Likes the Apes franchise but has only seen the first two; cares about filmography and box-office context. Hard on bloated, calculated star vehicles. Attributions to David are low confidence because the transcript is unlabeled.
Stances
The 2001 film is indefensible
Hype and release dates drove production
Studios chase sequels nobody wants
Humor: Dry, sarcastic tangents about box office and franchises.
Fact-checks on a laptop, pulling dates and biographical trivia (Kinnear's Indiana roots, box office facts); lines individually attributed to him are low-confidence.
Stances
Keeps the episode on movie facts via the computer
Doesn't wear glasses
Humor: Wry deadpan and pointed film-business commentary.
In their words
“I should just note for anyone listening, David has a computer and you're getting the dates with that.” (1:02:09)
“See, I'm not glasses wear.” (0:31:09)
Blank Check with Griffin & David: Flesh+Blood (host)
Likes this movie more in the first half and gets bored by the plague second half. Defends John Hughes, Planes Trains and Automobiles, Breakfast Club. Fond of box office trivia and the 1985 weekend. Cannot stand rambling.
Stances
Second half becomes boring chaos
Hughes's first film is gross
Verhoeven becomes an impressionist of blockbusters
Humor: Dry quips, wordplay and deadpan reactions.
In their words
“I do see, I like this movie more in the 1st half where I think it's more achieving what it wants to do.” (1:12:10)
“Uh, Plan Strans and automobiles is a masterpiece.” (1:34:21)
Loves box office history and the box office game, character acting, and a well-made Spielberg set piece. Cannot stand underwritten leads, miscast villains and nostalgia as a defense. Is a sucker for Austin Powers and a wrong-footed sequel pitch.
Stances
The sequel is dramatically inert
Jurassic Park is a one-movie concept
Nostalgia should not canonize bad films
Humor: Dry, sarcastic one-liners and exaggerated nitpicking, plus comedic fury about the Crichton island names.
In their words
“I just think it's a horrible screenplay full of bad ideas that are totally disjointed.” (0:31:15)
“I don't think there is a great Jurassic Park sequel that could possibly be made.” (0:33:30)
“We have to stop canonizing things just because we saw them when we were young.” (1:39:46)
A working film critic who respects the filmmaking craft but is unforgiving of incoherence; likes actors like Bob Balaban and Jeffrey Wright and notices careful details like casting and release data. Cannot stand a film he finds unwatchable or toxic, as with My Old Lady. A sucker for box office numbers and critic-baiting trivia.
Stances
Lady in the Water is awful and unwatchable
The scrunt looks terrible
Critic characters in movies are usually unfair
Humor: Dry, quick riffs and deadpan dismissals, plus pop-culture cross-references.
In their words
“Where you lose me is the idea that this is a watchable film.” (1:49:10)
The Atlantic film and television critic who adores RDJ's charm and will watch anything out of Oscar completism. Hates showy awards bait and the Dobkin comedy style. Fond of The Godfather, The Apostle, Sam Raimi, and spaceship movies, and says he'd take a dumb spaceship movie over a dumb adult drama.
Stances
Downey was hurt by Marvel; indies are risky for him
Duvall's nomination was a veteran's default, not a sign of quality
The Judge is worse than The Phantom Menace
Humor: Dry deadpan, quick pile-ons, and overdramatic dismissals of bad movies.
In their words
“I am a film and television critic for the Atlantic.” (0:04:50)
“I just want to say this movie is a lot worse than Star Wars episode one of the Phantom Menace.” (1:09:46)
“I'd rather take a dumb spaceship movie than a dumb adult drama.” (1:10:26)
David is an Atlantic critic and box-office nerd who has written about what Hollywood failed to learn from Avatar. He loves the movie as a sincere crowd-pleaser and compares it to Top Gun: Maverick. He is exasperated by writers' rooms and 'director bullshit' he loves.
Stances
Hollywood learned the wrong lesson from Avatar
Avatar and Way of Water should be bet on
Cameron is always right
Humor: Jokey and wry, trading gags about plagiarizing Griffin's takes.
In their words
“I lifted this right from Griffin.” (0:45:17)
“If James Cameron thinks I need 4 Avatar sequels, then I need 4 Avatars.” (1:42:09)
“I also write movie reviews of the Atlantic.” (1:49:02)
Film critic who writes for the Atlantic; likes Joel Kinnaman, For All Mankind and Michael Keaton's rhythms. He is hard on the film but follows the industry context closely. A sucker for box-office trivia and the Mets.
Stances
The film is humorless and a waste of its cast
The grounded Nolan-style reboot wave ended with this film
The suit and the lack of a physical villain are the failures
Humor: Dry asides and tangents, like his Lord of the Rings Gollum-hunt pitch.
In their words
“I wrote their obituaries.” (0:01:32)
“What if you made it about them looking for Golem when he's not around?” (1:36:15)
Fond of the Tom Cruise character-actor mode over movie-star mode; reads the film through its production history and cutting. Dislikes Mr. & Mrs. Smith and Road House. Admires the 2014 slate but ranks Edge near the top.
Stances
Edge is Cruise's unheralded fulcrum performance
The Liman-McQuarrie-Cruise triangle is why it works
Does not want a sequel
Humor: Dry, argumentative asides and cinephile one-liners.
A big Cronenberg fan and a video game kid (Game Boy Camera, Perfect Dark). Likes Villeneuve and Dune but is skeptical of Linklater and Soderbergh episodes that run thin.
Stances
Cronenberg is his Lynch
Dune and Villeneuve deserve an extended look
Skeptical of directors who just try stuff
Humor: Dry deflation and piling on Griffin's bits.
In their words
“Pronenberg is kind of my lynch.” (0:42:28)
“One of my favorite games, this is David Sims speaking” (0:23:16)
Reads the dossier and runs the box office game, with a film-historian's interest in distribution and Oscar history. Skeptical of calling things masterpieces. Has less Lynch background than Griffin and Ben, and is mostly seeing the filmography fresh.
Stances
Parent Trap is not a masterpiece
Lynch's career deserves the miniseries
The box office game gives context to a release
Humor: Dry corrections and pointing out others' mistakes, plus tangents like Grimace.
In their words
“I think a couple of the things you have as masterpiece are a stretch.” (0:09:19)
A Banderas devotee who logs everything on Letterboxd and is drawn to flops and Hollywood context. Finds this film dull and the lead miscast, but likes the idea. Sucker for 1999 box-office detail.
Stances
Banderas is miscast in a realism-minded part
The film is a middling watch
Humor: Dry sarcasm and mock outrage.
In their words
“I have never seen a performance that I feel he is phoning in because he has so much energy as a performer.” (0:47:56)
A working critic who saw the film at a guild screening with Fincher and Walker and relays the Q&A; ranks Zodiac first and Alien 3 high. He likes pulpy genre craft, Soderbergh and Hit Man comparisons, and box-office detail.
Stances
The Killer is Fincher doing a stripped-down genre exercise
Netflix business strategy hurts both Fincher films
Alien 3 is bleak and underrated
Humor: Dry, deadpan ranking-banter and tangents on the weekend box office.
In their words
“I think he said it was 5 days of shooting, but it was 5 weeks of rehearsal.” (1:18:08)
“He said it was Prometheus and Haywire, which makes sense.” (1:17:06)
Likes Mank and Fincher, calls it an airy delight, and interviewed everyone on the crew for his Atlantic story. Loves the Hearst-party scenes and the machinery of Hollywood development. Dislikes the Mank writing frame and The Offer's spirit.
Stances
Mank is more fun than its reputation
The writing frame is the least interesting part of the movie
He likes Mank but not Promising Young Woman
Humor: Sarcastic and deflating, with sudden bits like showing character posters during The Offer.
In their words
“This movie is fun.” (0:20:02)
“I interviewed everyone involved with this movie.” (0:02:09)
“I watched them both in the same night, so they're mushing together in my brain.” (2:01:06)
A working critic who loves Gone Girl as a stylish pulp thriller and keeps a running grudge about the Oscars snubbing it. Fond of craft detail (lighting, gaffers) and old-fashioned stardom talk, and a self-described soft touch on Netflix when they make something good. Wary of bad Netflix-Fincher imitations.
Stances
Gone Girl deserved cinematography, editing and score nominations
Netflix prestige now looks like a diluted Fincher
He is nice to Netflix when it makes something good
Humor: Dry, with groaners and name-mangling bits that the others pounce on.
In their words
“Look, if they make something good,” (0:30:56)
“And when I interviewed Michael Mann, which I just did.” (2:43:38)
“I also was deep in watching 8000000 lawyer movies for a big picture draft episode and I did not want to take on also trying to get through 2 seasons of Mindhunter.” (3:04:06)
Treats Dragon Tattoo as a comfort movie he likes more every rewatch; loves Christopher Plummer's 80s, cold murder, Fincher's craft. Dislikes hot murder and feel-bad-is-good-for-you talk. A sucker for Plummer, Muppets-era nostalgia and a rewatch-conversion story.
Stances
Best 80s of any actor
I want cold murder
Aloha now rules.
Humor: Dry, deadpan; lands the hot take then undercuts it.
In their words
“I like it more every time I rewatch it, which I think is true for a lot of people.” (2:24:32)
A critic who ranks The Social Network number one of 2010 and calls it one of the most rewatchable films of modern history. Likes tight genre craft and thinks the movie became a genre. Cool on The Big Short and the lesser Facebook-adjacent films.
Stances
The Social Network is the best film of its decade
The Big Short rips it off
The film is a harbinger of how culture works
Humor: Dry, with deadpan asides and long riffs on Hollywood business.
In their words
“I have the social network at number one of 2010.” (0:09:14)
“I mean, I think the big short, which is not a movie I love, is the most obvious movie that's ripping off the social network” (0:11:44)
Frames Zodiac against its 2007 competition and talks about its craft precisely. Coined the phrase 'a movie where the look of it makes your teeth hurt'. Treats Zodiac as a comfort-food movie despite the subject.
Stances
Zodiac is Fincher's masterpiece
Digital cinematography can be stunning
The 2007 slate was loaded
Humor: Gleeful, self-aware, quick to riff on bits (the squirrels).
In their words
“Those knives, Griffin, that I have, in my chair back there, they're covered in blood.” (0:01:03)
“This is a movie where the look of it makes your teeth hurt.” (1:10:47)
Their shows' recurring bits
Running bits, not opinions; a critic read aloud is cited, not present.
The Big Picture
Drafts: Hosts and guests draft films in rounds; every pick is a recommendation with an argument.
Hall of Fame: A star's or director's best, ranked and argued.
Countdowns: Ranked lists, top five or top ten.
Blank Check with Griffin & David
The box office game: Guessing the film's opening weekend and what it was up against.
The sung theme: "Blank Check with Griffin and David", sung; the transcriber garbles it.
Their claims
Showing 901–1,000 of 1,091 claims.
unmapped (dismissed):
Meryl Streep → The Laundromat.
Worst Putters and Murmurs: dislikes her slightly haunted older lady mode and the brown-face.
career (career):
Don Cheadle → Devil in a Blue Dress.
His late-90s emergence in Devil in a Blue Dress and Out of Sight made every appearance worth waiting for.
“he was in like devil in a blue dress and out of sight and things like that.”
contrast (contrast):
Joaquin Phoenix → Benedict Cumberbatch.
Cumberbatch is a classically trained actor who can make pretend feel real; Phoenix is an autodidact who cannot.
“classically trained theater actor who is like, I can make pretend things feel real.”
craft (craft):
Tom Hardy → Joaquin Phoenix.
Like Hardy jumping into the lobster tank, Phoenix likes surprises in front of him that a green-screen movie cannot give.
career (career):
Alan Taylor → Game of Thrones.
Taylor was hired as the Game of Thrones helmsman; the studio's note was to make the film feel more like Game of Thrones.
“We want to make this feel more like Game of Thrones.”
craft (craft):
Thor: The Dark World → Game of Thrones.
The film aims for a grounded, muddy fantasy in the Game of Thrones manner, away from Branagh's version.
“We want to make a more grounded fantasy away from the bran off.”
what-if (what-if):
Thor: The Dark World → Patty Jenkins.
Jenkins is described as the director Natalie Portman wanted, and Portman left the franchise after Jenkins was fired without her approval.
what-if (what-if):
Thor: The Dark World → Natalie Portman.
Portman had approval over director and script; the Jenkins firing is why she was done with these movies.
“She didn't have anything on the Alan Taylor thing, and she was like, I'm done with these.”
industry (industry):
Thor: The Dark World → Iron Man 3.
This and Iron Man 3 are the first Marvel films with no Paramount logo before the Avengers logo.
“this and Iron Man 3 are the 1st 2 movies fully devoid of Paramount, right?”
theme (theme):
Thor: The Dark World → Crazy Rich Asians.
Like Crazy Rich Asians, the real romance is the lead and the mother figure; Thor's love is figurehead-level.
“Crazy Rich Asians is really the romance between her and the mother”
industry (industry):
Thor: The Dark World → Thor.
Dark World opened to 85 million, up from 65 for the first Thor, but is the lowest grossing sequel in the MCU.
“It's also the lowest grossing sequel in the MCU.”
what-if (what-if):
Thor: The Dark World → Thor: Ragnarok.
Thor: Ragnarok also loses Sif and Natalie Portman's Jane; the speakers wish Sif had returned for Endgame.
craft (craft):
Thor: The Dark World → Kramer Morgenthau.
After naming the cinematographer, the speaker says the film has its own look, palette and cinematic language, distinct from Iron Man 3.
contrast (contrast):
Thor: The Dark World → Guardians of the Galaxy.
The next film, Guardians, becomes candy colored, which is what that film needs, versus this serious look.
“you get to like Guardians next and it like becomes like candy colored”
contrast (contrast):
Thor: The Dark World → Iron Man 3.
Each Phase 2 film has its own look: this one is serious, Iron Man 3 resembles a 90s action film, Winter Soldier approximates a Sydney Pollack movie, Guardians is candy colored.
contrast (contrast):
Thor: The Dark World → Thor: Ragnarok.
The Dark World's palette feels like watercolor fantasy illustration; Ragnarok is full Kirby comic book.
“closer to like watercolor illustrations in a fantasy novel.”
industry (industry):
Thor: The Dark World → Avengers: Infinity War.
The ether is the second Infinity Gem; the speakers tally the stones across Mind, Space, Power, Reality, Time and Soul films.
craft (craft):
Thor → Thor: Ragnarok.
The first Thor looks too clean; Ragnarok overcorrects to cartoony comic splash page; the Dark World's polished gold sits between.
career (career):
Anthony Hopkins → Red Dragon.
After Hannibal money, Hopkins appeared in Red Dragon, which is a remake of Manhunter but worse, ruining the franchise per his son.
industry (industry):
Bohemian Rhapsody → Bryan Singer.
The speakers say Bohemian Rhapsody's critics are partly about its director, and joke about Singer becoming president.
theme (theme):
Thor: The Dark World → While You Were Sleeping.
Jane's fake-out (it was all a dream) is likened to While You Were Sleeping with Peter Gallagher and Bill Pullman.
theme (theme):
Thor: The Dark World → Alita: Battle Angel.
Griffin's line from his Alita review frames this film: he is defenseless before silly sci-fi epics that dump lore through a simple hero's journey, like Jupiter Ascending, Valerian, Aquaman.
“Think of films like Jupe, ascending, Valerian, Aquaman, colorful mega budget, nonsense splash into a grand canvas.”
programming (programming):
Thor: The Dark World → Guardians of the Galaxy.
The Collector mid-credits scene already shows the Guardians' comic space weirdness; the speaker thinks James Gunn directed it.
lineage (lineage):
Thor: The Dark World → Doctor Who.
Marvel in general is indebted to Doctor Who's tone of lightness, comedy, hope and teamwork, especially the Russell T Davies era.
“I think Marvel in general is very kind of indebted to Doctor Who with the same tone of like lightness and comedy and hope and team teamwork.”
craft (craft):
Joss Whedon → Serenity.
Answers the 'TV guy' worry about the Avengers trailers by pointing at Serenity as proof Whedon can direct with visual panache.
“Serenity is an incredibly well-directed movie with a lot of visual panache.”
people (people):
Tom Hiddleston → Thor.
Notes Loki's first-film look/context; Ben hasn't seen Thor or Cap in the lineup, which is why they watched them today.
“We've recorded these 3 episodes, Thor, America, and Avengers.”
industry (industry):
Jeremy Renner → Iron Man 2.
Hawkeye is set up here in Thor and Avengers rather than earlier; Renner is brainwashed for most of the film and complained about it.
“for like the 1st one hour and 50 minutes he's brainwashed and he's just as like, yes, Loki, whatever you say.”
craft (craft):
Joss Whedon → Iron Man 2.
Whedon told Marvel that Black Widow had not really been set up in Iron Man 2 and the character foundations were shaky.
“I took a look at that Iron Man 2 picture. you had, didn't notice a lot of character work.”
contrast (contrast):
The Avengers → Olympus Has Fallen.
The opening tunnel car chase is dismissed as Olympus-Has-Fallen-level dull, though later Marvel films do it more elaborately and no better.
industry (industry):
The Avengers → The Incredible Hulk.
Pre-Avengers grosses (Iron Man ~300, Hulk ~150, Cap ~170) suggested a glass ceiling; the unaccounted factor was the movie being very good.
“And then the X factor I wasn't considering was, what if movie very good?”
what-if (what-if):
Mark Ruffalo → Joaquin Phoenix.
Ruffalo and Phoenix were the short list to replace Norton; Feige keeps courting Phoenix (Doctor Strange too) and Phoenix only did Joker because it was twisted.
“Kevin Feige is always trying to get Joaquin Phoenix to do one of these movies.”
career (career):
Scarlett Johansson → Iron Man 2.
The Avengers uses Johansson (and Black Widow's Russian-scene vulnerability-as-weapon) better than anything since 2003, and better than Iron Man 2's secretary-spy version.
“This is the better version of that where he's like, she has been trained in a weird Russian program to be able to manipulate anybody.”
programming (programming):
Captain Marvel → The Avengers.
Captain Marvel is a 1990s prequel in which Fury still has both eyes, bringing back Coulson/Fury; they predict nineties-reference gags.
industry (industry):
Harry Dean Stanton → The Avengers.
The cameo was written as a nine-page Hulk conversation, shot in full, cut to a beat; the long version is on the DVD.
“there should be like a 9 page dialogue scene with the Hulk talks with an old security man about the nature of humanity and they shot all of it”
programming (programming):
The Avengers → Guardians of the Galaxy.
Thanos' Chitauri subcontracting sets up the cosmic films; Guardians is next on their Marvel list.
contrast (contrast):
The Avengers → Avengers: Age of Ultron.
Age of Ultron opens with the team already together and Fury in hiding, so it is a sequel to five films rather than to Avengers.
“Avengers 2 can't be a sequel to Avengers one. It has to be a sequel to 5 other moments.”
contrast (contrast):
The Avengers → Man of Steel.
Man of Steel's similar downtown destruction finale feels unreal with random civilians; Avengers grounds it in the street.
industry (industry):
Joss Whedon → Justice League.
Warner brought Whedon in after filming to retroactively make it more like Avengers, with reshoots adding jokes and replicated family cutaways.
“they bring in Joss Whedon after they've filmed the entire movie and go like, can you retroactively make it into more like Avengers?”
craft (craft):
Captain America: The First Avenger → Thor.
Both Marvel origin films avoid dropping the audience straight into a stylized world and open on a grounded genre set-up.
“This is the exact same structural thing as Thor, where it's like, let's not drop people into crazy stylized world.”
craft (craft):
Hugo Weaving → Werner Herzog.
Weaving built his Red Skull on a Herzog impression, with the same merciless anthropological view of humanity.
lineage (lineage):
Captain America: The First Avenger → Iron Man 2.
The Stark Expo of the 1940s is the origin of the Expo seen in Iron Man 2, now as the full World's Fair version.
“Like what we see in Iron Man 2, but now it's like the full like 40s World Fair version.”
fun, about
Doctor Sleep (title):
The title comes from Danny's humane way of easing people dying in a hospice, a minor thread; some say it should have been Shining 2.
“It's funny that the title of the movie comes from like his very humane way of helping people be at ease before they die, a very sort of minor plot thread.”
fun, about
A Clockwork Orange:
Kubrick pulled the film from Britain a year after release and it stayed out until his death; it was banned in Ireland until 1999.
fun, about
A Clockwork Orange:
McDowell scratched his cornea during the eyedrop scenes and the numbing wore off in the car; a speed bump felt like a razor blade.
fun, about
Dr. Strangelove:
The release was delayed by the Kennedy assassination; a speaker also notes the President is the last reasonable president in an American satire, because Kennedy was in office.
“this movie was delayed because of the assassination of Kennedy.”
fun, about
Terry Southern:
Sellers gave Kubrick The Magic Christian, which brought Southern in; the dossier read is that Kubrick wrote it, George inspired it, and Southern made it funny.
“JJ's read on the screenplay, though, is that it's Dubrick wrote it.”
fun, about
Dr. Strangelove:
The first page of the screenplay says the story will be played for realistic comedy and the acting will never be so-called comedy acting.
“The 1st page of the screenplay says, the story will be played for realistic comedy”
fun, about
Gene Kelly:
The original plan for Jack D. Ripper was Gene Kelly. Kubrick then cast George C. Scott, who asked to play Turgidson instead, and brought in Sterling Hayden.
“You know who the original plan was to cast for Jack D. Ripper, the Sterling Hayden Row?”
fun, about
James Earl Jones:
Jones had a big role questioning the mission; Kubrick decided he did not want the protesting crew member to be a Black actor and cut it. Jones told him he took the part for the cut material.
“eventually Kubrick decided he didn't want the guy protesting to be a black guy and cuts everything out.”
fun, about
Dr. Strangelove:
Kubrick wrote down about thirty alternate titles, including Wonderful Bomb, Dr. Doomsday, and Dr. Strangelove's Secret Uses of Uranus.
“The weird one is Dr. Strangelove's secret uses of Uranus.”
fun, about
Kirk Douglas:
In Munich the rewritten script had a happy ending; Douglas threatened to walk. Kubrick calmly said he wanted a commercial hit.
fun, about
Kola Kwariani (Nick the Wrestler):
A former wrestler Kubrick met through chess circles, he died at 77 after fighting five teenagers outside his chess club.
“He was 76 years old and he was leaving his regular chess club where he played and he was jumped by 5 teenagers”
fun, about
Fear and Desire:
The poster sells a 'half animal girl' with an illustration of a kissed neck, making the war movie look supernatural.
“An illustration of, uh, Paul Mizurski kissing her neck that makes it look consensual, and says, fear and desire, trapped for desperate man, and a strange half animal girl.”
fun, about
Alien: Covenant:
Originally titled Alien: Paradise Lost; Damon Lindelof was going to write it before bailing, then John Logan, with a first script by the Transcendence writer and a Michael Green rewrite.
“Initially, it was going to be called Alien Paradise Lost.”
fun, about
Ridley Scott:
Scott gave interviews saying there would be no aliens or xenomorphs, then reversed; the hosts wonder if it was him or the studio telling him to put aliens in.
“initially Scott was giving these interviews where he was like, there won't be aliens”
fun, about
Alien: Covenant:
The online prologue with James Franco and Noomi Rapace is not in the film; the initial cut ran about 2.5 hours and Scott trimmed the franchise stuff.
“it was this thing with James Franco, who is not in this movie, although you see him in like photos.”
fun, about
Ron Perlman:
The basketball shot: Weaver actually sank it over her shoulder on a quick take and Perlman's reaction is real; no visual effects.
fun, about
Sigourney Weaver:
Weaver would not let toys be made with guns for years; Resurrection was the only time, and no collector figure for 15 years after.
“one of the key reasons was because she didn't want her action figures coming with guns.”
fun, about
You've Got Mail:
The box office for December 18, 1998: You've Got Mail at number one, ahead of Prince of Egypt, A Bug's Life, Star Trek: Insurrection, and Jack Frost.
“So number one, though, it's you've got mail, $18 million.”
fun, about
Jack Frost:
The animatronic Jack Frost snowman was built from the likeness of George Clooney, who dropped out late; Michael Keaton replaced him.
“But they built it off of the likeness of the actor who was supposed to play the title role who dropped out very late.”