraordinarily visceral to qualify
Wingard is creative but ultimately disappointing
Humor: Deadpan needler of his guest who takes bits to their end, like the Tim Apple joke.
In their words
“I tend to think there has to be something either supernatural or extraordinarily visceral about the movie to qualify.” (0:10:18)
“I think I'm pretty dead inside and very cynical.” (0:11:46)
Loves big, event-level filmmaking and prizes one great movie over a great season of TV; he is a champion of Once Upon a Time in Hollywood and of Tarantino and Anderson. Likes working through discourse and being a guide who tells friends what to see or skip. Has a soft spot for old-fashioned Hollywood comedy and for Mike Nichols.
Stances
One great movie beats prestige TV
Disney's dominance is overwhelming but not to be underestimated (Cameron)
Streaming may hollow out comedies made without theatrical money
Was surprised and moved by Luce
Humor: Dry deadpan teasing of co-hosts with running bits and impressions, such as PTA at D23.
In their words
“I still would always, always, always rather have one great movie than an experience like that.” (0:52:42)
“And that's why this is the big picture and not the watch.” (0:52:43)
Loves long things, big-tent Oscar movies (Ford v Ferrari, Once Upon a Time) and the business and career-arc angle of franchises. Skeptical of Tom Hooper and unclear streaming strategies; cares about artists controlling their image. As interviewer he probes how Garfield picks directors.
Stances
Homecoming is long, not boring, and great because of Beyonce the performer
Guava Island lacks a strategic purpose and sits outside Glover's mission
Under the Silver Lake has been slightly mischaracterized in the press
Humor: Self-deprecating wonk who plays his own wounded vanity for laughs and teases Amanda with Star Wars archetypes.
In their words
“I'm a big fan of long things.” (0:05:20)
“I am confused about what the strategic purpose of something like that is.” (0:11:33)
“This is upsetting how you have targeted my feelings.” (1:07:11)
Fennessey likes fun, audience-pleasing superhero movies that do something different and cares about tone and the business of the DCEU. He is curious about process, and is a fan of the filmmakers he interviews. He enjoyed Shazam!, though he found the final fight less effective.
Stances
DC's turn from interconnection to standalone movies is interesting and lower-risk
Shazam!'s first half works better than its punch-up ending
Wants to know how directors communicate what is in their heads
Humor: Dry and teasing, as in his mock-eager 'Can't wait for the trench.'
In their words
“I thought Shazam was a very fun and entertaining movie” (0:01:41)
“I don't think that part was as effective.” (0:05:55)
Loves origin-story craft done efficiently, Ben Mendelsohn, indie directors like Boden and Fleck, and Annette Bening. Bothered by surface-level 90s nostalgia, a rickety Marvel mythology load, and a character too powerful for stakes. Sucker for comic lore and for character actors.
Stances
Captain Marvel is rickety, overstuffed, and does too many jobs
Boden and Fleck taking a big-studio job is understandable, not a sellout
Captain Marvel is too powerful to build tension around
Wonder Woman did the origin story better
Humor: Dry teasing of Amanda's comic-book blind spots and deadpan asides about names like Yon-Rogg.
In their words
“I can't believe Jan Rag is the name of a character that I'm talking about on a podcast.” (0:07:03)
“he is one of my favorite living people.” (0:35:58)
“it's funny to see, you know, the McDonald's Happy Meal version of those movies in a lot of ways.” (0:25:50)
Defends Roma as a masterpiece worth reclaiming, loves Spider-Verse (the self-declared devotee), and takes Avengers: Infinity War seriously. Likes craft people with a through-line (Libatique, Corwin). Cannot stand the Oscars' song performances and the Green Book result.
Stances
Green Book winning is a farce
Bohemian Rhapsody should not be taken as great cinema
Spider-Verse beats Sense and Sensibility
Humor: Deadpan and bit-driven, with running gags like the Close Zone and the jar of cold fusion.
In their words
“I am putting my money down right now that says Spider-Verse better than Sense and Sensibility.” (1:00:25)
“green book winning best picture is a farce.” (0:22:56)
Loves GLOW and big, sincere genre movies, and is a hardcore former WWE kid who still lights up at Beyond the Mat. Treats wrestling movies as an industry phenomenon worth tracking. Is a sucker for lists and double features.
Stances
Fighting with My Family signals a more refined era of movies and wrestling
Rocky is the template for sports films
Wants guests' favorite lists (loves the 500-movie idea)
Humor: Dry, quick teasing, such as his joke about Michael B. Jordan in a Junkyard Dog biopic and Die Hard 8 or a Red Desert remake.
In their words
“I'm a huge fan of that show.” (0:03:35)
“I remember being a such such a hardcore WWE fan when that came out” (0:15:27)
“This is exactly my sort of thing.” (0:51:34)
“imagine Michael B. Jordan signing up for, you know, the junkyard dog biopic right now.” (0:09:47)
Loves a clear narrative and critics' consensus picks; Roma, Beale Street and Spider-Verse are his side. Cannot stand the HFPA and films that claim truth while drawing criticism. Sucker for Queen songs and Mahershala Ali.
Stances
Green Book and Bohemian Rhapsody are not the best of the year
Globes versus critics is a problem for Roma and Star
Academy is lost without a plan
Humor: Mock-outrage escalation and self-aware yelling about a meaningless award show.
In their words
“I don't hate green book.” (0:10:42)
“We have to be able as a society and also as people who freaking vote on awards” (0:14:47)
Loves films that are sincere, meta and inventive, and praises vocal performance and rap on a soundtrack. Quick to dismiss the generic superhero origin slog and the lowered bar of Aquaman. A sucker for comic-book feel and a good casting parlor game.
Stances
Spider-Verse is extraordinary and unlike any animated movie
Origin stories are overdone, but the film subverts the trope
Rooting for it to win best animated feature
Having several Spider-Man continuities is a lot for a weekly film writer
Humor: Dry, self-deprecating, acting the aging man and the adult who tucks in his shirt.
In their words
“It's absolutely fantastic.” (0:01:29)
“I now find myself rooting for it for this strange silly award.” (0:29:24)
Loves Oscar-season contenders and deep conversations with filmmakers; says he just really loved Eighth Grade. Little else is stated in this trailer.
Stances
The Big Picture is moving out of the channel 33 feed into its own feed
Will cover more Oscar contenders and filmmaker interviews
Humor: Brief and promotional; no real jokes in the trailer.
In their words
“We're going to keep bringing you more banter about this year's Oscar contenders and more deep conversations with the filmmakers behind them” (0:00:17)
Loves the lean, tightly-told Spielberg entertainments like Jurassic Park and Raiders, and rates Close Encounters and Schindler's List highly. Is lukewarm on E.T. and Munich and a skeptic of the long-form Spielberg-as-prestige push. A sucker for Tom Cruise talk and Day-Lewis.
Stances
Jaws is the perfect movie
Munich is overrated
E.T. is fine but not a favorite
Close Encounters deserved a higher spot than he gave it
Humor: Dry, needling, and self-aware about the show's habits (Tom Cruise riffs, 'safe space').
In their words
“The more I look at my list, the more boring it feels to me.” (0:18:42)
“Will there ever be a podcast where you and I don't talk about what Tom Cruise should do next?” (1:02:21)
Admires the craft of this film and wants to know how directors build rhythm and performance. Interested in awards, box office and streaming. Ends interviews with a last-great-thing question.
Stances
Curious about how a chamber piece becomes propulsive
Presses on awards and box office
Humor: Dry and light; teases with a superhero question and the Friday sing-along.
In their words
“So no superhero movies coming from you anytime soon?” (0:22:54)
“I will start applying the Friday sing-along.” (0:19:03)
Loves the MCU best and thinks it is the most important film business now. Frames everything in industry terms: genre cycles, infrastructure, risk. Skeptical of DC's lack of voice and Snyder.
Stances
Superhero movies are the only movies of consequence in studios
Marvel's strength is infrastructure and filmmaker choice
Genres are most vulnerable when they seem strongest
Humor: Dry host asides and self-deprecation, like claiming empathy for Scott Summers.
In their words
“what matters is the infrastructure.” (0:55:28)
“are never more vulnerable than when they seem strongest.” (0:55:31)
Loves uncomfortable, unusual comedy and says he really loved Lemon. Draws lines from film to TV (Curb, Atlanta) and reaches for Twin Peaks as a tonal comparison. Likes ending interviews on what people are watching.
Stances
Lemon is awkward, fascinating and deeply unusual
Awkward comedy has evolved from Curb
Humor: Dry, teasing; jabs at the guests and himself.
Interested in directors' careers and the industry's shape; pushes on obsession, failure and reception. Notes how many filmmakers now pitch TV. Knows his jungle-film canon.
Stances
Frames Gray as a great American filmmaker deserving more notice
Curious how the Amazon release and streaming change moviegoing
Humor: Dry and light; mostly a straight interviewer.
In their words
“Yeah, Bird of Dream, sure.” (0:07:04)
“You have resisted the urge to make a TV project.” (0:30:24)
“I'm curious that you've partnered with Amazon to release the movie.” (0:26:31)
Calls himself one of America's preeminent Mank defenders and watched it four times in the 2020 Oscar season. Loves Citizen Kane, Paramount in the 70s, and the studio-hand-as-auteur idea. Dislikes Mank-mid takes that he thinks are phony and a Welles-defense posture he calls bullying.
Stances
Mank is a summation of Fincher's worldview and his father's influence
Welles defenders are bullying, not bullied
The Offer is compellingly bad but he finished all ten episodes
Netflix should not be Fincher's only home
Humor: Dry film-critic asides and confessions of excess, like watching Saw X at ten in the morning.
In their words
“I watched it 4 times in the Oscar season of 2020 to 2021.” (0:17:23)
“I don't do drugs.” (0:14:39)
“I not only watched it but I completed it.” (1:06:08)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
The Rewatchables
Apex Mountain: The moment a star peaks; where on the mountain a performance sits.
Who Won the Movie: The hosts name the person who came out of the film best off.
The Ebert review: Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show.
Casting what-ifs: Who was almost cast, or who should have been.
Most rewatchable scene: The scene each host would stop on while flipping channels.
Aged best / aged worst: What holds up and what does not.
Picking Nits: The little things in a film the hosts love that they don't think totally work: the nits.
Double feature: The film each host would pair it with; a programming pick.
Their claims
Showing 1,101–1,200 of 1,576 claims.
programming (programming):
Nancy Meyers → Alfred Hitchcock.
Director-filmography episodes (Hitchcock, every Meyers movie) dictate what the hosts have to watch.
industry (industry):
1917 → Once Upon a Time in Hollywood.
A friend says 1917 may be the last big awards-worthy global release before the gate closed, alongside Joker, Once Upon a Time and Endgame.
“we might look back on 1917 as the last movie that got in before the gate closed”
what-if (what-if):
The Butterfly Effect → Steven Spielberg.
Sean wants the Butterfly Effect redone with Spielberg and Colin Farrell and a better script.
“what if this was Steven Spielberg and Colin Farrell”
contrast (contrast):
Alex Garland → Christopher Nolan.
Sean would trade a Nolan-size budget on Garland for another Garland film over another Nolan film.
programming (programming):
Dick Johnson Is Dead → Sean Fennessey.
Sean tells everyone to watch Dick Johnson Is Dead as proof small personal films still reach people.
“I would recommend all people just watch Dick Johnson as dead”
industry (industry):
Guardians of the Galaxy → The 40-Year-Old Virgin.
A famous guest's point: Marvel movies are comedies and Guardians effectively replaced mainstream studio comedies.
“Guardians of the Galaxy is a comedy, and Guardians of the Galaxy has effectively replaced mainstream comedies”
theme (theme):
Chadwick Boseman → Heath Ledger.
Sean says the only comparable unexpected Hollywood losses in 20 years were Heath Ledger and Philip Seymour Hoffman.
“the only 2 examples I could think of really in the last 20 years that were even close to this were obviously Heath Ledger and and Philip Seymour Hoffman's deaths”
career (career):
Chadwick Boseman → Da 5 Bloods.
Sean cites Boseman's choice of complex real-life roles (Thurgood Marshall, Jackie Robinson, James Brown) and Da 5 Bloods.
“if you look at his Portrait of Thurgood Marshall or Jackie Robinson or James Brown, and even his role in this year's The Five Bloods, the Spike Lee movie.”
lineage (lineage):
Mulan → Beauty and the Beast.
Sean places Mulan at the end of the 90s Disney peak run that included Beauty and the Beast, Little Mermaid, Aladdin, and The Lion King.
“it is really kind of at the end of the peak of that 90s Disney run with Beauty and the Beast and the Little Mermaid and Aladdin and the Lion King and Mulan.”
contrast (contrast):
Mulan → The Lion King.
Sean says the Lion King and Aladdin remakes hewed too close to the originals, while Mulan overcorrected by not knowing what was good in its source.
“I think Aladdin and the Lion King, I thought, worked a little bit too hard to retain the tone and the approach and story of the original films.”
lineage (lineage):
Mulan → Star Wars: Episode VIII – The Last Jedi.
Sean says the remake made him think most of The Last Jedi and the sequel trilogy, turning Mulan into a Rey type figure.
“The movie I thought of the most while watching this movie is the last Jedi.”
people (people):
Niki Caro → Mulan.
Sean says Caro's earnest, humorless films centering women make her a logical pick but tonally wrong for Mulan.
“all of her films have one thing in common, which is they're kind of humorless. They're very earnest, dramatic stories that center women in the middle of the frame.”
industry (industry):
Mulan → Daryl Morey.
Sean compares the Mulan China controversy to the NBA's controversy after Daryl Morey's tweet last year, another Disney-style cultural flashpoint with China.
“we saw a version of this conversation in the NBA last year when Daryl Morey tweeted”
career (career):
David Lowery → Pete's Dragon.
Sean notes Lowery has already made a live action Disney remake, Pete's Dragon, before Peter Pan and Wendy.
“Peter Pan and Wendy from David Lowry, who has previously made a live action remake, Pete's Dragon”
lineage (lineage):
Scott Pilgrim vs. the World → Baby Driver.
Sean says Wright's music-synced action staging, perfected in Baby Driver, begins with Scott Pilgrim.
“The perfectly synchronized music to action staging the Wright Perfected and Baby Driver starts with Scott Pilgrim.”
lineage (lineage):
Scott Pilgrim vs. the World → The Matrix.
Sean breaks the staging down into influences: Bruce Lee, The Matrix, and Phantom of the Paradise.
“It's one part Bruce Lee, one part the Matrix, one part Phantom of the Paradise.”
career (career):
Scott Pilgrim vs. the World → Chris Evans.
Sean says the cast now reads like the greatest hits of Marvel, DC, Disney and HBO, and the movie seems to wink at their future work.
“This movie's linup now looks like the greatest hits of the MCU, DCEU, Disney and HBO lineups.”
industry (industry):
Scott Pilgrim vs. the World → Iron Man.
Sean says two years earlier audiences were stunned that a comic hero could be sarcastic, and Scott Pilgrim is self-aware and glib in a way Watchmen, Batman and Superman were not.
“only 2 years before that, people were blown away that Iron Man was kind of a dick with a sarcastic attitude.”
lineage (lineage):
Scott Pilgrim vs. the World → Deadpool.
Same claim: Deadpool's fourth-wall breaking was made possible by this movie breaking it down.
“Deadpool, for example, can't happen or like the Lego movie can't happen or into the Spider-Verse.”
what-if (what-if):
Scott Pilgrim vs. the World → Ellen Wong.
Sean and Jason suggest a sequel would have to decenter Scott and follow Knives and Ramona.
“Maybe that's the way to do the sequel is to make it the knives movie.”
career (career):
Edgar Wright → Spaced.
Sean says the pacing in the bread-makes-you-fat scene comes from Wright's 25 episodes of Spaced and from Shaun of the Dead.
“that's from doing 25 episodes of Spaced and doing Shauna the Dead.”
lineage (lineage):
Scott Pilgrim vs. the World → Baby Driver.
Sean says Wright used this film to work out his rhythm, pacing and use of music, so Baby Driver does not exist without it.
“there is no baby driver without this movie in terms of like the rhythm and the pacing and the way that he uses music.”
career (career):
Scott Pilgrim vs. the World → Last Night in Soho.
Sean notes Scott Pilgrim is an outlier because Wright mostly makes original stories, and that Last Night in Soho, his horror film, was bumped to next year.
“we were supposed to get last night in Soho in September and it got bumped to next year, his next movie, which is a horror movie.”
programming (programming):
To Kill a Mockingbird → A Few Good Men.
Left off the list as more homework than pleasurable; the list favors twisty, speechifying, overacting movies.
career (career):
Stanley Kramer → Inherit the Wind.
Kramer made issue-oriented parables: The Defiant Ones, Inherit the Wind, Judgment at Nuremberg, Mad World, Guess Who's Coming to Dinner.
“films that were sort of parables for ideas in the culture”
contrast (contrast):
The Verdict → ...And Justice for All.
Justice for All was tonally all over the place and didn't make the list; The Verdict is a diamond.
craft (craft):
Hank Corwin → JFK.
Corwin's aggressive flash-cutting across film stocks, the Zapruder film and archival footage defines JFK's editing, and he later helped Adam McKay on Vice.
“this incredible commercial influence flash cutting style that he does in this movie, which, you know, is liable to, you know, give you a seizure.”
fun, about
Jack Black:
Sean's gloss on Black's character: Steve is the Christopher Columbus of Minecraft, an interloper colonizing a land he did not originate.
“He's sort of the Christopher Columbus of the Minecraft world, I would say.”
fun, about
Misericordia:
Murder in movies is elegant and thrilling; this film is closer to real murder: blunt, quiet, distancing. Sean calls it a movie for the sickos.
fun, about
The Ballad of Wallace Island:
A fan pays a once-famous duo to play on a private island for him alone; it sounds creepy but is the sweetest movie Sean saw all year, maybe too sweet.
“In fact, it's probably the sweetest movie I've seen this.”
fun, about
The Ballad of Wallace Island:
Sean's Franz Ferdinand story: he spent an afternoon in the lead singer's apartment while profiling them, and has loved the band ever since.
“I was hanging out in the lead singers apartment for the day.”
fun, about
The Assessment:
Alicia Vikander plays an adult assessor who acts as a three-year-old in the couple's house; she nails the tantrums and defiance.
fun, about
On Becoming a Guinea Fowl:
Sean saw it with a packed house; a woman finds her dead uncle in the road, with serious tone and absurdist touches.
“Um, I solicit idiots in a pack with a packed house and had a really good experience seeing it.”
fun, about
Presence (Soderbergh):
Soderbergh, as camera-ghost, tiptoeing around the house in grippy socks; a metaphor for how he sees himself, a ghost haunting humanity.
fun, about
Nicole Kidman:
Her Letterboxd four favorites were Clueless, The Piano Teacher, The Piano and A Woman Under the Influence, though guests are tipped off beforehand to prep.
“Um, you know, I love Letterbox, but they're, these people are getting tipped off beforehand that they're going to get asked by Letterbox, so they're prepping.”
fun, about
Moulin Rouge!:
A rant against the film, singing Smells Like Teen Spirit in a can-can, from a host who says it makes him want to be shot in the face.
“But with turn of the 20th century, France singing smells like teen spirit in a can can.”
fun, about
Babygirl:
The dog-and-cookie scene: Samuel calms a dog with a cookie, then offers her one. In Sean's screening that is where the laughter started.
“In my screening, that's when everyone started laughing was the, do you want one scene with the cookie?”
fun, about
Gladiator:
Chris calls the original arguably the last truly practical blockbuster, right before Lord of the Rings, Harry Potter and Spider-Man.
“it's arguably the last truly practical blockbuster.”
fun, about
Gladiator II:
Lucius being Maximus's son: Maximus slept with Lucilla while having his own kid, which the panel finds funny in a strength-and-honor way.
“Well, it's also just like, that means Maximus was like fucking Lucilla right when he was having his own kid.”
fun, about
Denzel Washington:
Denzel is both multi-Oscar-nominated and the surest box-office draw who skips Marvel, and here plays a bisexual, earring-wearing schemer.
“He's really struck this harmonious balance in his 70s of being wildly acclaimed multi-Oscar nominated actor.”
fun, about
Denzel Washington:
Denzel's Esquire as-told-to piece about getting sober, plus his Oscar-voting jabs, made this an unusually fun promo cycle.
“he did this esquire as told 2 piece that is fascinating about his life and getting sober”
fun, about
Gladiator II:
Real monkey business: Dondus the monkey really did nibble fruit and, per the panel, relieve himself on Fred Hechinger's shoulder.
“That was a monkey shitting on Fred Heckinger's shoulder.”
fun, about
Babylon:
The cold open joke: the show's tagline is replaced with a gag about who wants to see someone's dad fight a snake, referencing the film's rattlesnake scene.
“And this is the Big Picture, a conversation show about who wants to see my dad fight a fucking snake?”
fun, about
Babylon:
Framing of the whole movie as a 'we're so back, it's so over' manifestation: everything good and bad about Hollywood and the 21st-century promise of movies.
“this movie is the perfect manifestation of, we're so back, it's so over.”
fun, about
Oppenheimer 4K:
The Oppenheimer 4K and Blu-ray sold out; a Variety piece by Todd Gilchrist covered it, and Nolan urged buying physical copies over streaming.
“they had sold out and people were like, we've never seen this before.”
fun, about
Wings of Desire:
Wim Wenders told Sean the film's negative was wrong, and he and his DP and editor always knew; the restored version is the intended one.
fun, about
Black Hat:
The Arrow Black Hat 4K includes a recut with a significant sequence moved to the front, making it more coherent but maybe less disorienting.
fun, about
Zulawski box set (Eureka):
Eureka box with The Third Part of the Night, The Devil, On the Silver Globe; waited for a sale under $50 and loved all three.
“there is an Andrews, uh, Andre Zalowski box set that Eureka makes, but possession's not in it.”
fun, about
Indicator Boetticher box:
Daughter adopted the colorful Indicator Budd Boetticher Westerns box as her favorite toy without seeing any of the films.
fun, about
Oscars 2024:
Amanda delayed the birth of her child for the Oscar nominations announcement, and the hosts joke they are first responders for awards.
“the woman who delayed the birth of her child for the Oscar nominations announcement.”
fun, about
Mickey 17:
Mickey 17 (Bong Joon Ho, Robert Pattinson) has been undated by Warner Bros.; hosts debate whether it is awards timing, Dune 2, or Zaslav, and note Pattinson gets parental leave.
“my number one most anticipated movie of 2024 has been undated”
fun, about
Maestro (Bradley Cooper):
Cooper learned crane technique from del Toro for the On the Town sequence; the hosts joke about him buying a farm near Gigi Hadid and say they should remake Witness together.
“They should they should remake witness together.”
fun, about
Poor Things (script of the sex scenes):
Sean notes Emma Stone is in about 14 sex scenes and as nude as a major American star rarely is; second viewing, Amanda found there were too many.
“It's very, very unusual for an American movie star to be in like 14 sex scenes in a movie”
fun, about
Poor Things (Jerrod Carmichael):
The hosts agree Carmichael, a funny stand-up, is miscast; he is deadpan in a movie whose cast bounces off McNamara's rhythm.
fun, about
Poor Things (socialist line):
Bella says she and her friends are 'our own means of production'; the hosts credit it as a clever moment and tease Bobby and Amanda's politics.
fun, about
Poor Things / The Da Vinci Code:
A riff on Bella's inverted-triangle hair leads to asking whether Bella is Robert Langdon's great-grandmother.
“Is Bella, Dr. Robert Langdon's great grandmother.”
fun, about
The Big Picture:
A joke at the end: a live audition for the next producer, plus plans for an Iron Claw episode and a possible New Year's Eve Aquaman 2 solo.
“Raw audio. Maybe we should have a live audition for the next producer of the big picture.”
fun, about
The Killer:
Opening hit: the killer needs heart rate below 60, kills a woman instead of the target, then flees by rented scooter to change in a dirty tire-shop bathroom.
fun, about
The Killer:
The killer's work playlist is only The Smiths, on an iPod nano; others include a yoga playlist. He listens to Girlfriend in a Coma while buying a trash bucket at Home Depot to put a body in.
“he is listening to girlfriend in a coma when he goes to a Home Depot to buy a trash bucket to put a dead body in.”
fun, about
The Killer:
The killer's disguise is inspired by a German tourist: bucket hat and khaki jumpsuit, which is basically what Fincher wore to the Q&A.
“he wears a bucket hat in a kind of khaki jumpsuit, which is basically what David Fincher wore to the Q and A after the film.”
fun, about
The Killer:
The killer's aliases are all 70s sitcom character names (Archie Bunker among them), a gag the hosts say lands because nobody checks anything anymore.
“they are all names of 70s sitcom characters, which is an incredible joke”
fun, about
The Killer:
New Orleans: Charles Parnell's secretary zip-ties herself on his orders and begs not to be disappeared so her kids get the life insurance; the killer thinks 'forbid empathy.' Her car scream is the film's one non-subjective moment.
fun, about
The Killer:
The Green River killer quote at the open echoes the band Green River, who were not on Sub Pop, so 'it all comes back to grunge.'
“there was a band named Green River that was not signed to subpop.”
fun, about
Killers of the Flower Moon:
At 3:26 on 3,800 screens it may be the longest widely released movie of the century, and a live check of Gettysburg (4:21) gets no theatrical box office listing.
“I am live Googling Gettysburg, the movie, the 1993 film.”
fun, about
Killers of the Flower Moon:
The Lily Gladstone and DiCaprio dining-room promo still that became a meme for years turns out to be one of the movie's two or three most important scenes, and plays differently in motion.
“It is also like one of the 2 or 3 most important scenes in the movie.”
fun, about
Killers of the Flower Moon:
The coda is a 1930s FBI-sponsored radio show with sound-effects men, a live orchestra, and Jack White; Scorsese appears on screen reading Molly's obituary and adds that there was no mention of the murders.
“Martin Scorsese shows up on the screen. Um, as Marty, basically. And um, and reads her obituary.”
fun, about
Rodrigo Prieto:
The cinematographer also shot Taylor Swift videos and may DP her forthcoming directed feature; hosts float having him on during Oscar season.
“he's also shot a few Taylor Swift videos and may or may not be the DP on the forthcoming Taylor Swift directed feature film.”
fun, about
Jack Fisk:
Per an NYT Magazine piece, Grann saw Fisk had researched how billiard halls kept score; Sean wants him to build a billiard-room barbershop for the Ringer.
“every studio executive listening, you need to stop spending your $250 million on garbage VFX and you need to spend it on Jack Fisk, just building shit.”